| Composition |
Published |
| 7 Stücke, Op. 145 (Reger, Max) for organ |
|
| Aria: Ombra mai fu (Act I) from Arrangement of Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for violin and piano or violin, piano and harmonium |
1905 |
| In Memoriam, Op. 91 (Gernsheim, Friedrich) for organ and strings |
1915 |
| Der Rattenfänger von Hameln, Op. 260 (Sartorio, Arnoldo) for piano |
1896 |
| 3 Geistliche Gesänge, Op. 91 (Lorenz, Karl Adolf) for female chorus |
1913 |
| Karfreitag, Op. 84 (Lorenz, Karl Adolf) for soprano, alto and organ or soprano, alto and harmonium or soprano, alto and piano or soprano, mezzosoprano and organ or soprano, mezzosoprano and harmonium or soprano, mezzosoprano and piano or female chorus and organ or female chorus and harmonium or female chorus and piano |
1911 |
| Winfried, Op. 30 (Lorenz, Karl Adolf) for soprano, tenor, baritone, bass, mixed chorus and orchestra |
1916 |
| Arrangement of Symphony No. 4, Op. 43 (Glass, Louis) for piano 4 hands |
1914 |
| Morija, Op. 9 (Faisst, Clara) for voice and piano or voice and organ |
1905 |
| Rose im Thal (Faisst, Clara) for voice and piano or voice and organ |
1904 |
| Arrangement of Mignon (Morley, Oscar) for piano |
1895 |
| 3 Fest-Fantasien für Himmelfahrt und Pfingsten, Op. 110 (Gulbins, Max) for organ |
1922 |
| 3 Festfantasien, Op. 105 (Gulbins, Max) for organ |
1919 |
| 2 Kleine Fantasien, Op. 221 (Reinecke, Carl) for piano |
1893 |
| Arrangement of 4 Geistliche Lieder, Op. 71 (Becker, Albert) |
|