| Composition |
Score attributes |
| Arrangement of Symphony No. 8, Op. 93 (Beethoven, Ludwig van) for piano 4 hands |
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| Arrangement of Symphony No. 6, Op. 68 (Beethoven, Ludwig van) for piano 4 hands |
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| Arrangement of Symphony No. 1, Op. 21 (Beethoven, Ludwig van) for piano 4 hands |
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| Arrangement of Symphony No. 4, Op. 60 (Beethoven, Ludwig van) for piano 4 hands |
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| Arrangement of Symphony No. 3, Op. 55 (Beethoven, Ludwig van) for piano 4 hands |
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| Jägerchor: 'Wie lebt sich’s so fröhlich im Grünen' (No.8) from Rosamunde, D.797 (Schubert, Franz) for mezzosoprano, mixed chorus and orchestra |
vocal score |
| Passacaglia, Op. 80 (Merikanto, Oskar) for organ |
— |
| Motets à voix seule (Campra, André) for voice and continuo or voice, strings and continuo |
selections |
| Motets (Bernier, Nicolas) for voice and continuo or 2 voices and continuo or 3 voices and continuo or voice, 2 violins and continuo or 2 voices, 2 violins and continuo or 3 voices, 2 violins and continuo |
— |
| Les nymphes de Diane (Bernier, Nicolas) for 2 voices and continuo |
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| Ecco quel fiero istante, K.436 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
— |
| Ecco quel fiero istante, K.436 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
parts |
| Mi lagnerò tacendo, K.437 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass, 2 clarinets and basset horn |
— |
| Mi lagnerò tacendo, K.437 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass, 2 clarinets and basset horn |
parts |
| Più non si trovano, K.549 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
— |
| Più non si trovano, K.549 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
parts |
| Nisi Dominus, H.160 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass, mixed chorus and continuo |
— |
| Se lontan ben mio, tu sei, K.438 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass, 2 clarinets and basset horn |
— |
| Se lontan ben mio, tu sei, K.438 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass, 2 clarinets and basset horn |
parts |
| Trio Sonata in G major, H.583 (Bach, Carl Philipp Emanuel) for 2 violins and continuo |
— |
| Trio Sonata in D minor, H.569 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Motets, Livre 2 (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 2 voices, 2 violins and continuo or 3 voices and continuo |
— |
| Motets, Livre 2 (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 2 voices, 2 violins and continuo or 3 voices and continuo |
selections |
| Motets, Livre 1 (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 3 voices and continuo |
— |
| Motets, Livre 1 (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 3 voices and continuo |
selections |
| Motets, Livre 3 (Campra, André) for voice and continuo or 2 voices and continuo or 3 voices and continuo or soprano, alto, tenor, bass, mixed chorus and orchestra or soprano, alto, tenor, bass, mixed chorus and continuo |
— |
| 12 Madrigali per cantare e sonare (Luzzaschi, Luzzasco) for soprano and continuo or continuo and 2 sopranos or continuo and 3 sopranos |
— |
| Ariette a voce sola, Op. 6 (Strozzi, Barbara) for voice and continuo |
— |
| Livre 1 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
— |
| Livre 2 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
— |
| Livre 3 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
— |
| Diporti di Euterpe, Op. 7 (Strozzi, Barbara) for voice and continuo |
— |
| Gloria in excelsis Deo, C.99 (Clérambault, Louis-Nicolas) for voice and continuo |
— |
| O salutaris hostia, H.262 (Charpentier, Marc-Antoine) for soprano, 2 oboes and continuo |
— |
| Miserere, H.157 (Charpentier, Marc-Antoine) for 2 sopranos, 2 flutes and continuo |
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| Pour Ste. Anne, H.315 (Charpentier, Marc-Antoine) for continuo and 2 sopranos |
— |
| Veni creator Spiritus, H.69 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Oboe Concerto, FaWV L:g1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
— |
| Oboe Concerto, FaWV L:g1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
parts |
| Concerto à 7, FaWV L:G11 (Fasch, Johann Friedrich) for 2 oboe da caccias, 2 bassoons, 2 violas and continuo |
— |
| Arie, Op. 8 (Strozzi, Barbara) for voice and continuo or voice, 2 violins and continuo |
— |
| Oboe Concerto, FaWV L:a1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
— |
| Oboe Concerto, TWV 51:e1 (Telemann, Georg Philipp) for oboe, strings and continuo |
— |
| Oboe Concerto, TWV 51:e1 (Telemann, Georg Philipp) for oboe, strings and continuo |
parts |
| Petites Pieces per il Cembalo Solo (Bach, Carl Philipp Emanuel) for keyboard |
— |
| Now is the Month of Maying (Morley, Thomas) for 5 voices |
— |
| Dainty Fine Sweet Nymph (Morley, Thomas) for 5 voices |
parts |
| Shoot, False Love, I Care Not (Morley, Thomas) for 5 voices |
parts |
| Willkomm' du Licht aus Licht geboren, FaWV deest (Fasch, Johann Friedrich) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Livre d'orgue de Limoges (Various) for organ |
— |
| Motetti a due voci, Op. 10 (Cazzati, Maurizio) for 2 voices and continuo |
— |
| 4 Slovak Folksongs, Sz.70 (Bartók, Béla) for 4 voices |
— |
| Due pupille amabili, K.439 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
— |
| Due pupille amabili, K.439 (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
parts |
| O Give Thanks unto the Lord (Croft, William) for 4 voices, strings and continuo or alto and organ or 5 voices, mixed chorus, strings and continuo or 2 voices, mixed chorus and orchestra |
— |
| Oboe Concerto in E-flat major, H.468 (Bach, Carl Philipp Emanuel) for oboe, strings and continuo |
— |
| Motets, Livre 4 (Campra, André) for voice and continuo or voice, violin and continuo or voice, flute and continuo or 2 voices and continuo or 3 voices, strings and continuo |
— |
| Trio Sonata in C major, H.571 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Trio Sonata in A minor, H.572 (Bach, Carl Philipp Emanuel) for flute, violin and continuo or 2 violins and continuo |
— |
| Trio Sonata in D major, H.575 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Bleibe bei uns denn es will Abend werden (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Lehre mich tun nach deinem Wohlgefallen (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
— |
| Also hat Gott die Welt geliebet (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Ich will meinen Geist ausgießen (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Der hinunter gefahren ist (Stölzel, Gottfried Heinrich) for alto, tenor, bass, mixed chorus and orchestra |
— |
| Geht hin und lehret alle Völker (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| 8 Sonatas à 4 in F major (Stölzel, Gottfried Heinrich) for oboe, horn, violin and continuo |
selections |
| Befiehl dem Herrn deine Wege (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
— |
| Saget der Tochter Zion siehe dein Heil kommt (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
— |
| Komm herein du Gesegneter des Herrn (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
— |
| Ehre sei Gott in der Höhe, H.352 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Uns ist ein Kind geboren (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Küsset den Sohn daß er nicht zürne (Stölzel, Gottfried Heinrich) for alto, tenor, mixed chorus and orchestra |
— |
| Sehet welch eine Liebe hat uns der Vater erzeiget (Stölzel, Gottfried Heinrich) for alto, tenor, mixed chorus and orchestra |
— |
| Sind wir denn Kinder so sind wir auch Erben (Stölzel, Gottfried Heinrich) for soprano, bass, mixed chorus and orchestra |
— |
| Erkennet doch daß der Herr seine Heiligen wunderlich führet (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
— |
| Jauchzet ihr Himmel freue dich Erde (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
— |
| Gehet zu seinen Toren ein (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
— |
| So nimm doch nun Herr meine Seele von mir (Stölzel, Gottfried Heinrich) for alto, tenor, bass, mixed chorus and orchestra |
— |
| Der Herr hat Großes an uns getan (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
— |
| Ehre sei Gott in der Höhe, FaWV D:E1 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Motets, Livre 5 (Campra, André) for voice and continuo or voice, violin and continuo or voice, oboe and continuo or 2 voices and continuo or 3 voices, 2 flutes and 2 violins |
— |
| Prelude and 6 Organ Sonatas, Wq.265 (Bach, Carl Philipp Emanuel) for organ |
— |
| Nisi Dominus in D major, FaWV I:N1 (Fasch, Johann Friedrich) for alto, tenor and orchestra |
— |
| Es ist eine Stimme eines Predigers, F.89 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Ein Lämmlein geht und trägt die Schuld (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Requiem, ZWV 45 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Scelta d'Arie Composte per suo diletto (Martinez, Marianne) for strings and soprano or soprano and orchestra |
— |
| Amor vittorioso (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Magdalena lugens, H.343 (Charpentier, Marc-Antoine) for voice, 2 violins and continuo or voice, 2 viols and continuo |
— |
| Les neuf repons pour le mercredi saint, H.111-119 (Charpentier, Marc-Antoine) for 2 sopranos, alto and continuo or continuo and 2 sopranos or alto and continuo or soprano, alto and continuo or soprano and continuo |
— |
| O Jesu amantissime (Campra, André) for 2 voices, 2 violins and continuo |
— |
| Luci care, luci belle, K.346/439a (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
— |
| Luci care, luci belle, K.346/439a (Mozart, Wolfgang Amadeus) for 2 sopranos, bass and 3 basset horns |
parts |
| Trio Sonata in A major, H.570 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Trio Sonata in C major, H.573 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Flute Sonata in E major, H.506 (Bach, Carl Philipp Emanuel) for flute and harpsichord |
— |
| Violin Sonata in F major, H.511 (Bach, Carl Philipp Emanuel) for violin and harpsichord |
— |
| Violin Sonata in B-flat major, H.513 (Bach, Carl Philipp Emanuel) for violin and harpsichord |
— |
| Motetti a 8 voci, con il suo Basso continuo, Op. 52 (Cazzati, Maurizio) for 8 voices and continuo |
— |
| Le quattro antifone annuali della B. V. Maria, Op. 42 (Cazzati, Maurizio) for voice, 2 violins and organ |
— |
| Canzonette a voce sola, libro 4, Op. 43 (Cazzati, Maurizio) for voice and continuo |
— |
| Deutsches Hochamt, MH 602 (Haydn, Michael) for 2 voices, 2 horns and organ |
— |
| Lytaniæ Lauretanæ, MH 74 (Haydn, Michael) for 4 voices, strings and continuo |
— |
| Trio Sonata in G major, H.574 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
— |
| Cantates Françoises (Bernier, Nicolas) for voice, violin and continuo or voice and continuo |
— |
| Einen andern Grund kann niemand legen (Stölzel, Gottfried Heinrich) for soprano, bass, mixed chorus and orchestra |
— |
| Ich habe Lust abzuscheiden (Stölzel, Gottfried Heinrich) |
— |
| Dialogus Inter Angelos et Pastores Judæ In Nativitatem domini (Charpentier, Marc-Antoine) |
— |
| Antiphonia sine organo ad Virginem (Charpentier, Marc-Antoine) for 2 sopranos and alto |
— |
| Laudate Dominum, H.182 (Charpentier, Marc-Antoine) for 3 sopranos and alto |
— |
| Epitaphium Carpentarij (Charpentier, Marc-Antoine) |
— |