| Composition |
Score attributes |
| Though Amaryllis Dance in Green (Byrd, William) for mixed chorus or 2 sopranos, alto, tenor and bass |
— |
| The Eagle's Force (Byrd, William) for 2 sopranos and alto or 2 sopranos and tenor |
— |
| Chaconne des Scaramouches from Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
— |
| Chaconne des Scaramouches from Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
parts |
| Passacaille (Act V) from Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
— |
| Passacaille (Act V) from Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
parts |
| Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian) for keyboard |
selections |
| No.2. Pass'e mezzo antico from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
— |
| O magnum mysterium (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| Ciaccona, Op. 12 No. 20 (Merula, Tarquinio) for 2 sopranos and bass |
— |
| Ave Maria…virgo serena, NJE 23.6 (Josquin Desprez) for 4 voices or mixed chorus |
— |
| Nymphes des bois / Requiem, NJE 29.18 (Josquin Desprez) for 5 voices |
— |
| The Silver Swan (Gibbons, Orlando) for 5 voices |
— |
| Selections (Act II, Sc.I) from L'Amfiparnaso (Vecchi, Orazio) for soprano, alto, 2 tenors and bass |
parts |
| Mass for 5 Voices (Byrd, William) for soprano, alto, 2 tenors and bass |
— |
| Al mormorar de liquidi cristalli (Gastoldi, Giovanni Giacomo) for 6 voices |
— |
| Canzon I 'La Spiritata', Ch.186 (Gabrieli, Giovanni) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Canzon nona 'La Battera' (Antegnati, Costanzo) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Recercare del quarto tono (Mayone, Ascanio) for organ |
— |
| Lieto godea sedendo, Ch.113 (Gabrieli, Giovanni) for 8 voices |
— |
| Passacalio, Op. 22 No. 25 (Marini, Biagio) for 2 violins, viola and continuo |
— |
| Surrexit pastor bonus (Victoria, Tomás Luis de) for mixed chorus or 2 sopranos, alto, 2 tenors and bass |
— |
| Ave Maria for 8 Voices (Victoria, Tomás Luis de) for 2 mixed chorus or 2 sopranos, 2 altos, 2 tenors and 2 basses |
— |
| Es ist ein Ros entsprungen (Praetorius, Michael) for soprano, alto, tenor and bass or mixed chorus |
— |
| Selections: 13 correnti from Sonate, arie et correnti, Op. 3 (Uccellini, Marco) for lute and violin or violin and continuo or 2 violins or 3 violins or 2 violins and continuo or trombone and violin |
— |
| 9 Sinfonie from Varie sonate, sinfonie, gagliarde, brandi, e corrente, Libro 3 (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos |
— |
| Varie sonate, sinfonie, gagliarde, brandi, e corrente, Libro 3 (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos |
— |
| 6 Gagliardas from Varie sonate, Libro 4 (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| 6 Gagliardas from Varie sonate, Libro 4 (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Canzon VIII (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Angelus ad pastores ait a 7 (Gabrieli, Andrea) for mixed chorus |
— |
| La bella pargoletta (Gabrieli, Andrea) for voices or mixed chorus |
— |
| Cueurs desolez par toutes nations, NJE 28.8 (Josquin Desprez) for 4 voices |
— |
| Chaconne des Africains from Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Chaconne des Africains from Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Si dedero somnum oculis meis (Agricola, Alexander) for 3 voices |
— |
| Canzon XIX (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XVI (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XI (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon IX (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon VI (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon IV (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XIV (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Mit Lust trit ich an diesen Tanz (Senfl, Ludwig) for mixed chorus or 2 sopranos, alto, tenor and 2 basses |
— |
| Ich klag den Tag und alle Stund (Senfl, Ludwig) for mixed chorus or 2 sopranos, alto, 2 tenors and bass |
— |
| Im meyen hört man die hanen kreen (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
— |
| Ein meidlein zu dem brunnen ging (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
— |
| Sanctus from Missa Pange lingua, NJE 4.3 (Josquin Desprez) for 4 voices |
— |
| Maria Magdalene et altera Maria (Gabrieli, Andrea) for soprano, alto, tenor and bass or mixed chorus |
— |
| Canzon II (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XVIII (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon X (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XII (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XVII (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XX (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon XXI (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Exaltabo te Domine (Croce, Giovanni) for soprano, alto, tenor and bass |
— |
| Missa ad imitationem moduli Jäger, LV 622 (Lassus, Orlande de) for mixed chorus or soprano, alto, tenor and bass |
— |
| O sacrum convivium (Croce, Giovanni) for 4 voices |
— |
| Te Deum Patrem ingenitum (Gabrieli, Andrea) for 4 voices |
— |
| Caro mea vere est cibus (Gabrieli, Andrea) for soprano, alto, tenor and bass |
— |
| Matona mia cara, LV 663 (Lassus, Orlande de) for mixed chorus or soprano, alto, tenor and bass |
— |
| Doctor bonus amicus Dei (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| Sonata 'La fontana' (Gussago, Cesario) for 4 Unspecified instruments |
— |
| So drincken wir alle (Bruck, Arnold von) for 5 voices |
— |
| Angeli, Archangeli (Gabrieli, Andrea) for 4 voices or mixed chorus |
— |
| Frisque et gaillard (Clemens non Papa, Jacobus) for 6 voices or soprano, alto, tenor and bass or mixed chorus |
— |
| Canzon per sonar primi toni a 8, Ch.170 (Gabrieli, Giovanni) for 8 Unspecified instruments |
— |
| Exaudi Deus (Croce, Giovanni) for 4 voices |
— |
| Canzoni da sonare a 4 et 8 voci, Libro 1 (Canale, Floriano) for 4 Unspecified instruments or 8 Unspecified instruments |
— |
| Madrigali a 4 voci (Marenzio, Luca) for soprano, alto, tenor and bass |
— |
| Canzon per sonar noni toni a 8, Ch.173 (Gabrieli, Giovanni) for 8 Unspecified instruments |
— |
| O magnum mysterium, Ch.3 (Gabrieli, Giovanni) for 8 voices |
— |
| Canzon per sonar duodecimi toni a 10, Ch.177 (Gabrieli, Giovanni) for 10 Unspecified instruments |
— |
| Canzon per sonar duodecimi toni a 8, Ch.174 (Gabrieli, Giovanni) for 8 Unspecified instruments |
— |
| Canzon per sonar primi toni a 10, Ch.176 (Gabrieli, Giovanni) for 10 Unspecified instruments |
— |
| Version 3: Per viola bastarda from Ancor che col partire (Rognoni, Riccardo) for soprano and continuo or viol and continuo |
— |
| I vostr'acuti dardi (Verdelot, Philippe) for 4 voices |
— |
| Prima parte: Cantai, or piango from Cantai hor piango, LV 1 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| Seconda parte: Tengan dunque ver' me l'usato stile from Cantai hor piango, LV 1 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| Decantabat populus Israel, LV 191 (Lassus, Orlande de) for mixed chorus or 2 sopranos, 2 altos, 2 tenors and bass |
— |
| Ostinato vo' seguire (Tromboncino, Bartolomeo) for 4 voices |
— |
| The Division Violin (Playford, John) for violin and continuo or violin or 2 violins or 2 violins and continuo |
selections |
| In Nomine II from 2 In Nomines (Ferrabosco Sr., Alfonso) for 5 Unspecified instruments or soprano, 2 altos, tenor and bass |
— |
| In Nomine à 5 'Crye' (No.12) from 21 In Nomines (Tye, Christopher) for 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or soprano, alto, tenor and bass or 2 sopranos, 2 tenors and bass or soprano, alto, 2 tenors and bass or 3 sopranos, tenor and bass or 2 sopranos, alto, tenor and bass or 3 sopranos, alto and 2 basses |
— |
| In Nomine (Taverner, John) for 4 Unspecified instruments |
— |
| In Nomine (Taverner, John) for 4 Unspecified instruments |
— |
| Beatus vir qui in sapientia morabitur, LV 592 (Lassus, Orlande de) for 2 voices |
— |
| Beatus homo qui invenit sapientiam, LV 593 (Lassus, Orlande de) for 2 voices |
— |
| Qui sequitur me non ambulat, LV 597 (Lassus, Orlande de) for 2 voices |
— |
| Justi tulerunt spolia impiorum, LV 598 (Lassus, Orlande de) for 2 voices |
— |
| Qui vult venire post me, LV 600 (Lassus, Orlande de) for 2 voices |
— |
| Sicut rosa inter spinas, LV 603 (Lassus, Orlande de) for 2 voices |
— |
| Mia benigna fortuna, LV 10 (Lassus, Orlande de) for 5 voices or 2 sopranos, alto, tenor and bass |
— |
| Prima parte: Solo et pensoso from Sol'e pensoso i più deserti campi, LV 19 (Lassus, Orlande de) for 5 voices or soprano, alto, 2 tenors and bass |
— |
| Seconda parte: Sì ch'io mi credo omai from Sol'e pensoso i più deserti campi, LV 19 (Lassus, Orlande de) for 5 voices or soprano, alto, 2 tenors and bass |
— |
| Questi ch'inditio fan, LV 68 (Lassus, Orlande de) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Madrigali a 3 voci, Libro 1 (Gabrieli, Andrea) for 3 voices |
— |
| Die Katzenpfote (vers.2) from Glogauer Liederbuch (Various) for 3 voices or 3 Unspecified instruments |
— |
| Ave verum corpus (Byrd, William) for mixed chorus or soprano, alto, tenor and bass |
— |
| Hodie Christus natus est (Marenzio, Luca) for mixed chorus or soprano, alto, tenor and bass |
— |
| Saltarello (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| Quam pulchri sunt gressus tui (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| O decus apostolicum (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| Sinfonie et Gagliarde a 4 from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
— |
| Sonata a 4 from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
— |
| Doulce memoire en plaisir consommée (Sandrin) for 4 voices |
— |
| Magi viderunt stellam (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| O sacrum convivium à 6 (Victoria, Tomás Luis de) for soprano, 2 altos, 2 tenors and bass |
— |
| O sacrum convivium à 4 (Victoria, Tomás Luis de) for 3 sopranos and alto |
— |
| Mille regretz, NJE 28.25 (Josquin Desprez) for 4 voices |
— |
| Browning (Bevin, Elway) for alto, tenor and bass |
— |
| Canzon decimasettima (Guami, Gioseffo) for soprano, alto, tenor, bass and continuo or soprano, alto, tenor, bass and organ |
— |
| Prima pars: O magnum mysterium from O magnum mysterium (Palestrina, Giovanni Pierluigi da) for 6 voices |
— |
| Secunda pars: Quem vidistis from O magnum mysterium (Palestrina, Giovanni Pierluigi da) for 6 voices |
— |
| Hodie Christus natus est, SwWV 163 (Sweelinck, Jan Pieterszoon) for 2 sopranos, alto, tenor and bass |
— |
| Browning My Dear (Stonings, Henry) for 5 viols |
— |
| Hackney (Woodcock, Clement) for 5 Unspecified instruments |
— |
| Oculus non vidit, LV 594 (Lassus, Orlande de) for 2 voices |
— |
| Justus cor suum tradet, LV 595 (Lassus, Orlande de) for 2 voices |
— |
| Expectatio justorum, LV 596 (Lassus, Orlande de) for 2 voices |
— |
| Sancti mei, LV 599 (Lassus, Orlande de) for 2 voices |
— |
| Serve bone et fidelis, LV 601 (Lassus, Orlande de) for 2 voices |
— |
| Fulgebunt justi, LV 602 (Lassus, Orlande de) for 2 voices |
— |
| Tant que vivray (Sermisy, Claudin de) for 4 voices |
— |
| Arrangement of Tant que vivray (Sermisy, Claudin de) for keyboard |
— |
| Arrangement of Tant que vivray (Sermisy, Claudin de) for keyboard |
— |
| Mass for 3 Voices (Byrd, William) for soprano, tenor and bass |
— |
| Fantasia VdGS No.13 from 21 Fantasias for 3 Viols (Jenkins, John) for 3 viols |
— |
| Scaramella, NJE 28.30 (Josquin Desprez) for 4 voices |
— |
| Fortuna desperata, IA 265 (Anonymous) for soprano, alto, tenor and bass or mixed chorus |
— |
| Pater meus agricola est (Agricola, Alexander) for 3 voices |
— |
| O Venus bant, IAA 21 (Agricola, Alexander) for 3 Unspecified instruments |
— |
| Ile fantazies de Joskin, NJE 27.15 (Josquin Desprez) for 3 Unspecified instruments |
— |
| La Bernardina, NJE 27.21 (Josquin Desprez) for 3 voices |
— |
| 3 Voices Setting from De tous biens plaine (Ghizeghem, Hayne van) for 3 voices or 4 voices |
— |
| 5 In Nomines (Ward, John) for 4 Unspecified instruments |
— |
| Ricercar (Segni, Giulio) for 4 Unspecified instruments |
— |
| Tous les regres (La Rue, Pierre de) for soprano, alto, tenor and bass |
— |
| Tous les regres (La Rue, Pierre de) for soprano, alto, tenor and bass |
— |
| Fors seulement (Obrecht, Jacob) for 4 voices |
— |
| Prima parte: Solo e pensoso from Solo e pensoso (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Si ch'io mi credo omi from Solo e pensoso (Marenzio, Luca) for 5 voices |
— |
| Canzon vigesima 'La Moranda' (Antegnati, Costanzo) for continuo and 5 Unspecified instruments |
— |
| Canzon decimanona (Guami, Gioseffo) for 2 sopranos, alto, tenor, bass and continuo or continuo and 5 Unspecified instruments |
— |
| Fantasia con pause from Fantasia con pause, et senza pause (Wilder, Philip van) for 4 Unspecified instruments |
— |
| Il medesimo senza pause from Fantasia con pause, et senza pause (Wilder, Philip van) for 4 Unspecified instruments |
— |
| Fantasia for 5 Viols, RC 24 (Coperario, John) for 5 viols |
— |
| Fantasia for 3 Viols, RC 16 (Coperario, John) for 3 viols |
— |
| Fantasia for 3 Viols, RC 9 (Coperario, John) for 3 viols |
— |
| Canzon duodecima 'La Alle' (Lappi, Pietro) for continuo and 4 Unspecified instruments or soprano, alto, tenor, bass and continuo |
— |
| Fantasia for 5 Viols, RC 25 (Coperario, John) for 5 viols |
— |
| Fantasia for 5 Viols, RC 26 (Coperario, John) for 5 viols |
— |
| Fantasia for 5 Viols, RC 27 (Coperario, John) for 5 viols |
— |
| Prima parte: Deggio dunque partire from Deggio dunque partire (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Io partirò from Deggio dunque partire (Marenzio, Luca) for 5 voices |
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| Terza parte: Ma voi, caro ben mio from Deggio dunque partire (Marenzio, Luca) for 5 voices |
— |
| Canzon vigesimaterza à 5 (Merulo, Claudio) for 2 sopranos, alto, tenor, bass and continuo |
— |
| Canzon vigesimaseconda à 5 (Chilese, Bastiano) for 2 sopranos, alto, tenor, bass and continuo or continuo and 5 Unspecified instruments |
— |
| Canzon decimaottava (Merulo, Claudio) for continuo and 4 Unspecified instruments or continuo and 5 Unspecified instruments or 2 sopranos, alto, tenor, bass and continuo |
— |
| Trio de la Première Mode (Philips, Peter) for 3 Unspecified instruments or 3 viols |
— |
| Trio de la Troisième Mode (Philips, Peter) for 3 Unspecified instruments or 3 viols |
— |
| Cruda Amarilli, SV 94 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass or 2 sopranos, alto, tenor, bass and continuo |
— |
| Nun bitten wir den Heiligen Geist (Hassler, Hans Leo) for soprano, alto, 2 tenors and bass |
— |
| Il bianco e dolce cigno (Mosto, Giovanni Battista) for 5 voices |
— |
| Ah dolente partita, SV 75 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| In Nomine a 5, T 399 (Byrd, William) for 5 Unspecified instruments |
— |
| Clorinda (Vecchi, Orazio) for 5 voices |
— |
| Il bianco e dolce cigno (Vecchi, Orazio) for 5 voices |
— |
| Il bianco e dolce cigno (Vecchi, Orazio) for 5 voices |
— |
| Adieu mes amours, NJE 28.3 (Josquin Desprez) for 4 voices |
— |
| In Nomine à 5 (Parsons, Robert) for 5 Unspecified instruments |
— |
| Ninfa che del superb'Adriaco (Striggio, Alessandro) for 2 sopranos, 2 altos and bass or mixed chorus |
— |
| Caro dolce ben mio (Gabrieli, Andrea) for 2 sopranos, alto, tenor and bass |
— |
| Ricercar del sesto tuono (Gabrieli, Andrea) for organ or 4 Unspecified instruments |
— |
| Susanne un jour, LV 98 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Lullaby, My Sweet Little Baby (Byrd, William) for voice or 5 voices |
— |
| Aria de la Gran Duca Ferdinando di Toscana (Philips, Peter) |
— |
| Pavan for 5 Viols (Lupo, Joseph) for 5 viols |
— |
| Sonata No. 1 (Castello, Dario) for continuo and 2 sopranos |
— |
| Italia mia bench'il parlar (Verdelot, Philippe) for 5 voices or mixed chorus |
— |
| Canzon terzadecima à 4, F 8.52 (Frescobaldi, Girolamo) for continuo and 4 Unspecified instruments or soprano, alto, tenor, bass and continuo |
— |
| Canzon vigesimaprima à 5, F 8.53 (Frescobaldi, Girolamo) for 2 sopranos, alto, tenor, bass and continuo or continuo and 5 Unspecified instruments |
— |
| Ave Maria (Parsons, Robert) for 5 voices |
— |
| Vive le roy, NJE 28.36 (Josquin Desprez) for 4 voices |
— |
| VdGS à 5 #1 / F84 / MB XLIV/48 from In Nomines à 5 (Ferrabosco Sr., Alfonso) for 5 viols |
— |
| VdGS à 5 #3 / F86 / MB XLIV/50 from In Nomines à 5 (Ferrabosco Sr., Alfonso) for 5 viols |
— |
| Danceries, Livre 7 (Tertre, Estienne du) for soprano, alto, tenor and bass or soprano, alto, 2 tenors and bass |
selections |
| In te Domine speravi, NJE 28.18 (Josquin Desprez) for 4 voices |
— |
| Canzon I (Maschera, Florentio) for 4 Unspecified instruments |
— |
| Canzonetta Spirituale sopra alla nanna (Merula, Tarquinio) for voice and continuo |
— |
| Carmen in la (Senfl, Ludwig) for soprano, alto, tenor and bass or soprano, tenor and bass |
— |
| Carmen Lamentacio (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Tag und auch Nacht (Senfl, Ludwig) for soprano, alto, tenor and bass |
— |
| Selections (Book 1) from 2 Bookes of Ayres (Campion, Thomas) for voice and lute or voice, lute and viol or soprano, alto, tenor, bass and lute |
— |
| Ascendo (Maillard, Jean) for mixed chorus or 2 sopranos, alto, tenor and bass or 2 sopranos, 2 tenors and bass |
— |
| My Mind to Me a Kingdom Is (Byrd, William) for voice or 5 voices |
— |
| T'meiskin was jonck (Japart, Jean) for 4 voices |
— |
| Musick's Hand-Maid (Playford, John) for harpsichord or organ |
selections |
| Ricercar del secondo tuono (Gabrieli, Andrea) for organ |
— |
| The Lord's Prayer (Sheppard, John) for alto, 3 tenors and bass or male chorus |
— |
| Ne irascaris Domine (Byrd, William) for alto, 2 tenors and 2 basses or mixed chorus |
— |
| Sinfonia 'La Bergamasca' (Viadana, Lodovico da) for 8 Unspecified instruments |
— |
| 4 Voices Setting from Fortuna desperata (Busnois, Antoine) for 3 voices or 4 voices or 5 voices |
— |
| 5 Voices Setting from Fortuna desperata (Busnois, Antoine) for 3 voices or 4 voices or 5 voices |
— |
| J'ai pris amours a ma devise, IJJ 4 (Japart, Jean) for 4 voices |
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| II est de bonne heure né (Japart, Jean) for 4 Unspecified instruments |
— |
| Vieni Flora gentil (Gabrieli, Andrea) for 2 sopranos, alto, tenor and bass or 2 sopranos, alto, tenor, baritone and bass |
— |
| Fors seulement, IMP 2 (Pipelare, Matthaeus) for 4 voices |
— |
| Eran Ninfe e Pastori (Striggio, Alessandro) for 6 voices |
— |
| Revelies vous (Anonymous) for 4 voices |
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| Una moza falle yo (Anonymous) for 4 voices |
— |
| Minuet in G major, BWV Anh.114 (Pezold, Christian) for harpsichord or keyboard |
— |
| Prima parte: Capriciata a 3 (Nobili spettatori) from Contraponto bestiale alla mente (Banchieri, Adriano) for 5 voices |
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| Seconda parte: Contraponto bestiale a 5 from Contraponto bestiale alla mente (Banchieri, Adriano) for 5 voices |
— |
| Canzon 'sol-sol-la-sol-fa-mi', Ch.191 (Gabrieli, Giovanni) for 8 Unspecified instruments |
— |
| Fantasie 9 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Canzon trigesima (Bartolini, Orindio) for continuo and 8 Unspecified instruments |
— |
| Canzona 'La Fina' (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| Canzona 'La Foresta' (Cavaccio, Giovanni) for organ |
— |
| La Mortara (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Canzon settima 'La Mazzuola' (Maschera, Florentio) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Ricercar del duodecimo tono (Gabrieli, Andrea) for organ or 4 Unspecified instruments |
— |
| Quella bella e biancha mano (Caprioli, Antonio) for 4 voices |
— |
| Era il bel viso suo (Wert, Giaches de) for soprano, alto, tenor and bass or mixed chorus |
— |
| La Lombarda (Rognoni Taeggio, Giovanni Domenico) for 4 Unspecified instruments |
— |
| Sonata 'La Sguizzerotta' (Gussago, Cesario) for 4 Unspecified instruments |
— |
| Canzona quinta 'La Scaramuccia' (Soderini, Agostino) |
— |
| Recercar terzo, F 9.03 (Frescobaldi, Girolamo) for keyboard |
— |
| Recercar secondo, F 9.02 (Frescobaldi, Girolamo) for keyboard |
— |
| Se l'aura spira tutta vezzosa, F 7.15 (Frescobaldi, Girolamo) for soprano and continuo |
— |
| L'alcenagina sopra Vestiva i colli (Banchieri, Adriano) for soprano, alto, tenor and bass |
— |
| Memento homo (Byrd, William) for 6 voices |
— |
| Canzon 'La Negrona' (Lappi, Pietro) for continuo and 8 Unspecified instruments |
— |
| Prima pars: Resonet in laudibus from Resonet in laudibus, LV 363 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| Seconda pars: Hodie apparuit from Resonet in laudibus, LV 363 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| Tertia pars: Magnum nomen Domini from Resonet in laudibus, LV 363 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| Fantasie 31 on 'Une jeune fillette' (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| O primavera, gioventú dell’anno, SV 68 (Monteverdi, Claudio) for 5 voices and continuo or mixed chorus and continuo |
— |
| Fantasie 2 (Du Caurroy, Eustache) for soprano, alto and bass |
— |
| Fantasie 1 (Du Caurroy, Eustache) for 2 sopranos and bass |
— |
| Pastime with Good Company (Henry VIII) for soprano, alto and bass |
— |
| Chi la Gagliarda (Nola, Giovanni Domenico da) for 3 voices |
— |
| Ce nest pas (La Rue, Pierre de) for 4 voices |
— |
| La Fachinetta (Mortaro, Antonio) for organ |
— |
| Canzon IV a 4, Ch.189 (Gabrieli, Giovanni) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Canzon 6 'Irene' (Bonelli, Aurelio) for 4 Unspecified instruments or organ |
— |
| Sancta Maria succurre miseris (Gabrieli, Andrea) for 2 sopranos, alto, 2 tenors and bass or mixed chorus |
— |
| Canzon II a 4, Ch.187 (Gabrieli, Giovanni) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Tandernaken (Lapicida, Erasmus) for 4 voices |
— |
| When I Was Otherwise (Byrd, William) for 5 voices or mixed chorus |
— |
| Susanna Fair, T 239 (Byrd, William) for voice or 5 voices |
— |
| Why do I use My Paper, Ink and Pen? (Byrd, William) for voice or 5 voices |
— |
| Mentre il cuculo (Caimo, Gioseppe) for 4 voices or mixed chorus |
— |
| First part: From Virgin's womb this day from From Virgin's Womb (Byrd, William) for 5 voices |
— |
| Second part: Rejoice, rejoice from From Virgin's Womb (Byrd, William) for 5 voices |
— |
| Bona speranza (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pater noster, qui es in coelis, IGP 74 (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Canzon prima 'La Brivia' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| L'homme armé, NJE 28.23 (Josquin Desprez) for 4 voices |
— |
| Canzon sopra Primo tono, F 9.11 (Frescobaldi, Girolamo) for keyboard |
— |
| Christ rising again (Part 1) from Christ Rising Again (Byrd, William) for 6 voices |
— |
| Christ is risen again (Part 2) from Christ Rising Again (Byrd, William) for 6 voices |
— |
| Je sey bien dire, NJE 28.20 (Josquin Desprez) for 4 voices |
— |
| Le grant desir (Compère, Loyset) for 3 voices |
— |
| La Verita (Cavaccio, Giovanni) for 4 viols |
— |
| Canzona 'La Bignani' (Cavaccio, Giovanni) for 4 viols or soprano, 2 tenors and bass |
— |
| Comment peult avoir joye, NJE 28.7 (Josquin Desprez) for 4 voices |
— |
| Bicinium No. 1 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 4 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 5 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 6 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 7 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 9 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 10 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 13 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 14 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 15 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 16 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 17 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 19 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 20 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Canzon I a 5, Ch.195 (Gabrieli, Giovanni) for 5 Unspecified instruments |
— |
| Canzon III a 4, Ch.188 (Gabrieli, Giovanni) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Dolorosi martir, fieri tormenti (Marenzio, Luca) for 5 voices |
— |
| Dissi a l’amata mia lucida stella (Marenzio, Luca) for 4 voices |
— |
| Arrangement of Dissi a l’amata mia lucida stella (Marenzio, Luca) for voice |
— |
| Veggo dolce mio bene (Marenzio, Luca) for 4 voices |
— |
| Non vidi mai dopo notturna pioggia (Marenzio, Luca) for 4 voices |
— |
| Cantava la più vaga pastorella (Marenzio, Luca) for 5 voices |
— |
| Fillida mia più che i ligustri bianca (Marenzio, Luca) for 5 voices |
— |
| Al vago del mio sole (Marenzio, Luca) for 5 voices |
— |
| O voi che sospirate a miglior note (Marenzio, Luca) for 5 voices |
— |
| O bella man che mi (prima parte) from O bella man che mi distringi il core (Marenzio, Luca) for 4 voices |
— |
| Candido leggiadretto (seconda parte) from O bella man che mi distringi il core (Marenzio, Luca) for 4 voices |
— |
| Arda pur sempr’o mora (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Cruda Amarailli from Cruda Amarilli che co ’l nom’ancora (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Ma grideran per me le piaggie, e i monti from Cruda Amarilli che co ’l nom’ancora (Marenzio, Luca) for 5 voices |
— |
| Liquide perle Amor da gli occhi sparse (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Giunto alla tomba, ove al suo spirto vivo from Giunto a la tomba (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Non di morte sei tu, ma di vivaci from Giunto a la tomba (Marenzio, Luca) for 5 voices |
— |
| Terza parte: Dagli lor tu, che se mai gli occhi gira from Giunto a la tomba (Marenzio, Luca) for 5 voices |
— |
| Quarta e Ultima parte: Et amando morrò: felice giorno from Giunto a la tomba (Marenzio, Luca) for 5 voices |
— |
| Scendi dal paradiso (Marenzio, Luca) for 5 voices |
— |
| Amor i ho molti e molt’anni pianto (Marenzio, Luca) for 5 voices |
— |
| Caro dolce mio ben chi mi vi toglie (Marenzio, Luca) for 5 voices |
— |
| Crudele acerba inesorabil’ morte (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Rimanti in pace from Rimanti in pace, a la dolente e bella (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Ond'ei di morte from Rimanti in pace, a la dolente e bella (Marenzio, Luca) for 5 voices |
— |
| Deh poi ch’era ne’ fati (Marenzio, Luca) for 5 voices |
— |
| Ami Tirsi e me ’l neghi (Marenzio, Luca) for 5 voices |
— |
| See, See, Myne Own Sweet Jewell (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| La Bertozza (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Se desio di fuggir (Vecchi, Orazio) for 5 voices |
— |
| La Cornela (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Morona (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Pera (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| L'Albergona (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Fantasia à 4 (Vecchi, Orazio) for soprano, alto, tenor and bass |
— |
| La Malfatta (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Tergnana (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Zucchella (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Claudia (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Maluezza (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Canzon undecima 'La Serafina' (Lappi, Pietro) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Madrigali a 5 et 6 voci, Libro 9 (Wert, Giaches de) for 5 voices or 6 voices |
parts |
| Canzon prima 'L'Olica' (Merulo, Claudio) for 4 Unspecified instruments |
— |
| Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices or soprano, alto, tenor and bass |
— |
| Canzon duodecima 'La Scotta' (Soderini, Agostino) |
— |
| Canzona 'La Morari' (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| La Pozzobonella (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Canzon decima (Luzzaschi, Luzzasco) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| La Gamba in Basso e Soprano (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| J'ay beau huer (Agricola, Alexander) for 3 voices |
— |
| C'est mal cherche vostre avantage (Agricola, Alexander) for 3 voices or 4 voices |
— |
| Se conge prens, IAA 26 (Agricola, Alexander) for 3 voices |
— |
| La stangetta (Anonymous) for 3 voices |
— |
| Laudate pueri Dominum (Byrd, William) for 6 voices |
— |
| Recercada primera sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| Recercada quarta sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| Recercada tercera sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| Recercada segunda sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| Recercada sesta sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| Recercada quinta sobre 'La Spagna' (Ortiz, Diego) for viol and continuo |
— |
| La rovattina (Banchieri, Adriano) for 4 Unspecified instruments |
— |
| Vaghi e lieti (Marenzio, Luca) for 6 voices |
— |
| Recercada tercera sobre tenores Italianos (Ortiz, Diego) for viol and 4 Unspecified instruments |
— |
| Recercada segunda sobre tenores Italianos (Ortiz, Diego) for viol and 4 Unspecified instruments |
— |
| Recercada primera sobre tenores italianos (Ortiz, Diego) for viol and 4 Unspecified instruments or viol |
— |
| Recercada quinta sobre tenores Italianos (Ortiz, Diego) for viol and continuo or viol and 4 Unspecified instruments |
— |
| Nu bitten wir den heiligen geist à 5 (Walter, Johann) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Recercada quinta pars sobre tenores Italianos (Ortiz, Diego) for viol and 4 Unspecified instruments |
— |
| O Nata Lux (Tallis, Thomas) for 2 sopranos, alto, tenor and bass |
— |
| Sonata 'L'Angioletta' (Gussago, Cesario) for 6 Unspecified instruments |
— |
| Browning My Dear (Woodcock, Clement) for 5 Unspecified instruments |
— |
| Sonata 'La Cornala' (Gussago, Cesario) for soprano, alto, tenor and bass |
— |
| Sonata 'La Faustinella' (Gussago, Cesario) for soprano, alto, tenor and bass |
— |
| Sonata 'La Mallonia' (Gussago, Cesario) for soprano, alto, tenor and bass |
— |
| Sonata 'La Rizza' (Gussago, Cesario) for soprano, alto, tenor and bass |
— |
| Sassi, Palae, Sabbion, del Adrian lio (Gabrieli, Andrea) for 5 voices or mixed chorus |
— |
| Sassi, Palae, Sabbion, del Adrian lio (Gabrieli, Andrea) for 5 voices or mixed chorus |
— |
| A l'ombre d'ung buissonet, NJE 27.2 (Josquin Desprez) for 3 voices |
— |
| Joy, Joy doth so Arise (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Deh hor fossio col vago della luna (Palestrina, Giovanni Pierluigi da) for 4 voices or mixed chorus |
— |
| Mentre ch'al mar descenderanno (Palestrina, Giovanni Pierluigi da) for 4 voices or mixed chorus |
— |
| Whether awaie so Fast (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Ladie, Those Eyes (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Crewell You Pull Away to Soone (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Hould Out, My Hart (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| God Morrow, Fayre Ladies (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Blow, Shepherds, Blow (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Deep Lamenting, Grief Betraying (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Farewell, Disdainfull (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Thirsis, Let Some Pittie Move Thee (Morley, Thomas) for mixed chorus or 2 sopranos and alto |
— |
| Now Must I Dye (Morley, Thomas) for mixed chorus or 2 sopranos and tenor |
— |
| Lady, if I through Griefe (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Doe You Not Know (Morley, Thomas) for mixed chorus or soprano, alto and tenor |
— |
| Where Art Thou, Wanton (Morley, Thomas) for mixed chorus or 2 sopranos and alto |
— |
| What Ayles My Darling (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Say Deere, Will You Not Have Me (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Arise, Get up My Deere (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Cease Myne Eyes (Morley, Thomas) for mixed chorus or soprano, alto and tenor |
— |
| O Flye Not, O Take Some Pittie (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Non rumor di tamburi (Striggio, Alessandro) for 6 voices |
— |
| Era il bel viso suo (prima parte) from Era il bel viso suo (Rore, Cipriano de) for 4 voices |
— |
| E ne la face (secondo parte) from Era il bel viso suo (Rore, Cipriano de) for 4 voices |
— |
| Ave Regina caelorum (Obrecht, Jacob) for alto, 2 tenors and bass or mixed chorus |
— |
| Gravi pene in amor (Striggio, Alessandro) for 4 voices or mixed chorus |
— |
| Vaghi boschetti di soavi allori (Wert, Giaches de) for 5 voices |
— |
| Et raira plus la lune (Gregoire) for 4 voices |
— |
| Tant que nostre argent durra (Obrecht, Jacob) for 4 voices |
— |
| Prima parte from Cantan fra rami gli augelleto vaghi (Asola, Giammateo) for 2 voices |
— |
| Seconda parte from Cantan fra rami gli augelleto vaghi (Asola, Giammateo) for 2 voices |
— |
| Vienne Montan, mentre le nostre tormora ruminan l'herbe from Vienne Montan (Marenzio, Luca) for 4 voices or mixed chorus |
— |
| Corbo malvaggio from Vienne Montan (Marenzio, Luca) for 4 voices or mixed chorus |
— |
| La santa Pale from Vienne Montan (Marenzio, Luca) for 4 voices or mixed chorus |
— |
| I Saw My Lady Weeping (Part 1) from Vidi pianger madonna (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Like as from heaven (Part 2) from Vidi pianger madonna (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| I Saw My Lady Weeping (Part 1) from Vidi pianger madonna (Ferrabosco Sr., Alfonso) for 5 voices |
parts |
| Like as from heaven (Part 2) from Vidi pianger madonna (Ferrabosco Sr., Alfonso) for 5 voices |
parts |
| Arrangement of Questi ch’inditio fan (Ferrabosco Sr., Alfonso) for 6 voices |
— |
| Susanne un jour (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Chi salira per me (Wert, Giaches de) for 4 voices |
— |
| Chi salira per me (Wert, Giaches de) for 4 voices |
— |
| Scarpello si vedra di piombo (Cambio, Perissone) for 5 voices or mixed chorus |
— |
| Canzon undecima 'La Ducalina' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| Fors seulement (Brumel, Antoine) for 4 voices |
— |
| L'amour de moy est enclose (Anonymous) for 4 voices |
— |
| Aria di corente prima 'La Salentina' (Biumi, Giacomo Filippo) for 4 Unspecified instruments |
— |
| Così mi disprezzate, F 7.16 (Frescobaldi, Girolamo) for soprano and continuo |
— |
| In Fields Abroad (Byrd, William) for 5 voices or voice |
— |
| O Venus bant, IA 587 (Anonymous) for 4 voices |
— |
| Bicinium No. 2 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 3 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Bicinium No. 8 (Gastoldi, Giovanni Giacomo) for 2 Unspecified instruments |
— |
| O That Most Rare Breast (Byrd, William) for voice or 5 voices |
— |
| Tres doulce fillete (Anonymous) for 4 voices |
— |
| Chescun me crie (Anonymous) for 4 voices |
— |
| Nastu pas veu la mistondina (Anonymous) for 4 voices |
— |
| O Venus bant, IA 588 (Anonymous) for soprano, alto, tenor and bass |
— |
| Fors seulement, IJG 6 (Ghiselin, Johannes) for 4 voices |
— |
| Fors seulement (Reingot, Gilles) for 4 voices |
— |
| While Phoebus Us'd to Dwell (Byrd, William) for voice and 4 Unspecified instruments |
— |
| Canzon XIII (Maschera, Florentio) for 2 sopranos, alto and bass |
— |
| Fly Love, Aloft (Wilbye, John) for 2 sopranos and alto |
— |
| Canzon VII 'Al S. Pompeo Coradello' (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon III (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Canzon V (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Bicinium No. 11 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Where Fancy Fond (Byrd, William) for voice or 5 voices |
— |
| If Women Could be Fair (Byrd, William) for 5 voices or voice |
— |
| Zefiro torna (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Zefiro torna (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Vecchie letrose (Willaert, Adrian) for 4 voices |
— |
| A quand'a quand' havea una vicina (Willaert, Adrian) for soprano, 2 altos and bass or mixed chorus |
— |
| Bicinium No. 12 (Gastoldi, Giovanni Giacomo) for soprano and tenor |
— |
| Gravi pene in amor (Arcadelt, Jacob) for 3 voices or mixed chorus |
— |
| Canzon ottava 'La Fontana' (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Quando nascesti, Amor (Willaert, Adrian) for 7 voices or mixed chorus |
— |
| La Verginella (Byrd, William) for voice or 5 voices |
— |
| Who Likes to Love (Byrd, William) for voice or 5 voices |
— |
| O dolce vita mia (Willaert, Adrian) for 4 voices |
— |
| Canzon del Cucco e Rossignuolo (Croce, Giovanni) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Menando un giorno (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Vezzosi Augelli infra le verdi fronde (Wert, Giaches de) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Che giova posseder cittadi (Wert, Giaches de) for 5 voices |
— |
| Che giova posseder cittadi (Wert, Giaches de) for 5 voices |
— |
| Che giova posseder cittadi (Wert, Giaches de) for 5 voices |
— |
| Che giova posseder cittadi (Wert, Giaches de) for 5 voices |
— |
| Dolci son le quadrella (prima parte) from Dolci son le quadrella (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Come doglia fin qui fu meco et pianto (seconda parte) from Dolci son le quadrella (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Sempre mi ride sta (Willaert, Adrian) for 4 voices |
— |
| Non al suo amante (Marenzio, Luca) for 4 voices or mixed chorus |
— |
| Canzon sesta (Guami, Gioseffo) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Canzon quinta (Merulo, Claudio) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Ricercar II (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass |
— |
| Ricercar III (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass |
— |
| Ricercar I (Willaert, Adrian) for soprano, tenor and bass |
— |
| Ricercar IV (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass |
— |
| Usciva homai del molle e fresco grembo (Wert, Giaches de) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Io non son però morto (Wert, Giaches de) for 2 sopranos, alto, tenor and bass |
— |
| Fra le dorate chiome (Wert, Giaches de) for 2 sopranos, alto, tenor and bass |
— |
| Canzon quartadecima 'Capricio' (Grillo, Giovanni Battista) for continuo and 4 Unspecified instruments or soprano, alto, tenor, bass and continuo |
— |
| Arrangement of Virgo celesti (Compère, Loyset) |
— |
| En chambre polie (Anonymous) for 4 voices |
— |
| Se suis trop ionette (Anonymous) for 4 voices |
— |
| Vray dieu qui me confortera (Bruhier, Antoine) for 4 voices |
— |
| L'autrier que passa (Busnois, Antoine) for soprano, alto, tenor and bass or 4 voices |
— |
| J'ay pris amours (Obrecht, Jacob) for 4 voices |
— |
| Or vedi, Amor, che giovinetta donna (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| 9 Sinfonias à tre (Rossi, Salamone) for continuo and 2 sopranos |
— |
| Johnny Cock thy Beaver (Anonymous) for violin or violin and continuo |
parts |
| Fortuna desperata (Pinarol, Johannes de) for 4 voices |
— |
| Mon ami m'avoyt promis une belle chainture (Ninot le Petit) for 4 voices |
— |
| Vezzosi augelli in fra le verdi fronde (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| I Joy not in no Earthly Bliss (Byrd, William) for voice and 4 Unspecified instruments or 5 voices |
— |
| Bicinium No. 18 (Gastoldi, Giovanni Giacomo) for tenor and bass |
— |
| The Duke of Norfolk, or Pauls Steeple (Anonymous) for violin and continuo |
parts |
| Canzon XV (Maschera, Florentio) for soprano, alto, tenor and bass |
— |
| Berzeretta savoyene (Anonymous) for 4 voices |
— |
| Le vecchie per invidia sono pazze (Corteccia, Francesco) for 4 voices |
— |
| La Bevilacqua à 8 (Canale, Floriano) for 8 Unspecified instruments |
— |
| Deh dimmi, Amor (Arcadelt, Jacob) for 4 voices or mixed chorus |
— |
| De tous biens playne, IA 180 (Anonymous) for 3 voices |
— |
| De tous biens playne, IA 181 (Anonymous) for 3 voices |
— |
| Sonata à 4 (Rossi, Salamone) for soprano, alto, tenor and bass or continuo and 3 Unspecified instruments |
— |
| Canzon per sonar I à 4 (Rossi, Salamone) for 2 sopranos, tenor and bass |
— |
| J'ay pris amours (Ghiselin, Johannes) for 4 voices |
— |
| J'ay pris amours (Isaac, Heinrich) for 4 voices |
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| La fleur de biaulte (Martini, Johannes) for 4 voices |
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| Prima parte from Or se mi mostra la mia carta il vero (Striggio, Alessandro) for 6 voices or mixed chorus |
— |
| Seconda parte from Or se mi mostra la mia carta il vero (Striggio, Alessandro) for 6 voices or mixed chorus |
— |
| E qui le dira (Isaac, Heinrich) for 4 voices or soprano, alto, tenor and bass or soprano, 2 tenors and bass |
— |
| Canzon trigesimaterza à 8 (Massaino, Tiburtio) for 8 trombones and continuo or continuo and 8 basses |
— |
| Canzon quintadecima (Grillo, Giovanni Battista) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| Canzon à 4 'Torna Crequilon' (Merulo, Claudio) for soprano, alto, tenor and bass |
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| Liete piante, verdi erbe, limpide acque (Ruffo, Vincenzo) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Prima parte: Amor, Fortuna from Amor, Fortuna (Willaert, Adrian) for 4 voices |
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| Seconda parte: Ne spero i dolci from Amor, Fortuna (Willaert, Adrian) for 4 voices |
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| Canzon trigesimaquinta à 16 (Massaino, Tiburtio) for continuo and 16 Unspecified instruments |
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| Je suis amie du forrier (Compère, Loyset) for 4 voices |
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| 7 Corrente à tre (Rossi, Salamone) for continuo and 2 sopranos or 2 violins and continuo or 2 viols and continuo |
— |
| Canzon sestadecima (Grillo, Giovanni Battista) for soprano, alto, tenor, bass and continuo or continuo and 4 Unspecified instruments |
— |
| John Come Kiss Me Now (Mell, Davis) for violin and continuo |
parts |
| Faronells Division on a Ground (Farinel, Michel) for violin and continuo |
parts |
| Sonata terza sopra l'arie della Romanesca (Rossi, Salamone) for continuo and 2 sopranos or 2 violins and continuo or 2 viols and continuo |
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| Fortuna ad voces musicales (Senfl, Ludwig) for 4 Unspecified instruments or voices |
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| Tandernaken (Agricola, Alexander) for 3 Unspecified instruments |
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| Sonata prima detta la Moderna (Rossi, Salamone) for continuo and 2 sopranos or 2 violins and continuo or 2 viols and continuo |
— |
| 3 Voices Setting from Des biens d'amours (Martini, Johannes) for 3 voices or 4 voices |
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| Se pur ti guardo (Anonymous) for 4 voices or mixed chorus |
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| Chi la gagliarda (Donato, Baldassare) for soprano, alto, tenor and bass |
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| Prima parte: Vattene pur, Crudel from Vattene pur, crudel, con quella pace, SV 67 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
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| Seconda parte: La tra'l sangue from Vattene pur, crudel, con quella pace, SV 67 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
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| Terza e ultima parte: Poi ch'ella in se torno from Vattene pur, crudel, con quella pace, SV 67 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
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| Sovra tenere erbette e bianchi fiori, SV 62 (Monteverdi, Claudio) for 5 voices |
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| O come è gran martire, SV 61 (Monteverdi, Claudio) for 5 voices |
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| Vedi le valli e i campi che si smaltano (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Nuova angioletta sovra l'ale accorte (Marenzio, Luca) for soprano, alto, tenor and bass |
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| Apollo, s'ancor vive il bel desio (prima parte) from Apollo, s'ancor vive il bel desio (Marenzio, Luca) for soprano, alto, tenor and bass |
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| E per virtù de l'amorosa (seconda parte) from Apollo, s'ancor vive il bel desio (Marenzio, Luca) for soprano, alto, tenor and bass |
— |
| Chi vuol udir i miei sospiri in rime (Marenzio, Luca) for soprano, alto, tenor and bass |
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| Madonna, sua mercé, pur una sera (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
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| La Canobbia à 8 (Canale, Floriano) for 8 Unspecified instruments |
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| Ahi dispietata morte, ahi crudel vita (Marenzio, Luca) for soprano, alto, tenor and bass |
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| Le souvenir de vous me tue (Morton, Robert) for 3 voices |
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| Ricercar V (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass |
— |
| Sonata quarta sopra l'arie di Ruggiero (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos or 2 viols and continuo |
— |
| Sweet Nymph Come to Thy Lover (Morley, Thomas) for 2 sopranos |
— |
| Fantasie à 2 'Il Doloroso' (Morley, Thomas) for soprano and tenor |
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| Fantasie à 2 'La Girandola' (Morley, Thomas) for 2 sopranos |
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| Fantasie à 2 'Il Rondinella' (Morley, Thomas) for soprano and tenor |
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| Leggiadre Ninfe (Marenzio, Luca) for 6 voices |
— |
| Introduttione a i Balletti (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Come to me, Grief, Forever (Byrd, William) for voice or 5 voices |
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| Lo schernito (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| La brava (Ruffo, Vincenzo) for soprano, alto and tenor |
— |
| La verginella e simile alla rosa (Mosto, Giovanni Battista) for 5 voices or mixed chorus |
— |
| Questi ch'indizio fan del mio tormento (Striggio, Alessandro) for 6 voices or mixed chorus |
— |
| La verginella e simile alla rosa (Wert, Giaches de) for 5 voices or mixed chorus |
— |
| In Nomine à 5 (White, Robert) for 5 Unspecified instruments |
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| Canzon à 8 (Cavalli, Francesco) for strings |
— |
| Io vo gridando come spiritato (Conversi, Girolamo) for soprano, 2 altos, tenor and bass |
— |
| Fantasie à 2 'La Sirena' (Morley, Thomas) for 2 sopranos |
— |
| Ha ninfe adorn'e belle (Wert, Giaches de) for 6 voices or mixed chorus |
— |
| Levò con la sua mano (Pallavicino, Benedetto) for 5 voices or mixed chorus |
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| Amy souffrez (Moulu, Pierre) for 4 voices |
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| Arrangement of Amy souffrez (Moulu, Pierre) for keyboard |
— |
| Fortune esperee (Anonymous) for voices or 4 Unspecified instruments |
— |
| Arrangement of Dessus le marché d’Arras (Willaert, Adrian) for keyboard |
— |
| Si sumpsero pennas meas diluculo (Obrecht, Jacob) for 3 voices |
— |
| Tander Naken (Henry VIII) for 3 Unspecified instruments or alto, tenor and bass |
— |
| Venite exultemus Domino (Byrd, William) for 6 voices |
— |
| Fantasie 18 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Fantasie 21 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| La Spagna, IA 810 (Anonymous) for 4 Unspecified instruments |
— |
| Speciosa facta es (Anonymous) for 4 Unspecified instruments |
— |
| Parce Domine populo tuo (Obrecht, Jacob) for 4 Unspecified instruments or 4 voices |
— |
| Prima parte: Qual musico gentil from Qual musico gentil (Wert, Giaches de) for 5 voices or mixed chorus |
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| Seconda parte: Poi comincio from Qual musico gentil (Wert, Giaches de) for 5 voices or mixed chorus |
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| Terza parte:Se m'odii, e in ciò diletto from Qual musico gentil (Wert, Giaches de) for 5 voices or mixed chorus |
— |
| Quarta parte: Aggiungi a questo ancor from Qual musico gentil (Wert, Giaches de) for 5 voices or mixed chorus |
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| Quinta parte: Sia questa pur tra le mie frodi from Qual musico gentil (Wert, Giaches de) for 5 voices or mixed chorus |
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| Prima parte: Cruda Amarilli from Cruda Amarilli (Wert, Giaches de) for 2 sopranos, alto, tenor and bass |
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| Seconda parte: Ma grideran per me le piaggie, e i monti from Cruda Amarilli (Wert, Giaches de) for 2 sopranos, alto, tenor and bass |
— |
| Laudate Dominum omnes gentes (Byrd, William) for 6 voices |
— |
| Ricercar per sonar à 8 (Gabrieli, Andrea) for 2 sopranos, 2 altos, 2 tenors and 2 basses |
— |
| Ick en can mij niet bedwinghen (Belle, Jan) for 4 voices |
— |
| Fantasie 3 on 'Regina cœli' (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| Fantasie 10 on 'Requiem Æternam' (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Fantasie 5 (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| O dolce anima mia, SV 63 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Fantasie 6 (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| Fantasie 7 (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| Fantasie 8 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Mascheratta de Gratiani (Croce, Giovanni) for 3 tenors and bass or mixed chorus |
— |
| Fantasie 34 after 'Pange lingua' (Du Caurroy, Eustache) for 5 Unspecified instruments |
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| I lieti amanti e la fanciulle tenere (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Tutto'l di piango e poi la notte (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Tutto'l di piango e poi la notte (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Fantasie 29 on 'Une jeune fillette' (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| Fantasie 30 on 'Une jeune fillette' (Du Caurroy, Eustache) for 3 Unspecified instruments |
— |
| Fantasie 33 on 'Une jeune fillette' (Du Caurroy, Eustache) for 5 Unspecified instruments |
— |
| Opera nova de balli (Bendusi, Francesco) for soprano, alto, tenor and bass |
— |
| Fantasie 32 on 'Une jeune fillette' (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Lasso, dicea, perche venisti Amore (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Shir hamma'alot (Rossi, Salamone) for soprano, alto, 2 tenors and bass |
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| Allons ung peu avant (Le Heurteur, Guillaume) for 4 voices |
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| Was wird es noch des Wunders noch (7 voices) (Senfl, Ludwig) for 2 sopranos, alto, 2 tenors and 2 basses |
— |
| Arrangement of Questi ch'indizio fan del mio tormento (Faignient, Noë) for 4 voices |
— |
| O Souverain Pasteur et Maistre (Susato, Tielman) for 4 voices |
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| Ecco d'oro l'éta pregiata e bella (Arcadelt, Jacob) for 4 voices |
— |
| Pietose rime e voi freddi sospiri (Arcadelt, Jacob) for soprano, alto, tenor and bass or mixed chorus |
— |
| Libro primo de canzoni da sonare (Maschera, Florentio) for soprano, alto, tenor and bass |
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| Bicinium No. 1 (Vecchi, Orfeo) for soprano and alto |
— |
| Su'l carro della mente auriga siedi (prima parte) from Su'l carro della mente auriga siedi (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
— |
| Vedi ch'egli ama il suon de la cervice (secondo parte) from Su'l carro della mente auriga siedi (Marenzio, Luca) for soprano, alto, tenor and bass or mixed chorus |
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| Ricercar I (Zuccaro, Annibale) for soprano and tenor |
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| Doulce Memoire à 2 (Layolle, Francesco de) for 2 voices |
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| Fantasie 19 a l'imitation de 'Conditor alme syderum' (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Fantasie 13 a l'imitation de 'Salve Regina' (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Fantasie 14 on 'Ave Maris Stella' (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Fantasie 12 a l'imitation de 'De Cunctipotens Genitor' (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Fantasie 16 (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Io morirò d'Amore (Marenzio, Luca) for 6 voices or mixed chorus |
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| Fantasie 22 (Du Caurroy, Eustache) for 4 Unspecified instruments |
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| Satiati Amor ch'a più doglioso amante (Marenzio, Luca) for 6 voices or mixed chorus |
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| Di di in di vo cangiando (Flecha el Joven, Mateo) for 3 voices or 2 sopranos and alto or mixed chorus |
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| Morir non puo'l mio core (Nanino, Giovanni Maria) for 5 voices or 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Ich stund an einem Morgen (Senfl, Ludwig) |
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| Mon marie m'a diffamée (Orto, Marbrianus de) for 4 voices |
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| Danzava con maniere sopre humane (Marenzio, Luca) for 6 voices or mixed chorus |
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| Danzava con maniere sopre humane (Marenzio, Luca) for 6 voices or mixed chorus |
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| Prima parte from Dunque basciar si belle e dolce labbia (Wert, Giaches de) for 4 voices or mixed chorus |
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| Seconda parte from Dunque basciar si belle e dolce labbia (Wert, Giaches de) for 4 voices or mixed chorus |
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| Et oltre al mio destino (Ruffo, Vincenzo) for soprano, alto, tenor and bass or mixed chorus |
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| Crudel, di che peccato a doler t'hai (Da Reggia, Hoste) for 3 voices |
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| Non fia ch'io tema mai più di morire (Gero, Jhan) for 2 voices |
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| Saranda volde e plio (Gabrieli, Andrea) for soprano, alto, tenor and bass or mixed chorus |
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| Chie val cu la candari (Bertoldo, Sperindio) for 4 voices |
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| Cando la bun caval sente'l trumbetta (Vento, Ivo de) for 6 voices |
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| Le donne, i cavallier, l'arme, gli amori (Berchem, Jacquet de) for 4 voices or mixed chorus |
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| Dunque fia ver (haime) che mi convegna (Anonymous) for soprano, alto, tenor and bass or mixed chorus |
— |
| In un lucido rio (Marenzio, Luca) for 6 voices or mixed chorus |
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| Cela sans plus (Obrecht, Jacob) for 4 voices |
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| Ragione è ben ch'alcuna volta io canti (Berchem, Jacquet de) for soprano, alto, tenor and bass or mixed chorus |
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| O vui Greghette belle inamuràe (Padovano, Annibale) for 8 voices or mixed chorus |
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| Ver inferno e il mio petto (Arcadelt, Jacob) for soprano, alto, tenor and bass or mixed chorus |
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| Bicinium No. 2 (Vecchi, Orfeo) for soprano and tenor or soprano and alto |
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| Prima parte: Quel rosignol from Quel rosignuol, che sì soave piagne (Wert, Giaches de) for 6 voices |
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| O che lieve e inganar from Quel rosignuol, che sì soave piagne (Wert, Giaches de) for 6 voices |
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| Com'al primo apparir del chiaro giorno (Ferretti, Giovanni) for 6 voices |
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| Mirate che m'ha fatto sto cor mio (Ferretti, Giovanni) for 6 voices |
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| Prima parte: Vago augelletto from Vago augelleto che cantando vai (Flecha el Joven, Mateo) for soprano, alto, tenor and bass or mixed chorus |
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| Seconda parte: I non so se le parti sarian par from Vago augelleto che cantando vai (Flecha el Joven, Mateo) for soprano, alto, tenor and bass or mixed chorus |
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| Vago augelletto più ch'altri beato (Porta, Costanzo) for 5 voices or mixed chorus |
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| Lachrimae gementes (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae tristes (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae coactae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae amantis (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae verae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Semper Dowland semper dolens (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Sir Henry Umpton's Funeral (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae antiquae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Mr. John Langton's Pavan (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| Lachrimae antiquae novae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
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| The King of Denmark's Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Questa si bianca neve (Nanino, Giovanni Maria) for 2 sopranos, alto, tenor and bass or mixed chorus |
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| Quando fra l'altre donne (Willaert, Adrian) for 5 voices or mixed chorus |
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| Quando fra l'altre donne (Willaert, Adrian) for 5 voices or mixed chorus |
— |
| Prima parte: Fiera stella from Fiera stella, LV 14 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass or mixed chorus |
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| Seconda parte: Ma tu prendi a diletto from Fiera stella, LV 14 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Prima parte from O messagi del cor, sospiri ardenti (Striggio, Alessandro) for 6 voices or mixed chorus |
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| Seconda parte from O messagi del cor, sospiri ardenti (Striggio, Alessandro) for 6 voices or mixed chorus |
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| Prima parte: Mia benigna fortuna from Mia benigna fortuna (Rore, Cipriano de) for 4 voices |
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| Seconda parte: Crudele, acerba, in exorabil morte from Mia benigna fortuna (Rore, Cipriano de) for 4 voices |
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| Anchor che col partire (Rore, Cipriano de) for soprano, alto, tenor and bass |
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| Allor che lieta l'alba adduce il giorno (Striggio, Alessandro) for 2 sopranos, alto, tenor and bass |
— |
| Tirsi morir volea (Wert, Giaches de) for 7 voices or mixed chorus |
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| Madonna il tuo bel viso (Verdelot, Philippe) for 4 voices or mixed chorus |
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| Un tempo sospirava (Ferretti, Giovanni) for 6 voices |
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| Rallegrati mio cor (Wert, Giaches de) for 2 sopranos, alto, tenor and bass or mixed chorus |
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| Non è sì denso velo (Wert, Giaches de) for 3 sopranos, tenor and bass or mixed chorus |
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| Vita de la mia vita (Romano, Alessandro) for 5 voices or mixed chorus |
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| Prima parte from Io amai sempre, et amo forte anchora (Willaert, Adrian) for alto, 2 tenors and bass or mixed chorus |
— |
| Seconda parte from Io amai sempre, et amo forte anchora (Willaert, Adrian) for alto, 2 tenors and bass or mixed chorus |
— |
| Con lagrime e sospir (Verdelot, Philippe) for soprano, alto, tenor and bass |
— |
| La verginella e simile alla rosa (Viola, Francesco) for soprano, alto, tenor and bass or mixed chorus |
— |
| Prima Parte from Giunto alla tomba (Wert, Giaches de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Seconda Parte from Giunto alla tomba (Wert, Giaches de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Prima parte: Lasso, amor from Lasso, amor mi trasporta (Gabrieli, Andrea) for 6 voices |
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| Seconda parte: Ma lagrimosa pioggia from Lasso, amor mi trasporta (Gabrieli, Andrea) for 6 voices |
— |
| Prima parte: Thrisi morir volea from Thirsi morir volea (Caimo, Gioseppe) for 2 sopranos, alto, tenor and bass or mixed chorus |
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| Seconda parte: E mentre il guardo from Thirsi morir volea (Caimo, Gioseppe) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Avorio e gemma ed ogni pietra dura (Wert, Giaches de) for soprano, alto, 2 tenors and bass |
— |
| Prima parte from A caso un giorno mi guidò la sorte (Wert, Giaches de) for 5 voices or 6 voices |
— |
| Seconda parte from A caso un giorno mi guidò la sorte (Wert, Giaches de) for 5 voices or 6 voices |
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| Mirabile mysterium (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Mentre che la mia Donna (Gero, Jhan) for 2 voices or mixed chorus |
— |
| Queste non son piu lagrime (Wert, Giaches de) for 6 voices or mixed chorus |
— |
| Amor, che sol de i cor leggiadri ha cura (Monte, Philippe de) for 3 voices |
— |
| Ama l'Aquila Giove (Gabrieli, Andrea) for soprano, alto, 2 tenors and bass |
— |
| O gran bonta de' cavallieri antiqui (Berchem, Jacquet de) for 4 voices or mixed chorus |
— |
| Nasce la pena mia (Striggio, Alessandro) for soprano, alto, 3 tenors and bass or mixed chorus |
— |
| Prima parte: vestiva i colli from Vestiva i colli (Palestrina, Giovanni Pierluigi da) for 5 voices or mixed chorus |
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| Seconda parte: Così le chiome mie from Vestiva i colli (Palestrina, Giovanni Pierluigi da) for 5 voices or mixed chorus |
— |
| O gramo Pantalon mal arrivao à 6 (Croce, Giovanni) for 6 voices or 2 mixed chorus |
— |
| Prima parte: Vago augelleto from Vago augelletto che cantando vai (Wert, Giaches de) for soprano, 2 altos, tenor and bass or mixed chorus |
— |
| Seconda parte: Io non so se le parti from Vago augelletto che cantando vai (Wert, Giaches de) for soprano, 2 altos, tenor and bass or mixed chorus |
— |
| Speme amorosa (Gastoldi, Giovanni Giacomo) for 5 voices or mixed chorus |
— |
| Tirsi morir volea (Marenzio, Luca) for soprano, alto, 2 tenors and bass or 5 voices |
— |
| Lasso ch'il crederia, LV 322 (Lassus, Orlande de) for soprano, alto, tenor and bass or mixed chorus |
— |
| O dolce anima mia (Marenzio, Luca) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Prima parte from Ecco che un altra volta, o piagge apriche (Wert, Giaches de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Seconda parte from Ecco che un altra volta, o piagge apriche (Wert, Giaches de) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Rivi, fontane e fiumi a l’aura al cielo (Marenzio, Luca) for 2 sopranos, 2 altos and bass or mixed chorus |
— |
| Prima parte: Solo e pensoso from Solo et pensoso (Wert, Giaches de) for 5 voices or mixed chorus |
— |
| Seconda parte: Sì ch'io mi credo omai che monti from Solo et pensoso (Wert, Giaches de) for 5 voices or mixed chorus |
— |
| Mirami, vita mia, mirami un poco (Merulo, Claudio) for 5 voices or mixed chorus |
— |
| Fantasia on 'Ut-re-mi-fa-sol-la' (Daman, William) for 3 viols |
— |
| Deh rinforzate il vostro largo pianto (Marenzio, Luca) for 2 sopranos, 2 altos, tenor and bass or mixed chorus |
— |
| Leggiadre Donne, che quella bellezza (Ruffo, Vincenzo) for soprano, alto, tenor and bass or mixed chorus |
— |
| Anchor ch'io possa dire (Striggio, Alessandro) for 6 voices |
— |
| Cueur langoreulx, NJE 29.2 (Josquin Desprez) for 5 voices |
— |
| Hor fuggi infedele ombra (Wert, Giaches de) for soprano, 3 tenors and bass or mixed chorus |
— |
| Mentre l'aura spirò nel verde Lauro (Marenzio, Luca) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Copre madonna ad arte con freddi (Virchi, Paolo) for 2 sopranos, alto, tenor and bass |
— |
| Prima parte: Giunto m'a Amor from Giunto m'à Amor fra belle et crude braccia (Willaert, Adrian) for 5 voices or mixed chorus |
— |
| Seconda parte: Nulla posso levar io per mio ingegno from Giunto m'à Amor fra belle et crude braccia (Willaert, Adrian) for 5 voices or mixed chorus |
— |
| Prima parte: D'un sì bel foco from D'un sì bel foco e d'un sì nobil laccio (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Scorgo tanto alto il lume from D'un sì bel foco e d'un sì nobil laccio (Wert, Giaches de) for 5 voices |
— |
| Cor mio, mentre vi miro, SV 77 (Monteverdi, Claudio) for 5 voices |
— |
| O sacrum convivium (Arcadelt, Jacob) for 5 voices or mixed chorus |
— |
| Non rumor di tamburi o suon di trombe (Conforti, Giovanni Battista) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Non è ch'il duol mi scemi (Rore, Cipriano de) for 4 voices |
— |
| Prima stanza: A la dolce ombra from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Seconda stanza: Non vide il Mondo from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Terza stanza: Un lauro mi difese from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Quarta stanza: Però più fermo from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Quinta stanza: Selve, sassi, campagne from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Sesta stanza: Tanto mi piacque from A la dolce ombra de le belle frondi (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
| Ma di che debbo lamentarmi (Wert, Giaches de) for soprano, alto, tenor and bass or mixed chorus |
— |
| O in primavera eterna (Gabrieli, Andrea) for 2 sopranos, 2 altos and bass or 2 sopranos, 2 altos and tenor or mixed chorus |
— |
| Prima parte: Chiare fresche à 5 from Chiare fresche et dolci acque (Arcadelt, Jacob) for 5 voices |
— |
| Seconda parte: S'egli è pur mio destino à 4 from Chiare fresche et dolci acque (Arcadelt, Jacob) for 5 voices |
— |
| Terza parte: Tempo verrà anchor forse à 3 from Chiare fresche et dolci acque (Arcadelt, Jacob) for 5 voices |
— |
| In Nomine à 4 (Baldwin, John) for 4 Unspecified instruments |
— |
| In Nomine à 5 (Bull, John) for 5 Unspecified instruments |
— |
| Crudel, di che peccato a doler t'hai (Fiesco, Giulio) for soprano, alto, tenor and bass |
— |
| Da l'estrem' orizzonte (Rore, Cipriano de) for soprano, alto, 2 tenors and bass |
— |
| Prima parte: I dolci colli from I dolci colli (Striggio, Alessandro) for soprano, alto, 3 tenors and bass or mixed chorus |
— |
| Seconda parte: E qual cervo from I dolci colli (Striggio, Alessandro) for soprano, alto, 3 tenors and bass or mixed chorus |
— |
| Vorria morire per uscir di guai (Waelrant, Hubert) for soprano, alto, tenor and bass or mixed chorus |
— |
| Ingiustissimo Amor, perche si raro (Arcadelt, Jacob) for soprano, alto and tenor or mixed chorus |
— |
| Dormendo un giorno a baia a l'ombra Amore (Arcadelt, Jacob) for soprano, alto and tenor |
— |
| Rose bianche e vermiglie (Marenzio, Luca) for 5 voices or mixed chorus |
— |
| Prima parte: Amor poi che non vuole from Amor poi che non vuole (Marenzio, Luca) for 2 sopranos, 2 altos and bass or 5 voices |
— |
| Seconda parte: Chi strinse mai piu bello mano from Amor poi che non vuole (Marenzio, Luca) for 2 sopranos, 2 altos and bass or 5 voices |
— |
| Prima parte: Valle che de’ lamenti from Valle che de’ lamenti miei se’ piena (Wert, Giaches de) for soprano, alto, 2 tenors and bass or 5 voices |
— |
| Seconda parte: Ben riconosco in voi from Valle che de’ lamenti miei se’ piena (Wert, Giaches de) for soprano, alto, 2 tenors and bass or 5 voices |
— |
| S'ogni mio ben havete (Striggio, Alessandro) for soprano, 3 altos, tenor and bass or mixed chorus |
— |
| Hora che ogni animal (Bassano, Giovanni) for 2 sopranos, alto and bass or mixed chorus |
— |
| Questi odorati fiori (Wert, Giaches de) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Prima parte: Signor mio caro from Signor mio caro (Rore, Cipriano de) for 4 voices |
— |
| Seconda parte: Carità di signore from Signor mio caro (Rore, Cipriano de) for 4 voices |
— |
| Madonna hormai mil vedo (Rore, Cipriano de) for 4 voices |
— |
| Nun bitten wir den Heiligen Geist à 8 (Praetorius, Michael) for 8 voices |
— |
| Elle s'en va de moi (Castro, Jean de) for 3 voices |
— |
| J'aime par amour (Willaert, Adrian) for 3 voices |
— |
| Allons, allons gai (Willaert, Adrian) for 3 voices |
— |
| Da le belle contrade d'oriente (Rore, Cipriano de) for soprano, alto, 2 tenors and bass |
— |
| O beltà rara (Gabrieli, Andrea) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Mirami, vita mia, miram' un poco (Gabrieli, Andrea) for 2 sopranos, alto, tenor and bass or mixed chorus |
— |
| Chi chi li chi (Gabrieli, Andrea) for 2 sopranos, alto, 2 tenors and bass |
— |
| La bella netta ignuda (Rore, Cipriano de) for 4 voices |
— |
| S’andasse amor a caccia, SV 49 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Prima parte: Cantai: or piango from Cantai: or piango (Willaert, Adrian) for soprano, 2 altos, 2 tenors and bass |
— |
| Seconda parte: Tengan dunque from Cantai: or piango (Willaert, Adrian) for soprano, 2 altos, 2 tenors and bass |
— |
| Prima parte: Sento l'aura soave from Sento l'aura soave (Flecha el Joven, Mateo) for 2 sopranos, 2 altos and bass or mixed chorus |
— |
| Seconda parte: O caduche speranze from Sento l'aura soave (Flecha el Joven, Mateo) for 2 sopranos, 2 altos and bass or mixed chorus |
— |
| Terza parte: Sperando alfin da le soave piante from Sento l'aura soave (Flecha el Joven, Mateo) for 2 sopranos, 2 altos and bass or mixed chorus |
— |
| Il estoit une fillette (Janequin, Clément) for 4 voices |
— |
| O Gloriosa Domina (Gabrieli, Andrea) for 6 voices |
— |
| In Nomine (Whytbroke, William) for 4 viols |
— |
| Fantasia undecima sopra quattro soggietti, F 6.11 (Frescobaldi, Girolamo) for organ or 4 voices |
— |
| Fantasia duodecima sopra quattro soggietti, F 6.12 (Frescobaldi, Girolamo) for 4 voices or organ or harpsichord |
— |
| Arrangement of Fantasia prima sopra un soggietto, F 6.01 (Frescobaldi, Girolamo) for 4 viols |
— |
| Isti sunt triumphatores (Gabrieli, Andrea) for 6 voices |
— |
| O morte, eterno fin (Rore, Cipriano de) for 5 voices |
— |
| Ecco l'aurora con l'aurata fronte (Gabrieli, Andrea) for 5 voices |
— |
| Verament'in amore (Monte, Philippe de) for 5 voices |
— |
| Quivi sospiri (Luzzaschi, Luzzasco) for 5 voices |
— |
| Ah dolente partita (Wert, Giaches de) for 5 voices |
— |
| De la bonne chiere (Martini, Johannes) for 3 voices |
— |
| Fault il que heur soye (Martini, Johannes) for 4 voices |
— |
| Fortuna desperata (Martini, Johannes) for 4 voices |
— |
| Fuge la morte (Martini, Johannes) for 3 Unspecified instruments |
— |
| Scaldava il sol (Marenzio, Luca) for 5 voices |
— |
| Je remerchi Dieu (Martini, Johannes) for 3 voices |
— |
| Malheur me bat (Martini, Johannes) for 3 voices |
— |
| Tousjours me souviendra (Martini, Johannes) for 3 voices |
— |
| Tant que Dieu voudra (Martini, Johannes) for 3 voices |
— |
| Chi fara fed al cielo (Striggio, Alessandro) for 5 voices |
— |
| Prima parte: Non si levava ancor from Non si levav’ancor l’alba novella, SV 40 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Seconda parte: E dicea l'una sospirando from Non si levav’ancor l’alba novella, SV 40 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Crudel perché mi fuggi, SV 55 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Dolcemente dormiva la mia Clori, SV 52 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Perfidissimo volto ben lusata bellezza, SV 69 (Monteverdi, Claudio) for 5 voices |
— |
| Ricercarta No.10 from Ricercate sopra il violoncello o' clavicembalo, Op. 1 (Antonii, Giovanni Battista degli) for cello or harpsichord |
— |
| Ego flos campi a 7 (Clemens non Papa, Jacobus) for 7 voices |
— |
| Zefiro torna e'l bel tempo rimena, SV 108 (Monteverdi, Claudio) for 5 voices and continuo |
— |
| Prima parte: I' vo piangendo from I vo piangendo (Zarlino, Gioseffo) for 5 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra e in tempesta from I vo piangendo (Zarlino, Gioseffo) for 5 voices |
— |
| Lamento della ninfa, SV 163 (Monteverdi, Claudio) for 4 voices |
— |
| Come fuggir per selva ombrosa (Marenzio, Luca) for 6 voices |
— |
| Osculetur me (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| La disperata (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Dormendo un giorno (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Prima parte: Sovente all'or from Sovente all'hor che sù gli estivi ardori (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Poscia dicea piangendo from Sovente all'hor che sù gli estivi ardori (Wert, Giaches de) for 5 voices |
— |
| Susanna videns (Jarzębski, Adam) for continuo and 2 Unspecified instruments |
— |
| Adieu délices de mon coeur (Clemens non Papa, Jacobus) for 4 voices |
— |
| Ad una fresca riva (Marenzio, Luca) for 3 voices |
— |
| How Vain the Toils (Byrd, William) for voice and 5 viols |
— |
| Si par souhait, LV 377 (Lassus, Orlande de) for 4 voices |
— |
| Las voules vous, LV 36 (Lassus, Orlande de) for 4 voices |
— |
| Kyrie (No.1) from Missa ad imitationem moduli Susanne un Jour, LV 408 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| La Durante (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Stella (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Fenarola (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Gambara (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Nuvolina (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Porta (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Robbata (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Solda (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Ugona (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Averolda (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Barbisona (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Furta (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Canobbia à 4 (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Maggia (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Martinenga (Canale, Floriano) for 4 Unspecified instruments |
— |
| Prima stanza: A caso un giorno from A caso un giorno mi guidò la sorte (Gabrieli, Andrea) for 3 voices |
— |
| Seconda stanza: Vaga d'udir from A caso un giorno mi guidò la sorte (Gabrieli, Andrea) for 3 voices |
— |
| Terza stanza: Con quel poco di spirto from A caso un giorno mi guidò la sorte (Gabrieli, Andrea) for 3 voices |
— |
| Ultima stanza: Mentre ch’ella le piaghe from A caso un giorno mi guidò la sorte (Gabrieli, Andrea) for 3 voices |
— |
| Prima stanza: Deh, dove senza me from Deh, dove senza me (Gabrieli, Andrea) for 3 voices |
— |
| Seconda stanza: Dove, speranza mia from Deh, dove senza me (Gabrieli, Andrea) for 3 voices |
— |
| Ultima stanza: Oh infelice! Oh misero! from Deh, dove senza me (Gabrieli, Andrea) for 3 voices |
— |
| La Bevilacqua à 4 (Canale, Floriano) for 4 Unspecified instruments |
— |
| La Avogadra (Canale, Floriano) for 4 Unspecified instruments |
— |
| La verginella e simile alla rosa (Gabrieli, Andrea) for soprano, alto and tenor |
— |
| Prima stanza: E dove non potea from E dove non potea la debil voce (Gabrieli, Andrea) for 3 voices |
— |
| Seconda stanza: Ma i venti che portavano from E dove non potea la debil voce (Gabrieli, Andrea) for 3 voices |
— |
| Terza stanza: E con la faccia from E dove non potea la debil voce (Gabrieli, Andrea) for 3 voices |
— |
| Prima parte: I' vo piangendo from I' vo piangendo (Gabrieli, Andrea) for 5 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra from I' vo piangendo (Gabrieli, Andrea) for 5 voices |
— |
| Per duo coralli ardenti (Marenzio, Luca) for 6 voices |
— |
| Prima parte: Amor, Fortuna from Amor, Fortuna (Giacomini, Bernardo) for 5 voices |
— |
| Seconda parte: Né spero i dolci from Amor, Fortuna (Giacomini, Bernardo) for 5 voices |
— |
| Nova angeletta (Manara, Francesco) for 4 voices |
— |
| Prima parte: Questa anima gentil from Questa anima gentil (Willaert, Adrian) for 4 voices |
— |
| Seconda parte: Se si posasse from Questa anima gentil (Willaert, Adrian) for 4 voices |
— |
| Prima parte: Canti gia lieto from Cantai già lieto (Marenzio, Luca) for 6 voices |
— |
| Seconda parte: Che la mia donna from Cantai già lieto (Marenzio, Luca) for 6 voices |
— |
| Prima parte: Amor, Fortuna from Amor, Fortuna (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Seconda parte: Ne spero i dolci from Amor, Fortuna (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Prime parte: Ne fero from Né fero sdegno mai, Donna (Marenzio, Luca) for 6 voices |
— |
| Seconda parte: Talché, dovunque vò from Né fero sdegno mai, Donna (Marenzio, Luca) for 6 voices |
— |
| Se'l veder voi m'ancide (Willaert, Adrian) for 3 voices |
— |
| Prima parte: Dunque baciar from Dunque baciar sì belle e dolce labbia (Gabrieli, Andrea) for 3 voices |
— |
| Seconda parte: Se tu m’occidi from Dunque baciar sì belle e dolce labbia (Gabrieli, Andrea) for 3 voices |
— |
| Prima parte: A la dolce ombra from A la dolce ombra de le belle frondi (Animuccia, Paolo) for 5 voices |
— |
| Seconda parte: Non vide il mondo from A la dolce ombra de le belle frondi (Animuccia, Paolo) for 5 voices |
— |
| Alma, se stata fossi a pieno accorta (Nasco, Giovanni) for 8 voices |
— |
| Prima parte: Misera, non credea from Misera, non credea (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Ma che? Squallido e scuro from Misera, non credea (Wert, Giaches de) for 5 voices |
— |
| Sì come aid freschi (Wert, Giaches de) for 5 voices |
— |
| Forsennata gridava (Wert, Giaches de) for 5 voices |
— |
| Non sospirar, Pastor (Wert, Giaches de) for 5 voices |
— |
| Prima stanza: Dunque fia ver (dicea) from Dunque fia ver dicea (Gabrieli, Andrea) for 3 voices |
— |
| Seconda parte: Se questo altier from Dunque fia ver dicea (Gabrieli, Andrea) for 3 voices |
— |
| Terza parte: Deh, ferma, Amor from Dunque fia ver dicea (Gabrieli, Andrea) for 3 voices |
— |
| Ultima parte: Ma di che debbo lamentarmi from Dunque fia ver dicea (Gabrieli, Andrea) for 3 voices |
— |
| Vener, ch'un giorno avea (Wert, Giaches de) for 5 voices |
— |
| Con voi giocando Amor (Wert, Giaches de) for 5 voices |
— |
| Il dolce sonno mi promise pace (Gabrieli, Andrea) for 3 voices |
— |
| Prima parte: Due rose fresche from Due rose fresche, et colte in paradiso (Gabrieli, Andrea) for 5 voices |
— |
| Seconda parte: Non vede un simil par from Due rose fresche, et colte in paradiso (Gabrieli, Andrea) for 5 voices |
— |
| Prime parte: Che giova posseder from Che giova posseder (Gabrieli, Andrea) for 3 voices |
— |
| Seconda parte: Ma che non giova aver from Che giova posseder (Gabrieli, Andrea) for 3 voices |
— |
| Terza parte: Quanto esser vi dee caro from Che giova posseder (Gabrieli, Andrea) for 3 voices |
— |
| Ultima parte: Però che voi non siete from Che giova posseder (Gabrieli, Andrea) for 3 voices |
— |
| Prima parte: Ella non sa from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Seconda parte: Così, cor mio from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Terza parte: Ma poi che’l mio destino from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Quarta parte: A questo la mestissima from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Quinta parte: Di ciò, cor mio from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Sesta parte: Zerbin la debol voce from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Settima parte: Non credo che from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Ultima parte: Sopra il sanguigno from Ella non sa, se non invan dolersi (Gabrieli, Andrea) for 3 voices |
— |
| Sonata in Dialogo (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos or 2 viols and continuo |
— |
| Giunto m'à Amor fra belle et crude braccia (Monte, Philippe de) for 5 voices |
— |
| Laura soave, vita di mia vita (Gabrieli, Andrea) for 5 voices |
— |
| Prime parte: Giunto è pur Lidia from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
— |
| Seconda parte: Ecco l’ora, ecco ch’io from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
— |
| Terza parte: Lidia ti lasso ahi lasso from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
— |
| Ohimè dov'è il mio ben, dov'è il mio core? (Marenzio, Luca) for 5 voices |
— |
| Quando i vostri begli occhi un caro velo (Marenzio, Luca) for 5 voices |
— |
| Prima pars: De Profundus from De profundis clamavi (Champion, Nicolas) for 4 voices or mixed chorus |
— |
| Secunda pars: A custodia from De profundis clamavi (Champion, Nicolas) for 4 voices or mixed chorus |
— |
| Che fa oggi il mio sole (Marenzio, Luca) for 5 voices |
— |
| Lasso ch'io ardo e'l mio bel sole ardente (Marenzio, Luca) for 5 voices |
— |
| Questa di verdi erbette (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Spuntavan gia per far from Spuntavan gia per far il mondo adorno (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Quando’l mio vivo from Spuntavan gia per far il mondo adorno (Marenzio, Luca) for 5 voices |
— |
| Madonna mia gentil, ringrazio Amore (Marenzio, Luca) for 5 voices |
— |
| Partirò dunque, ohimè mi manca il core (Marenzio, Luca) for 5 voices |
— |
| O tu che fra le selve occulta vivi (Marenzio, Luca) for 8 voices |
— |
| Qual vive Salamandra in fiamma ardente (Marenzio, Luca) for 6 voices |
— |
| Prima parte: Venuta era Madonna from Venuta era Madonna al mio languire (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: In tanto il sonno from Venuta era Madonna al mio languire (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Come inanti from Come inanti de l'alba ruggiadosa (Marenzio, Luca) for 6 voices |
— |
| Seconda parte: Così questa from Come inanti de l'alba ruggiadosa (Marenzio, Luca) for 6 voices |
— |
| Potrò viver io più se senza luce (Marenzio, Luca) for 6 voices |
— |
| Ben mi credetti già d'esser felice (Marenzio, Luca) for 6 voices |
— |
| Al suon delle dolcissime parole (Marenzio, Luca) for 6 voices |
— |
| O doloroso sorte (Marenzio, Luca) for 6 voices |
— |
| Perché di pioggia il ciel non si distille (Marenzio, Luca) for 5 voices |
— |
| Quando sorge l’aurora (Marenzio, Luca) for 5 voices |
— |
| Itene à l’ombra de gli ameni faggi (Marenzio, Luca) for 5 voices |
— |
| Mi fa lasso languire (Marenzio, Luca) for 5 voices |
— |
| I' piango; et ella il volto (Marenzio, Luca) for 5 voices |
— |
| Ricordati, pagan, quando uccidesti (Berchem, Jacquet de) for 4 voices |
— |
| Dirò d’Orlando in un medesmo tratto (Berchem, Jacquet de) for 4 voices |
— |
| Prima parte: Sorgi e Rischiara from Sorgi et rischiara al tuo apparir il cielo (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Scendi Imeneo from Sorgi et rischiara al tuo apparir il cielo (Wert, Giaches de) for 5 voices |
— |
| Felice l'alma che per voi sospira (Striggio, Alessandro) for 5 voices |
— |
| All’apparir che fece all’improviso (Berchem, Jacquet de) for 4 voices |
— |
| Che debbo far, poi ch’io son giunto tardi (Berchem, Jacquet de) for 4 voices |
— |
| Miserere mihi Domine (Byrd, William) for 6 voices |
— |
| Se come il biondo crin de la mia Filli (Rore, Cipriano de) for 5 voices |
— |
| Mentre, lumi maggior del secol nostro (Rore, Cipriano de) for 5 voices |
— |
| Mentre costui così s’affligge e duole (Berchem, Jacquet de) for 4 voices |
— |
| Pieno di dolce e d’amoroso affetto (Berchem, Jacquet de) for 4 voices |
— |
| Sia vile agli altri, e da quel solo amata (Berchem, Jacquet de) for 4 voices |
— |
| O felic’occhi miei (Arcadelt, Jacob) for 4 voices |
— |
| Quanta beltà, quanta gratia e splendore (Arcadelt, Jacob) for 4 voices |
— |
| Voi ve n’andat’al cielo (Arcadelt, Jacob) for 4 voices |
— |
| Mesola, il Po da lato, e ’l mar a fronte (Wert, Giaches de) for 6 voices |
— |
| Voi volete ch’io muoia (Wert, Giaches de) for 5 voices |
— |
| La verginella è simile alla rosa (Pordenon, Marc'Antonio de) for 5 voices |
— |
| La verginella e simile alla rosa (Donato, Baldassare) for 4 voices |
— |
| La verginella è simile alla rosa (Ruffo, Vincenzo) for 5 voices |
— |
| Ingiustissimo Amor, perche si raro (Merulo, Claudio) for 5 voices |
— |
| Vaghi boschetti di soavi allori (Pallavicino, Benedetto) for 5 voices |
— |
| Era il bel viso suo, quale esser suole (Striggio, Alessandro) for 5 voices |
— |
| Ingiustissimo Amor, perche sì raro (Dalla Viola, Alfonso) for 5 voices |
— |
| Amor, io non potrei (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Deh, dove senza me from Deh, dove senza me, dolce mia vita (Aranda, Sessa d') for 4 voices |
— |
| Seconda parte: Dove, speranza mia from Deh, dove senza me, dolce mia vita (Aranda, Sessa d') for 4 voices |
— |
| Terza parte: E il fior ch’in ciel from Deh, dove senza me, dolce mia vita (Aranda, Sessa d') for 4 voices |
— |
| Quarta parte: Oh infelice! oh misero! from Deh, dove senza me, dolce mia vita (Aranda, Sessa d') for 4 voices |
— |
| Prima parte: Gravi pene from Gravi pene in amor si provan molte (Rore, Cipriano de) for 3 voices |
— |
| Seconda parte: Io dico e dissi from Gravi pene in amor si provan molte (Rore, Cipriano de) for 3 voices |
— |
| Prima parte: Io gia cantando from Io già cantando la mia libertate (Romano, Alessandro) for 5 voices |
— |
| Seconda parte: Allor ch'io senti from Io già cantando la mia libertate (Romano, Alessandro) for 5 voices |
— |
| La bella Ninfa mia, ch’al Tebro infiora (Marenzio, Luca) for 5 voices |
— |
| Di furto ancor oltre ogni vizio rio (La Martoretta, Giandominico) for 4 voices |
— |
| Deh, dove senza me, dolce mia vita (La Martoretta, Giandominico) for 4 voices |
— |
| Ingiustissimo Amor, perché sì raro (Ruffo, Vincenzo) for 4 voices |
— |
| Alcun non può saper da chi sia amato (Ruffo, Vincenzo) for 4 voices |
— |
| Cantan fra i rami gli augelletti vaghi (Ruffo, Vincenzo) for 4 voices |
— |
| Prima parte: Cantiamo lieti from Cantiamo lieti il fortunato giorno (Rore, Cipriano de) for 5 voices |
— |
| La terra di novelli from Cantiamo lieti il fortunato giorno (Rore, Cipriano de) for 5 voices |
— |
| Il dolce sonno mi promise pace (Wert, Giaches de) for 4 voices |
— |
| Prima parte: Già Febo il tuo splendor from Già Febo il tuo splendor rendeva chiaro (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Or tu gli cedi from Già Febo il tuo splendor rendeva chiaro (Marenzio, Luca) for 5 voices |
— |
| Strider faceva le zampogne a l'aura (Marenzio, Luca) for 5 voices |
— |
| Gia torna a rallegrar l'aria e la terra (Marenzio, Luca) for 5 voices |
— |
| Prime parte: Amor m’à posto from Amor m’à posto come segno a strale (Cambio, Perissone) for 5 voices |
— |
| Seconda parte: I pensier’ son saette from Amor m’à posto come segno a strale (Cambio, Perissone) for 5 voices |
— |
| Prima parte: L'aura mia sacra from L’aura mia sacra al mio stanco riposo (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Ella si tace from L’aura mia sacra al mio stanco riposo (Willaert, Adrian) for 5 voices |
— |
| Quando nascesti, Amore? (Cambio, Perissone) for 7 voices |
— |
| Prima parte: Lasso, ch’i’ ardo from Lasso, ch’i’ ardo (Willaert, Adrian) for 4 voices |
— |
| Seconda parte: Quest’arder mio from Lasso, ch’i’ ardo (Willaert, Adrian) for 4 voices |
— |
| O Mors Inevitabilis (Vinders, Jheronimus) for 7 voices |
— |
| Passacalle (Falconieri, Andrea) for 2 violins, cello and continuo or 3 viols and continuo |
— |
| L'Eroica (Falconieri, Andrea) for 2 violins, cello and continuo or 3 viols and continuo |
— |
| Prima parte: I piansi, hor canto from I piansi, or canto (Willaert, Adrian) for 2 sopranos, alto, 2 tenors and bass |
— |
| Seconda parte: Si profundo era from I piansi, or canto (Willaert, Adrian) for 2 sopranos, alto, 2 tenors and bass |
— |
| Gaillarde, TMA 284 (Caroubel, Pierre-Francisque) for 5 Unspecified instruments |
— |
| Gaillarde, TMA 285 (Caroubel, Pierre-Francisque) for 5 Unspecified instruments |
— |
| Gaillarde, TMA 287 (Caroubel, Pierre-Francisque) for 5 Unspecified instruments |
— |
| Galliarde de la guerre, TMA 290 (Praetorius, Michael) for 5 Unspecified instruments |
— |
| Galliarde de Monsieur Wustrow, TMA 289 (Praetorius, Michael) for 5 Unspecified instruments |
— |
| Passameze pour les cornetz, TMA 288 (Caroubel, Pierre-Francisque) for 6 Unspecified instruments |
— |
| Passameze, TMA 283 (Caroubel, Pierre-Francisque) for 5 Unspecified instruments |
— |
| Passameze, TMA 286 (Caroubel, Pierre-Francisque) for 6 Unspecified instruments |
— |
| Prima parte: O Invidia nemica from O Invidia nemica di vertute (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Né però from O Invidia nemica di vertute (Willaert, Adrian) for 5 voices |
— |
| Prima parte: Onde tolse Amor l’oro from Onde tolse Amor l’oro (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Da quali angeli mosse from Onde tolse Amor l’oro (Willaert, Adrian) for 5 voices |
— |
| Prima parte: Mentre che 'l cor from Mentre che 'l cor dagli amorosi vermi (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Quel foco è morto from Mentre che 'l cor dagli amorosi vermi (Willaert, Adrian) for 5 voices |
— |
| Alma Susanna, ben felice è'l core (Rore, Cipriano de) for 5 voices |
— |
| Vaghi pensieri che mentre aveste il cielo (Rore, Cipriano de) for soprano, alto, 2 tenors and bass |
— |
| Pungente dardo, che'l mio cor consumi (Berchem, Jacquet de) for soprano, alto, tenor and bass |
— |
| Possa io morir di mala morte (Arcadelt, Jacob) for 4 voices |
— |
| Io dico che fra voi potenti dei (Arcadelt, Jacob) for 4 voices |
— |
| Felice me, se de i bei lumi un raggio (Arcadelt, Jacob) for 4 voices |
— |
| Quando dal primo amore (Caimo, Gioseppe) for soprano, 2 altos and tenor |
— |
| Parmi di star la notte in paradiso (Caimo, Gioseppe) for 4 voices |
— |
| E ben ragion se l'eterno mottore (Caimo, Gioseppe) for soprano, 2 altos, tenor and bass |
— |
| S'io fosse negromante per amore (Caimo, Gioseppe) for 4 voices |
— |
| Ove, pazzo che sei, fuggir ti pensi (Caimo, Gioseppe) for 5 voices |
— |
| Donna, te dico il vero (Caimo, Gioseppe) for 4 voices |
— |
| Vorria che si facesse questa legge (Caimo, Gioseppe) for 4 voices |
— |
| Dolci spoglie felici e care tanto (Wert, Giaches de) for 4 voices |
— |
| Misera, che faro poi ch'io mi moro (Wert, Giaches de) for 5 voices |
— |
| Vive doglioso il core (Wert, Giaches de) for soprano, 3 altos and tenor |
— |
| Vani, e sciocchi non men ch'egri e dolenti (Wert, Giaches de) for 5 voices |
— |
| Prima parte: D'ogni gratia from D'ogni gratia et d'amor la madr'errante (Striggio, Alessandro) for 6 voices |
— |
| Seconda parte: Sciolta, Bella from D'ogni gratia et d'amor la madr'errante (Striggio, Alessandro) for 6 voices |
— |
| Caro dolce ben mio chi mi vi toglie (Striggio, Alessandro) for 5 voices |
— |
| Invidioso Amor del mio bel stato (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Mentre la donna, anzi la vita mia (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Prima parte: O de la bella Etruria from O de la bella Etruria invitto Duce (Striggio, Alessandro) for 5 voices |
— |
| Seconda parte: Degno che dotte istorie from O de la bella Etruria invitto Duce (Striggio, Alessandro) for 5 voices |
— |
| Tu ridi sempre mai (Caimo, Gioseppe) for 4 voices |
— |
| Prima parte: Io mi vivea from Io mi vivea del mio languir contento (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Riman solo il pensier from Io mi vivea del mio languir contento (Wert, Giaches de) for 5 voices |
— |
| Madonna il vostro petto è tutto ghiaccio (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Un lauro mi difese allor dal cielo (Berchem, Jacquet de) for 3 voices |
— |
| Prima parte: Giovane Illustre from Giovane illustre, sopra il Mincio nata (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Seconda parte: Alma Reale from Giovane illustre, sopra il Mincio nata (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Terza Parte: O sopra l'altre from Giovane illustre, sopra il Mincio nata (Striggio, Alessandro) for soprano, alto, 2 tenors and bass |
— |
| Ma che mi possi nuocere non veggio (Berchem, Jacquet de) for 4 voices |
— |
| Dicea: Fortuna, che più a far ti resta (Berchem, Jacquet de) for 4 voices |
— |
| Stupida e fissa nella incerta sabbia (Berchem, Jacquet de) for mixed chorus or soprano, 2 altos and tenor |
parts |
| Quando si vide sola in quel deserto (Berchem, Jacquet de) for 4 voices |
— |
| Notte felice, aventurosa e bella (Striggio, Alessandro) for 5 voices |
— |
| Era il bel viso suo (Schiavetti, Giulio) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Gravi pene in amor si provan molte (Guami, Gioseffo) for soprano, alto, 2 tenors and bass |
— |
| Chi brama al maggior caldo esser di giaccio (Striggio, Alessandro) for 5 voices |
— |
| Era la mia virtù quasi smarrita (Striggio, Alessandro) for 5 voices |
— |
| Prima parte: Donna felice from Donna felice e bella (Striggio, Alessandro) for 5 voices |
— |
| Seconda parte: Se ne la mente mia from Donna felice e bella (Striggio, Alessandro) for 5 voices |
— |
| Pensai lasso, fra quest' alpestri monti (Striggio, Alessandro) for 5 voices |
— |
| Prima parte: Or che lucente e chiara from Or che lucente e chiara (Striggio, Alessandro) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Seconda parte: A i gigli e a le viole from Or che lucente e chiara (Striggio, Alessandro) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Terza parte: Ecco, ch'ei giunge a noi from Or che lucente e chiara (Striggio, Alessandro) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Quarta parte: Or mentre il bel pianeta from Or che lucente e chiara (Striggio, Alessandro) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Quinta ed ultima parte: Ché questi è quel ch'invola from Or che lucente e chiara (Striggio, Alessandro) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Como viver mil posso (Gabrieli, Andrea) for 5 voices |
— |
| Chel bello Epithimia Chiaretta (Wert, Giaches de) for 4 voices |
— |
| Mi ho scritto e sembre scrivo (Padovano, Annibale) for 4 voices |
— |
| Benedetta el gregaria (Padovano, Annibale) for 4 voices |
— |
| Donna curtese, e bella (Taglia, Pietro) for 5 voices |
— |
| Prima parte: L'aspetto sacro from L'aspetto sacro de la terra vostra (Roussel, François) for 5 voices |
— |
| Seconda parte: Io che'l suo ragionar from L'aspetto sacro de la terra vostra (Roussel, François) for 5 voices |
— |
| Lungo le rive del famoso Tebro (Wert, Giaches de) for 7 voices |
— |
| Padre ch'el ciel la terra e'l tutto reggi (Gonzaga, Guglielmo) for 5 voices |
— |
| Prima parte: Ogni loco from Ogni loco mi porge doglia e pianto (Palestrina, Giovanni Pierluigi da) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Seconda parte: Poscia che per mio mal from Ogni loco mi porge doglia e pianto (Palestrina, Giovanni Pierluigi da) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Cingari simo venite a giocare (Willaert, Adrian) for soprano, alto, tenor and bass |
— |
| O sogno mio felice o sogno grato (Ruffo, Vincenzo) for 4 voices |
— |
| Vergine bella, che di sol vestita (Ruffo, Vincenzo) for mixed chorus or soprano, alto, tenor and bass |
— |
| Fuggi, fuggi, cor mio (Verdelot, Philippe) for 4 voices |
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| Fuggi, speme mia, fuggi (Gabrieli, Andrea) for 5 voices |
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| Fuggi, speme mia, fuggi (Marenzio, Luca) for 6 voices |
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| Lasso ch'ogni augelletto (Nanino, Giovanni Maria) for 5 voices |
— |
| Mentre fia caldo il sol, fredda la neve (Marenzio, Luca) for 5 voices |
— |
| Donne, il celeste lume (Marenzio, Luca) for 9 voices |
— |
| Madonna poi ch'uccider mi volete (Marenzio, Luca) for 5 voices |
— |
| Or si rallegri il cielo (Wert, Giaches de) for 5 voices |
— |
| Ode l'anima mia gioia infinita (Fiorini, Ippolito) for 5 voices |
— |
| Tra le purpuree rose e i bianchi gigli (Pallavicino, Benedetto) for 5 voices |
— |
| Se ben non veggon gli occhi ciò che vede (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Vergine santa d'ogni gratia piena (Rossetti, Stephano) for mixed chorus or soprano, alto, tenor and bass |
— |
| Nel più fiorito Aprile (Marenzio, Luca) for 6 voices |
— |
| Ahimè, tal fu d'Amore e l'esca e l'amo (Marenzio, Luca) for 6 voices |
— |
| Occhi sereni e chiari (Marenzio, Luca) for 6 voices |
— |
| Non è questa la mano (Marenzio, Luca) for 6 voices |
— |
| Mentre sul far del giorno (Marenzio, Luca) for 6 voices |
— |
| Strinse Amarilli il vago suo Fileno (Marenzio, Luca) for mixed chorus or soprano, 3 altos, tenor and bass |
— |
| Cantate, Ninfe leggiadrette e belle (Marenzio, Luca) for 6 voices |
— |
| Prima parte: L'aura che'l verde lauro from L’aura che ’l verde lauro et l’aureo crine (Vicentino, Nicola) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Seconda parte: Candida rosa nata in dure spine from L’aura che ’l verde lauro et l’aureo crine (Vicentino, Nicola) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Prima parte: L'aura serena from L'aura serena che fra verdi fronde (Marenzio, Luca) for mixed chorus or 2 sopranos, 3 altos and bass |
— |
| Seconda parte: Le quali ella spargea from L'aura serena che fra verdi fronde (Marenzio, Luca) for mixed chorus or 2 sopranos, 3 altos and bass |
— |
| Clear or Cloudy Sweet as April Showering (Dowland, John) for 5 voices or 5 voices, lute and viol |
— |
| Stillò l'anima in pianto (Marenzio, Luca) for soprano, alto, 2 tenors and bass |
— |
| Nessun visse già mai più di me lieto (Marenzio, Luca) for 6 voices or soprano, 4 altos and tenor |
— |
| Prima parte: Quando signor lasciate from Quando signor lasciate entro a le rive (Rore, Cipriano de) for 5 voices |
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| Seconda parte: Ma poi che vostra alstezza from Quando signor lasciate entro a le rive (Rore, Cipriano de) for 5 voices |
— |
| Gelo hà madonna il seno e fiamma il volto (Merulo, Claudio) for 6 voices |
— |
| Alcun non può saper da chi sia amato (Rore, Cipriano de) for soprano, 3 tenors and bass or alto, 3 tenors and bass |
— |
| Come la notte ogni fiammella è viva (Rore, Cipriano de) for 5 voices |
— |
| Se mille volte ti vengh'a vedere (Willaert, Adrian) for 4 voices |
— |
| Fiere silvestre che per lati campi (Ruffo, Vincenzo) for 4 voices |
— |
| Monti, selve, fontane, piagge e fassi (Ruffo, Vincenzo) for 4 voices |
— |
| Miser, in van mi dolgio e mi lamento (Ruffo, Vincenzo) for 4 voices |
— |
| Ben mille notte ho già passato in pianto (Ruffo, Vincenzo) for 4 voices |
— |
| El Chiocho (Ruffo, Vincenzo) for soprano, tenor and bass |
— |
| Triumph, with Pleasant Melody (Byrd, William) for 5 voices |
— |
| Ch’aver può donna al mondo più di buono (Berchem, Jacquet de) for 4 voices |
— |
| Lord in Thy Wrath Reprove Me Not (Byrd, William) for 4 voices |
— |
| Care for thy Soul (Byrd, William) for 5 voices |
— |
| Prostrate, O Lord, I lie (Byrd, William) for voice and 4 Unspecified instruments |
— |
| Se l’affogarmi in mar morte non era (Berchem, Jacquet de) for 4 voices |
— |
| Oh troppo cara, oh troppo escelsa preda (Berchem, Jacquet de) for 4 voices |
— |
| Chi narrerà l’angoscie, i pianti, i gridi (Berchem, Jacquet de) for 4 voices |
— |
| Love's Farewell (Hume, Tobias) for viol |
— |
| Occhi lucenti assai più che le stelle (Donato, Baldassare) for 4 voices |
— |
| Vieni Clori gentil, boschetti e prati (Marenzio, Luca) for 10 voices or 2 mixed chorus |
parts |
| E quando a fato l'ovo la mattina la mia gallina (Fabrianese, Tiberio) for 4 voices |
— |
| La notte Orlando alle noiose piume (Berchem, Jacquet de) for 4 voices |
— |
| Li nostri preti han questa bona usanza (Cambio, Perissone) for 4 voices |
— |
| O quanto amore sempre t'ho portato (Donato, Baldassare) for 4 voices |
— |
| No pulice m'entrato nell' orecchia (Donato, Baldassare) for 4 voices |
— |
| Se sai ch'io t'amo e più che me t'onoro (Donato, Baldassare) for 4 voices |
— |
| Tirsi morir volea (Meldert, Leonard) for 5 voices |
— |
| Non t'ho possuto mai, donna mostrare (Donato, Baldassare) for 4 voices or piano |
— |
| La virtù, la bontà, l’ardente zelo (Gabrieli, Andrea) for 5 voices |
— |
| Prima parte: Poi che lasciand' from Poi che lasciand'i sette colli e l'acque (Vespa, Girolamo) for 5 voices |
— |
| Seconda parte: Onde qual fior from Poi che lasciand'i sette colli e l'acque (Vespa, Girolamo) for 5 voices |
— |
| Prima parte: Torbido il Mincio from Torbido il Mincio corre e piange il mondo (Striggio, Alessandro) for 5 voices |
— |
| Seconda parte: Una celeste Nuba from Torbido il Mincio corre e piange il mondo (Striggio, Alessandro) for 5 voices |
— |
| Madonna io non lo so perché lo sai (Willaert, Adrian) for 4 voices |
— |
| O bene mio fa famm’uno favore (Willaert, Adrian) for 4 voices |
— |
| Madonna mia famme bon' offerta (Willaert, Adrian) for 4 voices |
— |
| Madonna mia io son un poverello (Anonymous) for 4 voices |
— |
| Madonna io t'aggi amat'ed amo assai (Corteccia, Francesco) for 4 voices |
— |
| Sospiri miei d'ahimè (Willaert, Adrian) for 4 voices |
— |
| Si come bella sei fosti pietosa (Silvestrino, Francesco) for 4 voices |
— |
| O felice pensier, felice giorno (Gero, Jhan) for 3 voices |
— |
| Fantasia in G minor, VdGS 2.1 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Fantasia in G minor, VdGS 2.2 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Fantasia in G minor, VdGS 2.3 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Fantasia in D minor, VdGS 2.4 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Fantasia in D minor, VdGS 2.6 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Fantasia in D minor, VdGS 2.5 (Gibbons, Orlando) for alto, tenor and bass |
— |
| Bon temps (Anonymous) for 4 voices |
— |
| Mon pere ma mariée (Anonymous) for 4 voices |
— |
| Io mi sento morire (Gabrieli, Andrea) for 7 voices |
— |
| A qui direlle sa pense (Anonymous) for 4 voices |
— |
| Adieu fillette de regnon (Isaac, Heinrich) for 3 voices or 3 Unspecified instruments |
— |
| Pour quoy fu fait ceste emprise (Anonymous) for 3 voices or 3 Unspecified instruments |
— |
| Lord Hear My Prayer (Byrd, William) for 3 voices |
— |
| Lord in Thy Rage (Byrd, William) for soprano, alto and tenor |
— |
| Right Blest are They (Byrd, William) for 3 voices |
— |
| Lord in Thy Wrath Correct Me Not (Byrd, William) for 3 voices |
— |
| O God which art most Merciful (Byrd, William) for 3 voices |
— |
| De tous biens (Ghiselin, Johannes) for 3 voices or 3 Unspecified instruments |
— |
| Chanter ne puis (Compère, Loyset) for 3 voices |
— |
| From Depth of Sin (Byrd, William) for 3 voices |
— |
| Susanna Fair, T 253 (Byrd, William) for 3 voices |
— |
| The Nightingale (Byrd, William) for 3 voices |
— |
| The first part: Upon a summer's day from Upon a Summer's Day (Byrd, William) for 3 voices |
— |
| The second part: Then for a boat from Upon a Summer's Day (Byrd, William) for 3 voices |
— |
| When younglings first from When Younglings First (Byrd, William) for 3 voices |
— |
| But when by proof they find from When Younglings First (Byrd, William) for 3 voices |
— |
| Attend mine Humble Prayer (Byrd, William) for 3 voices |
— |
| The Greedy Hawk (Byrd, William) for 3 voices |
— |
| Fortuna disparata (Isaac, Heinrich) for 5 voices |
— |
| Ave ancilla trinitatis (Brumel, Antoine) for alto and 2 tenors or alto and 2 tenors |
— |
| Pavan, IAH 49 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| In Nomine à 5, VdGS 1 (Strogers, Nicholas) for 5 Unspecified instruments |
— |
| In Nomine à 5, VdGS 1 (Woodcock, Clement) for 5 Unspecified instruments |
— |
| Benedicamus Domino (Praetorius, Michael) for 6 voices |
— |
| In Nomine à 5 (Sadler, John) for 5 Unspecified instruments |
— |
| Ein feste Burg à 8 (Praetorius, Michael) for 8 voices |
— |
| Resonet in Laudibus (Hassler, Hans Leo) for 4 voices |
— |
| In Dulci Jubilo (Hassler, Hans Leo) for 4 voices |
— |
| Vom Himmel hoch (Hassler, Hans Leo) for 4 voices |
— |
| Nu bitten wir den heiligen geist à 6 (Walter, Johann) for 6 voices |
— |
| Prima parte: Ascendo ad Patrem from Ascendo ad patrem meum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Seconda parte: Ego rogabo Patrem from Ascendo ad patrem meum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Laudate Dominum omnes gentes (Gabrieli, Andrea) for 5 voices |
— |
| Canite tuba in Sion (Handl, Jacob) for 5 voices |
— |
| Hodie nobis coelorum rex (Handl, Jacob) for 8 voices |
— |
| Hodie Christus natus est, IGP 24 (Palestrina, Giovanni Pierluigi da) for 8 voices |
— |
| Hodie Christus natus est, IGP 24 (Palestrina, Giovanni Pierluigi da) for 8 voices |
— |
| Patefactae sunt ianuae coeli (Gabrieli, Andrea) for 4 voices |
— |
| Vox in Rama audita est (Wert, Giaches de) for 5 voices |
— |
| Prima pars: Miserere nostri (verses 1-2) from Miserere nostri Deus omnium (Willaert, Adrian) for 5 voices |
— |
| Secunda pars: Alleva manum tuam (verses 3-5) from Miserere nostri Deus omnium (Willaert, Adrian) for 5 voices |
— |
| Levavi oculos meos, LV 267 (Lassus, Orlande de) for 8 voices |
— |
| Dominus scit cogitationes hominum, LV 58 (Lassus, Orlande de) for 5 voices |
— |
| Deus noster refugium et virtus, LV 223 (Lassus, Orlande de) for 5 voices |
— |
| Quam pulchra es amica mea (Jacquet of Mantua) for 3 voices |
— |
| Sonata 'La Facca' (Gussago, Cesario) for 6 Unspecified instruments |
— |
| O sacrum convivium, LV 702 (Lassus, Orlande de) for 5 voices |
— |
| Canzon Prima Toni (Staden, Johann) for soprano, alto, tenor and bass |
— |
| Pavana I à 4 (Staden, Johann) for 4 Unspecified instruments |
— |
| Pavana III à 4 (Staden, Johann) for 4 Unspecified instruments |
— |
| Galliarda III à 4 (Staden, Johann) for 4 Unspecified instruments |
— |
| Galliarda II à 4 (Staden, Johann) for 4 Unspecified instruments |
— |
| Pavana II à 4 (Staden, Johann) for 4 Unspecified instruments |
— |
| Je cuide / De tous bien (Japart, Jean) for 4 voices |
— |
| Tucto il mundo e fantasia (Hesdimois, Jean) for 4 voices |
— |
| Lisa dea damisella (Anonymous) for 3 voices |
— |
| Hélas, Hélas, Hélas (Ninot le Petit) for 4 voices |
— |
| Myn morghen ghaf (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Adoramus te Christe, LV 885 (Lassus, Orlande de) for 3 voices |
— |
| Soubz ce tumbel (La Rue, Pierre de) for 4 voices |
— |
| Prima parte: Regina coeli from Regina coeli laetare (Manchicourt, Pierre de) for 6 voices |
— |
| Dal lecto me levava (Pesenti, Michele) for 4 voices |
— |
| Les miens aussi (Susato, Tielman) for 4 voices |
— |
| A Songe Called Trumpets (Parsons, Robert) for 6 Unspecified instruments |
— |
| Et marion la brune (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Je ne me peus tenir damer (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Gentil galans de gerra (Stappen, Crispin van) for 4 voices or 4 Unspecified instruments |
— |
| Helas le poure johan (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Pour passer temps / Plus ne chasceray (Japart, Jean) for 4 voices or 4 Unspecified instruments |
— |
| Par ung jour de matinee (Isaac, Heinrich) for 4 voices or 4 Unspecified instruments |
— |
| En l'ombre dung bussinet (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| J'ay pris amours, IA 401 (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Quant vostre ymage (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Brunette (Stokem, Johannes de) for 5 voices or 5 Unspecified instruments |
— |
| Pars prior: Passibus ambiguis from Passibus ambiguis (Greiter, Matthias) for 4 voices |
— |
| Bergerette savoysienne, NJE 28.6 (Josquin Desprez) for 4 voices |
— |
| Je m'en vois (Anonymous) for 3 voices |
— |
| Qui es Ane (Anonymous) for 3 voices |
— |
| Pour vous servir belle dame (Anonymous) for 3 voices |
— |
| Jamais dieux (Anonymous) for 3 voices |
— |
| Tu me comandes (Anonymous) for 3 voices |
— |
| De tous biens (Japart, Jean) for 4 voices or 4 Unspecified instruments |
— |
| Départes vous male bouche (Ockeghem, Johannes) for 3 voices |
— |
| M'a vostre coeur mis en oubli (Busnois, Antoine) for 3 voices |
— |
| Plaine de dueil, NJE 29.20 (Josquin Desprez) for 5 voices |
— |
| Dulcissimi virgo Maria (Anonymous) for 4 voices |
— |
| Vostre amour (Anonymous) for 3 voices |
— |
| Nun bitten wir (No.7) from Musae Sioniae, Theil 5 (Praetorius, Michael) for 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or 6 voices and continuo or 7 voices and continuo or 8 voices and continuo |
— |
| Loyset denisot (Anonymous) for 3 voices |
— |
| Jusqu'a rascon (Anonymous) for 3 voices |
— |
| Dictez moy toutes vos pensees (Compère, Loyset) for 3 voices |
— |
| Aria francese prima (Usper, Francesco) for soprano, alto, tenor and bass |
— |
| Aria francese seconda (Usper, Francesco) for soprano, alto, tenor and bass |
— |
| Je vous congnois (Anonymous) for 3 voices |
— |
| Ricercare 2 (Usper, Francesco) for soprano, alto, tenor and bass |
— |
| Merci vos (Anonymous) for 3 voices |
— |
| Se prens congiet (Anonymous) for 3 voices or 3 Unspecified instruments |
— |
| Esnu sy que plus ne porroie (Brumel, Antoine) for 3 voices |
— |
| Ha, que ville et abominable, IAB 16 (Busnois, Antoine) for 3 voices |
— |
| Ricercare 3 (Usper, Francesco) for soprano, alto, tenor and bass |
— |
| Dites moi toutes vos pensées (Agricola, Alexander) for 3 voices |
— |
| En attendant la grace de ma dame (Agricola, Alexander) for 3 voices |
— |
| Ricercare 6 (Usper, Francesco) for soprano, alto, tenor and bass |
— |
| Allegez moy, NJE 30.2 (Josquin Desprez) for 6 voices |
— |
| Petite camusette, NJE 30.7 (Josquin Desprez) for 6 voices |
— |
| Prima parte: Cruda Amarilli from Cruda Amarilli (Pallavicino, Benedetto) for 5 voices or mixed chorus |
— |
| Seconda parte: Ma grideran per me le piaggie from Cruda Amarilli (Pallavicino, Benedetto) for 5 voices or mixed chorus |
— |
| Premiere pars from Du fond de ma pensée (Manchicourt, Pierre de) for 4 voices |
— |
| Deuxieme pars from Du fond de ma pensée (Manchicourt, Pierre de) for 4 voices |
— |
| Sacerdos et Pontifex (Gabrieli, Andrea) for 4 voices |
— |
| Voyant souffrir (Manchicourt, Pierre de) for 4 voices |
— |
| Or suis je bien au pire (Willaert, Adrian) for 3 voices |
parts |
| Caecus non judicat de coloribus (Agricola, Alexander) for 3 Unspecified instruments or 3 voices |
— |
| Beati pacifici / De tous biens playne (Stappen, Crispin van) for 4 voices or 4 Unspecified instruments |
— |
| Tout a par moy (Frye, Walter) for 3 voices |
— |
| Or ch'io son giunto quivi (Ferrabosco Jr., Alfonso) for 4 voices |
parts |
| Voi sete la mia stella (Ferrabosco Jr., Alfonso) for 4 voices |
— |
| O liete piante erbette (Ferrabosco Jr., Alfonso) for 4 voices |
— |
| Amor tien il suo Regno (Ferrabosco Jr., Alfonso) for 4 voices |
— |
| Fantasia in B-flat Lydian, VdGS 3.14 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in D Dorian, VdGS 3.10 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in D Dorian, VdGS 3.16 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in F major, VdGS 3.11 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in G Dorian, VdGS 3.02 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in G Dorian, VdGS 3.03 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in G Mixolydian, VdGS 3.24 (Lupo, Thomas) for 3 viols |
— |
| Fantasia in D Dorian, VdGS 3.22 (Lupo, Thomas) for 3 viols |
— |
| Puer natus est nobis (Byrd, William) for 4 voices |
— |
| Miser' ahimè chi potrà più allegrarmi (Striggio, Alessandro) for 5 voices |
— |
| Alza doglioso canto (Flecha el Joven, Mateo) for 4 voices |
— |
| Quasi improvisa desiata e chiara (Striggio, Alessandro) for 6 voices |
— |
| Gridò più volte il Po (Giovanni Matteo Faà di Bruno) for 5 voices |
— |
| Fortuna alata il pié (Striggio, Alessandro) for 6 voices |
— |
| Prima parte: Che nuova Cinthia from Che nuova Cinthia e questa (Feliciani, Andrea) for 5 voices |
— |
| Seconda parte: Ma maggior meraviglia from Che nuova Cinthia e questa (Feliciani, Andrea) for 5 voices |
— |
| Ingiustissimo amore che val l'unico servir (Arcadelt, Jacob) for 4 voices |
— |
| Giovenetta regal pur' innocente (Arcadelt, Jacob) for 4 voices |
— |
| Deh se lo sdegno altiero (Arcadelt, Jacob) for 4 voices |
— |
| Di questa bionde e vaga treccia (Striggio, Alessandro) for 5 voices |
— |
| Mirelaridon (Le Heurteur, Guillaume) for 4 voices |
— |
| Quella che gli occhi suoi guerra mi fanno (Conversi, Girolamo) for 5 voices |
— |
| Missa Susanne un giour (Ingegneri, Marc Antonio) for 7 voices or mixed chorus |
— |
| Ricercare del primo tono (Luzzaschi, Luzzasco) for organ |
— |
| Prima parte: Alma guidott' amar coilei from Alma guidott' amar colei (Conversi, Girolamo) for 5 voices |
— |
| Seconda parte: Ma se tempo gia mai verrà from Alma guidott' amar colei (Conversi, Girolamo) for 5 voices |
— |
| Fantasie à 2 'Il Grillo' (Morley, Thomas) for 2 Unspecified instruments |
— |
| Fantasie à 2 'Il Lamento' (Morley, Thomas) for 2 Unspecified instruments |
— |
| Stanza prima: Già avea l'eterna mano from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Stanza Seconda: Parea dicesse con aperte braccia from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Stanza terza: E perch'io torni a le mie usate pene from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Stanza quarta: Credei mentre io dormia from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Stanza quinta: Nasce il gran piecer mio from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Stanza sesta: Non sia più meco from Già avea l'eterna mano d'ogni sua stella (Monte, Philippe de) for 5 voices |
— |
| Non e lasso martire (Rore, Cipriano de) for 5 voices |
— |
| Bicinium No. 24 (Anonymous) for soprano and alto |
— |
| Bicinium No. 23 (Anonymous) for 2 Unspecified instruments |
— |
| Go Ye My Canzonets (Morley, Thomas) |
— |
| Fantasie à 2 'La Caccia' (Morley, Thomas) for 2 Unspecified instruments |
— |
| Fantasie à 2 'La Sampogna' (Morley, Thomas) for 2 Unspecified instruments |
— |
| Fantasie à 2 'La Torello' (Morley, Thomas) for 2 Unspecified instruments |
— |
| Madonna s'io v'offendo (Arcadelt, Jacob) for 4 voices |
— |
| Hor che nel suo bel seno (Gabrieli, Andrea) for 8 voices |
— |
| Ecco Vinegia bella (Gabrieli, Andrea) for 12 voices |
— |
| Prima parte: Gira lunga stagion from Gira lunga stagion, lucente e viva (Gabrieli, Andrea) for 5 voices |
parts |
| Seconda parte: O d'onesta belta from Gira lunga stagion, lucente e viva (Gabrieli, Andrea) for 5 voices |
parts |
| Vaghi augelletti, che per valli e monti (Gabrieli, Andrea) for 5 voices |
— |
| Vaghi amorosi e fortunati allori (Gabrieli, Giovanni) for 5 voices |
— |
| Donna se l'occhio mio no varda sembre (Merulo, Claudio) for 4 voices |
— |
| Vorrei che tu cantassi una canzone (Azzaiolo, Filippo) for 4 voices |
— |
| Cando pinso al turmendo (Gabrieli, Andrea) for 4 voices |
— |
| Prima pars: Infelix Ego from Infelix Ego (Willaert, Adrian) for 6 voices |
— |
| Secunda pars: Ad te igitur pissime Deus from Infelix Ego (Willaert, Adrian) for 6 voices |
— |
| L’inargentato lido (Zerto, Gasparo) for 6 voices |
— |
| Sinfonia Op. 16 No. 13 (Banchieri, Adriano) for 4 Unspecified instruments |
— |
| Emendemus in melius (Byrd, William) for 5 voices |
— |
| Io vorrei pur fuggir crudel amore (Corteccia, Francesco) for 4 voices |
— |
| Prima pars: Exaudi, Deus, orationem meam from Exaudi, Deus, orationem meam (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: Cor meum conturbatum est in me from Exaudi, Deus, orationem meam (Gabrieli, Andrea) for 5 voices |
— |
| Beata es maria (Gabrieli, Andrea) for 5 voices |
— |
| Occhi ridenti io moro (Vecchi, Orazio) for 4 voices |
— |
| Trop endurer, LV 40 (Lassus, Orlande de) for 4 voices |
— |
| Io canterei d'amor sì novamente (Rore, Cipriano de) for 4 voices |
— |
| Arrangement of Io canterei d'amor sì novamente (Rore, Cipriano de) for 4 voices |
— |
| Canzona Franceza (Trabaci, Giovanni Maria) for 4 Unspecified instruments or 2 violins, viola and cello or 4 viols |
— |
| Contrapunto 1 (Galilei, Vincenzo) for 2 Unspecified instruments or 2 voices |
— |
| Prima parte: Arder dunque from Arder dunque debb'io di nova fiamma (Nicoletti, Filippo) for 5 voices |
— |
| Seconda parte: Ossia perche l'angelico from Arder dunque debb'io di nova fiamma (Nicoletti, Filippo) for 5 voices |
— |
| Chi mette il piè su l’amorosa pania (Cambio, Perissone) for 4 voices |
— |
| La verginella e simile alla rosa (Ingegneri, Marc Antonio) for 4 voices |
— |
| Questi ch’indizio fan del mio tormento (Wert, Giaches de) for 5 voices |
— |
| Fu il vincer sempre mai laudabil cosa (Aranda, Sessa d') for 4 voices |
— |
| Ancor che la partita (Aranda, Sessa d') for 4 voices |
— |
| Amor compagno eterno (Flori, Giovanni) for 5 voices |
— |
| Concupiscendo concupiscit (No.1) from Concupiscendo concupiscit anima mea, LV 226 (Lassus, Orlande de) for 6 voices |
— |
| Exaltabo te, Deus meus (No.2) from Concupiscendo concupiscit anima mea, LV 226 (Lassus, Orlande de) for 6 voices |
— |
| Più trasparente velo (Flori, Giovanni) for 5 voices |
— |
| Prima parte: Che fatt' occhi infelici from Che fatt' occhi infelici or che mirate (Flori, Giovanni) for 4 voices |
— |
| S'alzin l'onde signor from Che fatt' occhi infelici or che mirate (Flori, Giovanni) for 4 voices |
— |
| Onde avviene cor mio che in tanti affanni (Wert, Giaches de) for 7 voices |
— |
| Huc me sidereo descendere jussit Olympo (Part 1) from Huc me sidereo descendere jussit Olympo (Willaert, Adrian) for 6 voices |
— |
| Pungentem capiti Dominum gestare coronam (Part 2) from Huc me sidereo descendere jussit Olympo (Willaert, Adrian) for 6 voices |
— |
| De me solus amor potuit perferre triumphum (Part 3) from Huc me sidereo descendere jussit Olympo (Willaert, Adrian) for 6 voices |
— |
| Prima pars: Inviolata, integra et casta from Inviolata, integra et casta (Willaert, Adrian) for 7 voices |
— |
| Secunda pars: Tua per precata dulcisona from Inviolata, integra et casta (Willaert, Adrian) for 7 voices |
— |
| In Nomine (Mallory) for organ |
— |
| La Portia (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Dagoldina (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Bagliona (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Bellotta (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Patuzza (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Montina (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| La Saronna (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Filli morir vorrei (Croce, Giovanni) for 7 voices |
— |
| Stavasi Aminta (Vecchi, Orazio) for 7 voices |
— |
| Gloria in excelsis Deo a 16 (Gabrieli, Andrea) for 16 voices |
— |
| Maria stabat ad monumentum foris (Gabrieli, Andrea) for 6 voices |
— |
| Occhi miei lassi, mentre ch’io vigiro (Arcadelt, Jacob) for 4 voices |
— |
| Domine Deus meus (Gabrieli, Andrea) for 7 voices |
— |
| Fantasie 15 a l'Imitation d'Ave Maris Stella (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Fantasie 17 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Fantasie 20 (Du Caurroy, Eustache) for 4 Unspecified instruments |
— |
| Liete et pensose, accompagnate et sole (Willaert, Adrian) for 7 voices |
— |
| Prima parte: Più volte già from Più volte già dal bel sembiante humano (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Ond'io non potè' from Più volte già dal bel sembiante humano (Willaert, Adrian) for 5 voices |
— |
| Prima parte: I begli occhi from I begli occhi ond'i sui percosso (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Questi son que begli occhi from I begli occhi ond'i sui percosso (Willaert, Adrian) for 5 voices |
— |
| Prima parte: Io mi rivolgo from Io mi rivolgo indietro a ciascun passo (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Talor m'assale in mezzo from Io mi rivolgo indietro a ciascun passo (Willaert, Adrian) for 5 voices |
— |
| Prima parte: Aspro core et selvaggio from Aspro core et selvaggio, et cruda voglia (Willaert, Adrian) for 6 voices |
— |
| Seconda parte: Vivo sol di speranza from Aspro core et selvaggio, et cruda voglia (Willaert, Adrian) for 6 voices |
— |
| Prima parte: In qual parte del ciel from In qual parte del ciel, in quale idea (Willaert, Adrian) for 6 voices |
— |
| Per divina bellezza from In qual parte del ciel, in quale idea (Willaert, Adrian) for 6 voices |
— |
| Prima parte: I vidi in terra from I vidi in terra angelici costumi (Willaert, Adrian) for 6 voices |
— |
| Seconda parte: Amor, Senno from I vidi in terra angelici costumi (Willaert, Adrian) for 6 voices |
— |
| Che fai alma? che pensi? avrem mai pace? (Willaert, Adrian) for 7 voices |
— |
| Occhi piangete: accompagnate il core (Willaert, Adrian) for 7 voices |
— |
| Prima parte: Passa la nave from Passa la nave mia colma d'oblio (Willaert, Adrian) for 6 voices |
— |
| Seconda parte: Pioggia di lagrimar from Passa la nave mia colma d'oblio (Willaert, Adrian) for 6 voices |
— |
| In Nomine a 5, T 398 (Byrd, William) for 5 Unspecified instruments |
— |
| In Nomine a 5, T 395 (Byrd, William) for 5 Unspecified instruments |
— |
| Surgam et circuibo civitatem (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Læve ejus sub capite meo (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Eructavit cor meum a 6 (Gabrieli, Andrea) for 2 sopranos, alto, 2 tenors and bass or mixed chorus |
— |
| Quae est ista quae progreditur (Palestrina, Giovanni Pierluigi da) for 2 sopranos, alto, tenor and bass |
— |
| Guttur tuum sicut vinum optimum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Love Cannot Dissemble (East, Michael) for 2 viols |
— |
| Togli, dolce ben mio (Marenzio, Luca) for 5 voices |
— |
| Prima parte: Se quel dolor from Se quel dolor che va inanzi al morire (Marenzio, Luca) for 6 voices |
— |
| Hodie Christus natus est (Byrd, William) for 4 voices |
— |
| O quam suavis (Byrd, William) for 4 voices |
— |
| Fantasia sopra 'La sol fa mi re fa' (Tiburtino, Giuliano) for 3 Unspecified instruments |
— |
| Fantasia sopra 'Fa mi fa re ut' (Tiburtino, Giuliano) for 3 Unspecified instruments |
— |
| Fantasia sopra 'Ut re mi fa sol la' (Tiburtino, Giuliano) for 3 Unspecified instruments |
— |
| O che nuovo miracolo (Cavalieri, Emilio de') for 5 voices |
— |
| Angelus ad pastores ait a 4 (Gabrieli, Andrea) for 4 voices |
— |
| In nomine 'Weepe no more Rachell' (Tye, Christopher) for 5 Unspecified instruments |
— |
| In nomine (Tye, Christopher) for 4 Unspecified instruments |
— |
| In nomine 'Seldom sene' (Tye, Christopher) for 5 Unspecified instruments |
— |
| In nomine 'Rachels weeping' (Tye, Christopher) for 5 Unspecified instruments |
— |
| In Nomine à 6, VdGS 1 (Strogers, Nicholas) for 6 Unspecified instruments |
— |
| In Nomine à 6, VdGS 3001 (Anonymous) for 6 Unspecified instruments |
— |
| Ave Maria (Orto, Marbrianus de) for 4 voices |
— |
| In nomine (Picforth) for 5 Unspecified instruments |
— |
| Canzone detta la Pelegrina (Pellegrini, Vincenzo) for 4 Unspecified instruments or organ |
— |
| Hor oires une chanson (Stokem, Johannes de) for 5 voices or 5 Unspecified instruments |
— |
| Anima mea liquefacta est (Isaac, Heinrich) for 4 voices |
— |
| O lux beata Trinitas (Byrd, William) for 6 voices |
— |
| Canon I sopra Ave Maris Stella (Soriano, Francesco) for 3 voices |
— |
| Aspice Domine, T 7 (Byrd, William) for 6 voices |
— |
| Prima pars: Domine quid multiplicati sunt from Domine quid multiplicati sunt (Willaert, Adrian) for 4 voices |
— |
| Secunda pars: Ego dormivi et soporatus sum from Domine quid multiplicati sunt (Willaert, Adrian) for 4 voices |
— |
| A Solfinge Song (Tallis, Thomas) for 5 Unspecified instruments |
— |
| Veci la danse barbari (Vaqueras, Bertrandus) for 4 voices |
— |
| Et la la la (Ninot le Petit) for 4 voices |
— |
| Et dunt revenis vous (Compère, Loyset) for 4 voices |
— |
| Noe noe noe (Brumel, Antoine) for 4 voices |
— |
| D'ung aultre amer (Orto, Marbrianus de) for 4 voices |
— |
| J'ai pris amours a ma devise, IJJ 3 (Japart, Jean) for 4 voices |
— |
| En amours que cognoist (Brumel, Antoine) for 3 voices or 3 Unspecified instruments |
— |
| La regretee en tous biens acomplie (Ghizeghem, Hayne van) for 3 voices |
— |
| Je vous empire (Agricola, Alexander) for 3 voices |
— |
| Je despite tous (Brumel, Antoine) for 3 voices or 3 Unspecified instruments |
— |
| La donna che ’l mio cor nel viso porta (Monte, Philippe de) for 5 voices |
— |
| Fantasia (Tiburtino, Giuliano) for 3 voices or 3 Unspecified instruments |
— |
| Ricercar tertius a 4 (Willaert, Adrian) for 4 Unspecified instruments |
— |
| Sic Deus dilexit mundum (Gabrieli, Andrea) for 5 voices |
— |
| O lux beata Trinitas (Gabrieli, Andrea) for 5 voices |
— |
| Fantasia sopra 'Fa re mi re sol mi fa mi' (Tiburtino, Giuliano) for 3 Unspecified instruments |
— |
| O Dio se vede chiaro cha te moro (Silvestrino, Francesco) for 4 voices |
— |
| Prima pars: Pater peccavi from Pater peccavi (Willaert, Adrian) for 6 voices |
— |
| Secunda pars: Quanti mercenarii from Pater peccavi (Willaert, Adrian) for 6 voices |
— |
| Prima pars: Pater peccavi from Pater peccavi (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: Quanti mercenarii from Pater peccavi (Gabrieli, Andrea) for 5 voices |
— |
| Misero più d'ogni uom (Striggio, Alessandro) for 5 voices |
— |
| Volgi'l tuo corso alla tua riva manca (Rore, Cipriano de) for 5 voices |
— |
| La bella Greca (Rore, Cipriano de) for 5 voices |
— |
| Di morte già sentia (Wert, Giaches de) for 5 voices |
— |
| L’anima mia ferita (Wert, Giaches de) for 5 voices |
— |
| O come vaneggiate Donna (Wert, Giaches de) for 5 voices |
— |
| Hor che la terra di fioretti e fronde (Asola, Giammateo) for 2 voices |
— |
| An Wasserflüssen Babylon a 2 (Wannenmacher, Johannes) for 2 voices |
— |
| Nu bitten wir den heiligen Geist (Le Maistre, Mattheus) for 6 voices |
— |
| Wolauff gut gsell von hinnen (Anonymous) for 4 voices |
— |
| Salvator mundi (Tallis, Thomas) for 5 voices |
— |
| Derelinquit impius (Tallis, Thomas) for 5 voices |
— |
| Canzon per sonar quarti toni a 15, Ch.185 (Gabrieli, Giovanni) for 2 cornetts, 12 trombones and violin |
— |
| Missa super Entre vous filles, LV 650 (Lassus, Orlande de) for 5 voices |
— |
| Lodar voi donn'ingrate (Arcadelt, Jacob) for 4 voices |
— |
| In Nomine à 5, VdGS 2 (Woodcock, Clement) for 5 Unspecified instruments |
— |
| Fantasia a 3, IAH 59 (Holborne, Anthony) for cittern or soprano, tenor and bass or cittern, soprano, tenor and bass |
— |
| Prima pars: Ascendente Jesu in navicula from Ascendente Jesu in navicula (Wert, Giaches de) for 6 voices |
— |
| Secunda pars: Domine salva nos perimus from Ascendente Jesu in navicula (Wert, Giaches de) for 6 voices |
— |
| Diligam te, Domine à4 (Gabrieli, Andrea) for 4 voices |
— |
| O altitudo divitiarum (No.1) from O altitudo divitiarum (Wert, Giaches de) for 6 voices |
— |
| Quis enim cognovit sensum Domini (No.2) from O altitudo divitiarum (Wert, Giaches de) for 6 voices |
— |
| In nomine à 5 (Mudd, Harry) for 5 Unspecified instruments |
— |
| Prima pars: Infelix ego from Infelix ego (Rore, Cipriano de) for 6 voices |
— |
| Secunda pars: Ad te igitur piisime Deus from Infelix ego (Rore, Cipriano de) for 6 voices |
— |
| Prima pars: Infelix ego from Infelix ego omnium, LV 264 (Lassus, Orlande de) for 6 voices |
— |
| Secunda pars: Solus igitur Deus from Infelix ego omnium, LV 264 (Lassus, Orlande de) for 6 voices |
— |
| Tertia pars: Ad te igitur piisime Deus from Infelix ego omnium, LV 264 (Lassus, Orlande de) for 6 voices |
— |
| O primavera, gioventù de l'anno, bella madre de fiori (Wert, Giaches de) for 5 voices |
— |
| Qual iniqua mia sorte (Berchem, Jacquet de) for 5 voices |
— |
| Laudem dicite Deo nostro (Rore, Cipriano de) for 5 voices |
— |
| In Aeternum (Mundy, William) for 6 voices or 6 Unspecified instruments |
— |
| Hau hau hau le boys (Sermisy, Claudin de) for 4 voices |
— |
| Du bon du coeur ma chiere dame (Wilder, Philip van) for 6 voices |
— |
| Cantai mentre ch’i’ arsi del mio foco (Rore, Cipriano de) for 5 voices |
— |
| Magnificat quarti toni, LV 557 (Lassus, Orlande de) for 5 voices |
— |
| Io piango ed ella il volto (Anonymous) for 5 voices |
— |
| O crux fidelis (Gabrieli, Andrea) for 4 voices |
— |
| Oravit Sanctus Andreas (Gabrieli, Andrea) for 4 voices |
— |
| Puelle saltanti imperavit mater (Gabrieli, Andrea) for 4 voices |
— |
| Amor, ben mi credevo (Rore, Cipriano de) for 4 voices |
— |
| In Nomine à 5 'Follow me' (Tye, Christopher) for 5 Unspecified instruments |
— |
| O sacrum convivium (Tallis, Thomas) for 5 voices |
— |
| In Nomine à 5 'My Death' (Tye, Christopher) for 5 Unspecified instruments |
— |
| Prima pars: Domine, Dominus noster from Domine, Dominus noster (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: Minuisti eum paulo minus ab angelis from Domine, Dominus noster (Gabrieli, Andrea) for 5 voices |
— |
| O lux beata Trinitas (Ferrabosco Sr., Alfonso) for 6 voices |
— |
| Hodie Christus natus est (Rore, Cipriano de) for 6 voices |
— |
| Hodie Christus natus est (Gabrieli, Andrea) for 7 voices |
— |
| Ave Regina coelorum, IGP 112 (Palestrina, Giovanni Pierluigi da) for 8 voices or 2 mixed chorus |
— |
| Trahe me post te (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| 4 Parts in One to the Plainsong (Bevin, Elway) for 21 Unspecified instruments |
— |
| Prima pars: Deus noster refugiam from Deus noster refugiam (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: Fluminis impetus from Deus noster refugiam (Gabrieli, Andrea) for 5 voices |
— |
| Ave Regina coelorum (Gabrieli, Andrea) for 8 voices |
— |
| Come, Holy Ghost (Anonymous) for voice and 4 Unspecified instruments |
— |
| Susann' un jour (Rore, Cipriano de) for 5 voices |
— |
| In Nomine à 5 'I come' (Tye, Christopher) for 5 Unspecified instruments |
— |
| Comment peult (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Canzon Seconda "La Fontana" (Lappi, Pietro) for 4 Unspecified instruments |
— |
| Canzon Terza "La Conta" (Lappi, Pietro) for 4 Unspecified instruments |
— |
| In Nomine I à 7 (Parsons, Robert) for 7 viols or 7 Unspecified instruments |
— |
| In nomine (Poynts) for 5 Unspecified instruments |
— |
| Mon pere ma dona mari (Anonymous) for 4 voices or 4 Unspecified instruments |
— |
| Ave Regina coelorum (Grandi, Alessandro) for 5 voices and continuo |
— |
| Amor se non consenti (Wert, Giaches de) for 5 voices |
— |
| Angelus domini astitit (Wert, Giaches de) for 5 voices |
— |
| Prima parte: Ove ch'i posi gli occhi from Ove ch'i posi gli occhi (Willaert, Adrian) for 6 voices |
— |
| Seconda parte: Amor e'l ver fur meco from Ove ch'i posi gli occhi (Willaert, Adrian) for 6 voices |
— |
| Prima parte: Sovra un bel cristallino from Sovra un bel cristallino (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Allor ch'errand'in quei bei prati intorno from Sovra un bel cristallino (Wert, Giaches de) for 5 voices |
— |
| Von Gott will ich nicht lassen (Magdeburg, Joachim) for 4 voices |
— |
| Un bacio solo (Wert, Giaches de) for 5 voices |
— |
| Prima parte: Padre del ciel from Padre del ciel (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Or volge, mio Signor from Padre del ciel (Wert, Giaches de) for 5 voices |
— |
| Padre del ciel (Rore, Cipriano de) for 5 voices |
— |
| Padre del ciel (Rore, Cipriano de) for 5 voices |
— |
| Prima parte: Pien d'un vago from Pien d’un vago penser (Willaert, Adrian) for 6 voices |
— |
| Seconda parte: Ben, s'io non erro from Pien d’un vago penser (Willaert, Adrian) for 6 voices |
— |
| Prima parte: Mia benigna fortuna from Mia benigna fortuna (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Crudele, acerba, in exorabil morte from Mia benigna fortuna (Wert, Giaches de) for 5 voices |
— |
| In qual parte si ratto (Wert, Giaches de) for 7 voices |
— |
| Hodie completi sunt (Gabrieli, Andrea) for 4 voices |
— |
| Ach ainigs ain (Rener, Adam) for 4 voices or 4 Unspecified instruments |
— |
| Tandernack (Alamire, Petrus) for 4 Unspecified instruments or 5 Unspecified instruments or lute |
— |
| Prima parte: Grazie ch'a pochi from Grazie ch'a pochi il ciel largo destina (Wert, Giaches de) for 6 voices |
— |
| Seconda parte: E que' belli occhi from Grazie ch'a pochi il ciel largo destina (Wert, Giaches de) for 6 voices |
— |
| Franch cor quas tu (Vigne, Antoine de) for 5 voices |
— |
| Prima parte: Donna, se ben le chiome from Donna, se ben le chiome (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Ben, se'l petto talor mi ripercote from Donna, se ben le chiome (Wert, Giaches de) for 5 voices |
— |
| De tous biens plaine, NJE 27.6 (Josquin Desprez) for 3 voices |
— |
| Prima pars: Ave, Regina caelorum from Ave, Regina Caelorum (Willaert, Adrian) for 4 voices |
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| Secunda pars: Gauda, gloriosa from Ave, Regina Caelorum (Willaert, Adrian) for 4 voices |
— |
| Pass'e mezzo (Rotta, Antonio) for lute |
— |
| Sinfonia 'La Fiorentina' (Viadana, Lodovico da) for 8 Unspecified instruments |
— |
| Canzon 'La Barca' (Schuyt, Cornelis) for 6 Unspecified instruments |
— |
| Venimo tre soldati (Cimello, Giovanni Thomaso) for 3 voices |
— |
| L'amor' e come male destinato (Cimello, Giovanni Thomaso) for 3 voices |
— |
| Kyrie (No.1) from Missa ad imitationem moduli Doulce memoire, LV 619 (Lassus, Orlande de) for 4 voices |
— |
| Ricercar 'Anchor che co'l partire' (Gabrieli, Andrea) for keyboard |
— |
| Ancor che col partire (Becchi, Antonio di) for lute |
— |
| Anchor che col partier (Ammerbach, Elias Nikolaus) for keyboard |
— |
| Tant que vivrai (Gero, Jhan) for 2 voices |
— |
| Prima parte: Amur, se mi tel dao from Amur, se mi tel dao (Perissone, Francesco Bonardo) for 4 voices |
— |
| Seconda parte: Denime plio san protta cavagliero from Amur, se mi tel dao (Perissone, Francesco Bonardo) for 4 voices |
— |
| Anchore Colparttire (Anonymous) for lute |
— |
| Ancor che col partire (Gabrieli, Andrea) for 3 voices |
— |
| Elslein liebstes Elslein mein (Neusiedler, Hans) for lute |
— |
| Dunque sia vero (No.1) from Dunque fia vero (Gabrieli, Andrea) for 7 voices |
— |
| Dunque il consenti, Amor (No.2) from Dunque fia vero (Gabrieli, Andrea) for 7 voices |
— |
| Kyrie from Missa de la batalla escoutez (Guerrero, Francisco) for 5 voices |
— |
| Kyrie from Missa super Ich stund an einem morgen (Handl, Jacob) for 5 voices |
— |
| Kyrie from Missa M'aime un jour (Maillard, Jean) for 4 voices |
— |
| O Souverain Pasteur et Maistre (Clemens non Papa, Jacobus) for 4 voices |
— |
| Laissons amour (Mittantier) for 4 voices |
— |
| Chantons, sonnons trompetes (Janequin, Clément) for 4 voices |
— |
| Auprès de vous (De Latre, Petit Jean) for 3 voices |
— |
| Auprès de vous (Gardano, Antonio) for 2 voices |
— |
| Kyrie from Missa quem dicunt homines (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Ave Maria, gratia plena (Willaert, Adrian) for 4 voices |
— |
| Libera me, Domine, et pone me juxta te (Byrd, William) for 5 voices |
— |
| Doulce mémoire (Manchicourt, Pierre de) for 2 voices |
— |
| Bicinium, LV 604 (Lassus, Orlande de) for 2 Unspecified instruments |
— |
| Bicinium, LV 604 (Lassus, Orlande de) for 2 Unspecified instruments |
— |
| Bicinium, LV 605 (Lassus, Orlande de) for 2 Unspecified instruments |
— |
| In dulci jubilo (Calvisius, Seth) for 4 voices |
— |
| Nun bitten wir den heiligen Geist (Calvisius, Seth) for 4 voices |
— |
| Sperar non si potea (Gabrieli, Andrea) for 6 voices |
— |
| Fantasia I à 6 (Ferrabosco Sr., Alfonso) for 6 Unspecified instruments |
— |
| Spes nostra (Parsley, Osbert) for 5 Unspecified instruments or 5 voices |
— |
| Sol re sol mi sol (Mallory) for 6 Unspecified instruments |
— |
| Ayez pitié de vostre amant (Havericq, Damien) for 4 voices |
— |
| Premiere partie: Quand on arrestera from Quand on arrestera la course coutumiere (Le Jeune, Claude) for 4 voices |
— |
| Seconde partie: Qui ne s'esbahira levant from Quand on arrestera la course coutumiere (Le Jeune, Claude) for 4 voices |
— |
| Troisiesme partie: Plustost on pourra faire from Quand on arrestera la course coutumiere (Le Jeune, Claude) for 4 voices |
— |
| Susanne un jour (Lupi Second, Didier) for 4 voices |
— |
| Misericorde au pauvre langoureulx (Anonymous) for 4 voices |
— |
| Ich weiss nit, was er ihr verhiess (Senfl, Ludwig) for 5 voices |
— |
| Fantasie II (Le Jeune, Claude) for 4 Unspecified instruments |
— |
| Was wird es doch des Wunders noch (4 voices) (Senfl, Ludwig) for 4 voices |
— |
| So ich Herzlieb nun von dir scheid (Senfl, Ludwig) for 4 voices |
— |
| Dich als mich selbst (Anonymous) for 4 voices |
— |
| Die mich erfrewt ist lobens werd (Lapicida, Erasmus) for 4 voices |
— |
| Canzon 'La Meduna' (Mussi, Giulio) for continuo and 2 basses |
— |
| Amor, ond'è che tutto disarmato (Flecha el Joven, Mateo) for 8 voices or 2 mixed chorus |
— |
| Susanne un jour (Le Jeune, Claude) for 5 voices |
— |
| Recercar primo, F 9.01 (Frescobaldi, Girolamo) for keyboard |
— |
| Hodie Christus natus est (Lupi, Johannes) for 5 voices |
— |
| Quem vidistis pastores dicite (Lupi, Johannes) for 5 voices |
— |
| Angeles ad pastores ait (Praetorius, Michael) for 8 voices or 2 mixed chorus |
— |
| Puer natus est nobis (Calvisius, Seth) |
— |
| La rouse du mois (Willaert, Adrian) for 3 voices |
— |
| Prens ton con grosse garsse noyre (Mouton, Jean) for 3 voices |
— |
| Se lieta e grata morte (Verdelot, Philippe) for 4 voices |
— |
| Arrangement of Se lieta e grata morte (Verdelot, Philippe) for voice and lute |
— |
| Arrangement of Se lieta e grata morte (Verdelot, Philippe) for voice |
— |
| Ach Maidlein rein ich hab allein (Senfl, Ludwig) for 4 voices |
— |
| Canzona 'La Nicolina' (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| Pass'e mezo nuovo I (Gardano, Antonio) for keyboard |
— |
| Pass'e mezo nuovo II (Gardano, Antonio) for keyboard |
— |
| Pass'e mezo nuovo III (Gardano, Antonio) for keyboard |
— |
| Canzona 'La Bertani' (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| Miser chi mal oprando si confida (Ghibel, Eliseo) for 3 voices |
— |
| Pensoso più d’un’ora a capo basso (Aranda, Sessa d') for 4 voices |
— |
| Canzona la Gratiosa (Cima, Giovanni Andrea) for 4 Unspecified instruments or keyboard |
— |
| Canzon primo tono (Ingegneri, Marc Antonio) for 4 Unspecified instruments |
— |
| Fantasia Capriccio, 2 toni (Anonymous) for 4 Unspecified instruments |
— |
| Canzon ottavo tono (Ingegneri, Marc Antonio) for 4 Unspecified instruments |
— |
| Canzon 'La Guamina' à 2 (Guami, Gioseffo) for keyboard |
— |
| Se pur è ver che l'alma (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Di gran valor una felice schiera (Dattari, Ghinolfo) for 3 voices |
— |
| L'Antegnata (Mortaro, Antonio) for 4 Unspecified instruments |
— |
| Canzon per sonar II à 4 (Rossi, Salamone) for 4 Unspecified instruments |
— |
| Prima parte: Di virtù, di costumi, di valore from Di virtù, di costumi, di valore (Rore, Cipriano de) for 5 voices |
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| Seconda parte: Così ’l mio stil, qual fé la tua bellezza from Di virtù, di costumi, di valore (Rore, Cipriano de) for 5 voices |
— |
| La Gallia (Rognoni Taeggio, Giovanni Domenico) for 4 Unspecified instruments or keyboard |
— |
| Dica chi vuol allegro viver voglio (Wert, Giaches de) for 5 voices |
— |
| Occhi leggiadr'e cari (Dattari, Ghinolfo) for 5 voices |
— |
| Vous l'arez, NJE 30.13 (Josquin Desprez) for 6 voices |
— |
| Pur venisti, cor mio (Rossi, Salamone) for 5 voices |
— |
| Canzon Nona (Troilo, Antonio) for 4 Unspecified instruments |
— |
| Canzon Secunda (Troilo, Antonio) for 4 Unspecified instruments |
— |
| Prima parte: L'alto signor dinanzi a cui non vale from L'alto signor dinanzi a cui non vale (Rore, Cipriano de) for 6 voices |
— |
| Seconda parte: L'una piaga arde, et versa foco et fiamma from L'alto signor dinanzi a cui non vale (Rore, Cipriano de) for 6 voices |
— |
| Prima parte: Pianza'l grego pueta from Pianza'l grego pueta (Willaert, Alvise) for 5 voices |
— |
| Seconda parte: Fra tandi chie lo pianze from Pianza'l grego pueta (Willaert, Alvise) for 5 voices |
— |
| Prima parte: Or che'l ciel et la terra from Or che'l ciel et la terra e'l vento tace (Rore, Cipriano de) for 5 voices |
— |
| Seconda parte: Cosi sol d'una chiara from Or che'l ciel et la terra e'l vento tace (Rore, Cipriano de) for 5 voices |
— |
| Prima parte: Cantavan quatro legiadrette Ninfe from Cantavan quatro legiadrette Ninfe (Castro, Jean de) for 3 voices |
— |
| Seconda parte: Onde io per meglio udire from Cantavan quatro legiadrette Ninfe (Castro, Jean de) for 3 voices |
— |
| Ricercar del decimo tuono (Sebastian, Raval) for 4 Unspecified instruments |
— |
| Fantasia terza (Banchieri, Adriano) for 4 Unspecified instruments or keyboard |
— |
| Canzone Prima (Biumi, Giacomo Filippo) for 4 Unspecified instruments or keyboard |
— |
| Fantasie I (Le Jeune, Claude) for 4 Unspecified instruments |
— |
| Vaghi pensier che così passo passo (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Ricercar del primo tuono (Sebastian, Raval) for 4 Unspecified instruments |
— |
| Fantasia XIX (Banchieri, Adriano) for 4 Unspecified instruments |
— |
| Canzona la Gentile (Cima, Giovanni Andrea) for 4 Unspecified instruments |
— |
| Prima pars: Nunc cognovi, Domine from Nunc cognovi, Domine (Rore, Cipriano de) for 6 voices |
— |
| Seconda pars: Beati servi tui from Nunc cognovi, Domine (Rore, Cipriano de) for 6 voices |
— |
| Bergamasca (Abondante, Giulio) for lute |
— |
| Pass'e mezo (Radino, Giovanni Maria) for harpsichord |
— |
| Che deggio far (Striggio, Alessandro) for 5 voices |
— |
| Voi mi poneste in foco (Arcadelt, Jacob) for 3 voices |
— |
| La donna sua, che gli ritorna a mente (Berchem, Jacquet de) for 4 voices |
— |
| L'ineffabil bontà del Redentore (Rore, Cipriano de) for 5 voices |
— |
| Pensier dicea che'l cor, LV 372 (Lassus, Orlande de) for 5 voices |
— |
| Là ver l'aurora, che sì dolce l'aura (Striggio, Alessandro) for 6 voices |
— |
| Ricercar 2 del primo tuono (Gabrieli, Andrea) for 4 voices or 4 Unspecified instruments |
— |
| Entre vous filles de quinze ans (Clemens non Papa, Jacobus) for 4 voices |
— |
| Quando mi miri con quessi occhi ladri (Conversi, Girolamo) for 5 voices |
— |
| Qui la dira la peine de mon coeur, IAW 113 (Willaert, Adrian) for 3 voices |
— |
| Beatus vir, qui suffert tentationem (Gabrieli, Andrea) for 4 voices |
— |
| Prima parte: Ingrata e la mia donna from Ingrata è la mia donna (Willaert, Adrian) for 5 voices |
— |
| Seconda parte: Ingrata hai lasso l'amo from Ingrata è la mia donna (Willaert, Adrian) for 5 voices |
— |
| Dedans Tournay, ville jolie (Crecquillon, Thomas) for 4 voices |
— |
| Magnificat octavi toni, LV 897 (Lassus, Orlande de) for 5 voices |
— |
| Canzon Prima (Troilo, Antonio) for continuo and 4 Unspecified instruments |
— |
| Canzon Quarta (Troilo, Antonio) for continuo and 4 Unspecified instruments |
— |
| Morirò di dolor prima ch'io veggia (Giovannelli, Ruggiero) for 5 voices |
— |
| Tu es Petrus, IGP 124 (Palestrina, Giovanni Pierluigi da) for 7 voices |
— |
| Amor, se così dolce e il mio dolore (Rore, Cipriano de) for 8 voices or 2 mixed chorus |
— |
| Sinfonia 'La Napolitana' (Viadana, Lodovico da) for 8 Unspecified instruments |
— |
| Ricercar del nono tuono (Sebastian, Raval) for 4 Unspecified instruments |
— |
| Neve e Rose ha nel volto (Gabrieli, Andrea) for 6 voices |
— |
| Da le Cimerie grotte (Gabrieli, Andrea) for 6 voices |
— |
| Or ch’a noi torna la stagion novella (Gabrieli, Andrea) for 6 voices |
— |
| O soave al mio cor dolce catena (Gabrieli, Andrea) for 6 voices |
— |
| Dolcissimo ben mio (Gabrieli, Andrea) for 6 voices |
— |
| Prima parte: Liete piante, verdi erbe, limpide acque from Liete piante, verdi erbe, limpide acque (Nasco, Giovanni) for 5 voices |
— |
| Seconda parte: E di pregare ogni signore amante from Liete piante, verdi erbe, limpide acque (Nasco, Giovanni) for 5 voices |
— |
| La verginella è simile alla rosa (Spontone, Bartolomeo) for 4 voices |
— |
| Canzona la Serafina (Cantone, Serafino) for 4 Unspecified instruments |
— |
| Un giorno a Pale sacro (Baccusi, Ippolito) for 6 voices |
— |
| Sola soletta i me ne vò cantando (Conversi, Girolamo) for 5 voices |
— |
| Prima parte: Erano i capei from Erano capei d'oro (Nanino, Giovanni Maria) for 5 voices |
— |
| Seconda parte: Non era l'andar from Erano capei d'oro (Nanino, Giovanni Maria) for 5 voices |
— |
| Vergine bella (Rore, Cipriano de) for 5 voices |
— |
| La Danza (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Occhi lucenti e belli (Marenzio, Luca) for 5 voices |
— |
| Canzon Decima quinta "L'Arborea" (Lappi, Pietro) for 7 Unspecified instruments |
— |
| Iudica me, Deus (Gabrieli, Andrea) for 7 voices or 7 voices and organ |
— |
| Sancta et immaculata Virginitas à 5 (Gabrieli, Andrea) for 5 voices |
— |
| Prima pars: Canite in tuba in Sion from Canite tuba in Sion (Regnart, Jacob) for 4 voices |
— |
| Seconda pars: Qui venturus est veniet from Canite tuba in Sion (Regnart, Jacob) for 4 voices |
— |
| Hodie Christus natus est (Willaert, Adrian) for 4 voices |
— |
| Angelus ad pastores ait, LV 115 (Lassus, Orlande de) for 5 voices |
— |
| Prima parte: I' vo piangendo from I' vo piangendo à 6 (Gabrieli, Andrea) for 6 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra ed in tempesta from I' vo piangendo à 6 (Gabrieli, Andrea) for 6 voices |
— |
| Donna, per acquetar vostro desire (Gabrieli, Andrea) for 5 voices |
— |
| Prima parte: Vago uccelletto from Vago uccelletto che cantando vai (Gabrieli, Andrea) for 5 voices |
— |
| Seconda parte: I' non so se le parti sarian pari from Vago uccelletto che cantando vai (Gabrieli, Andrea) for 5 voices |
— |
| Tirsi vicino a morte (Gabrieli, Andrea) for 5 voices |
— |
| Aminta mio gentil (Gabrieli, Andrea) for 5 voices |
— |
| Deh, dove senza me, dolce mia vita (Berchem, Jacquet de) for 4 voices |
— |
| Di questo Orlando avea gran doglia (Berchem, Jacquet de) for 4 voices |
— |
| Il desiderio e la speranza Amore (Rore, Cipriano de) for 4 voices |
— |
| Vergine santa (Rore, Cipriano de) for 5 voices |
— |
| Laudate Dominum omnes gentes (Palestrina, Giovanni Pierluigi da) for 8 voices |
— |
| Il dì s'appressa (Rore, Cipriano de) for 5 voices |
— |
| Prima pars: Domine ne in furore from Domine, ne in furore tuo arguas me (Gabrieli, Andrea) for 6 voices |
— |
| Secunda pars: Quoniam non est in morte from Domine, ne in furore tuo arguas me (Gabrieli, Andrea) for 6 voices |
— |
| Tertia pars: Discedite a me omnes from Domine, ne in furore tuo arguas me (Gabrieli, Andrea) for 6 voices |
— |
| O sacrum convivium (Viadana, Lodovico da) for male chorus |
— |
| Vergine bella (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Ecclesiam tuam Domine (Gabrieli, Andrea) for 4 voices |
— |
| Sancta et immaculata Virginitas à 4 (Gabrieli, Andrea) for 4 voices |
— |
| Videntes stellam Magi (Gabrieli, Andrea) for 4 voices |
— |
| Non ch'io non voglio mai altro pensiero (Arcadelt, Jacob) for 4 voices |
— |
| Voce mea ad Dominum clamavi (Rossi, Giovanni Maria de) for 5 voices |
— |
| Vergine chiara (Rore, Cipriano de) for 5 voices |
— |
| Gagliarda terza sopra la Mantoana (Trabaci, Giovanni Maria) for 5 Unspecified instruments or keyboard |
— |
| Dialogo a dieci (Varotto, Michele) for 10 voices |
— |
| Canzon Undecima 'La Penolaccia' (Lappi, Pietro) for 5 Unspecified instruments |
— |
| Aria del Gran Duca (Zanetti, Gasparo) for 2 violins, viola and cello or 4 Unspecified instruments |
— |
| Suite No. 1 (Johann, Thesselius) for 5 Unspecified instruments |
— |
| Pavana I from Pavana & Gagliarda I (Farina, Carlo) for soprano, alto, tenor and bass or soprano, alto, tenor and continuo |
— |
| Gagliarda I from Pavana & Gagliarda I (Farina, Carlo) for soprano, alto, tenor and bass or soprano, alto, tenor and continuo |
— |
| Une nonnain refraite (Wilder, Philip van) for 5 voices |
— |
| Se la mia fiamma ardente (Marenzio, Luca) for 5 voices |
— |
| Ecco più che mai bella e vaga l'aura (Marenzio, Luca) for 5 voices |
— |
| Lunge da voi mia vita (Marenzio, Luca) for 5 voices |
— |
| Vaghi capelli aurati (Marenzio, Luca) for 6 voices |
— |
| Prima parte: Passando con pensier from Passando con pensier per un boschetto (Marenzio, Luca) for 6 voices |
— |
| Seconda parte: Noi starem troppo, che'l tempo si turba! from Passando con pensier per un boschetto (Marenzio, Luca) for 6 voices |
— |
| Terza e Ultima parte: Fuggendo tutte di paura piene from Passando con pensier per un boschetto (Marenzio, Luca) for 6 voices |
— |
| Quando vostra beltà, vostro valore (Marenzio, Luca) for 5 voices |
— |
| Scherzando con diletto (Marenzio, Luca) for 5 voices |
— |
| Sonata sopra l'aria Musicale del Gran Duca (Banchieri, Adriano) for trombone, 2 violins and continuo |
— |
| Vigilate, T 27 (Byrd, William) for 5 voices |
— |
| Besides a fountain (Morley, Thomas) for 4 voices |
— |
| Prima pars: Hodie de virgine from Hodie de virgine Salvator mundi natus est (Regnart, Jacob) for 5 voices |
— |
| Secunda pars: Hodie in terra from Hodie de virgine Salvator mundi natus est (Regnart, Jacob) for 5 voices |
— |
| Susanne un jour (Servin, Jean) for 6 voices |
— |
| Tollite jugum meum (Gabrieli, Andrea) for 4 voices |
— |
| Prima pars: Verba mea auribus percipe from Verba mea auribus percipe (Gabrieli, Andrea) for 5 voices |
— |
| Seconda pars: Mane astabo tibi from Verba mea auribus percipe (Gabrieli, Andrea) for 5 voices |
— |
| La giustizia immortale (Rore, Cipriano de) for 4 voices |
— |
| Carmina Chromatico, LV 1048 (Lassus, Orlande de) for 4 voices or mixed chorus |
— |
| Adjuva nos Deus (De Roy, Simon) for 4 voices |
— |
| Ingemuit Susanna (Handl, Jacob) for 4 voices or mixed chorus |
— |
| Pan de miglio, caldo, caldo (Anonymous) for 4 voices |
— |
| De tous biens plaine (Schuere, D'Oude) for 4 voices |
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| Secretz regretz (La Rue, Pierre de) for 4 voices |
— |
| Canzonette d'Amore (Vecchi, Orazio) for 4 voices |
— |
| Prima parte: Se ben il duol from Se ben il duol che per voi (Rore, Cipriano de) for 5 voices |
— |
| Seconda parte: Ben voi from Se ben il duol che per voi (Rore, Cipriano de) for 5 voices |
— |
| L'Ariberta, Op. 17 No. 1 (Merula, Tarquinio) for 2 violins and continuo |
— |
| O sacrum convivium (Byrd, William) for 4 voices |
— |
| Canzon terzadecima 'La Taverna' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| Canzon seconda 'La Galarata' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| Canzon terza 'La Panzana' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| Canzon quarta 'La Secca' (Soderini, Agostino) for 4 Unspecified instruments |
— |
| Man spricht was Gott zussammenfügt (Senfl, Ludwig) for 4 voices |
— |
| Duo ubera tua (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Voicy du gay printemps l'heureux advenement (Le Jeune, Claude) for 4 voices |
— |
| Premiere partie: Le chant de l'Alouette from Le chant de l'Alouette (Le Jeune, Claude) for 5 voices |
— |
| Seconde partie: Le gentille Alouette from Le chant de l'Alouette (Le Jeune, Claude) for 5 voices |
— |
| Troisiesme partie: Lire, lire, que dit Dieu from Le chant de l'Alouette (Le Jeune, Claude) for 5 voices |
— |
| Leal schray tante (La Rue, Pierre de) for 4 voices or 4 Unspecified instruments |
— |
| Zucht eer und lob (Hofhaimer, Paul) for 4 voices |
— |
| Mein einigs A (Hofhaimer, Paul) for 4 voices |
— |
| Wann ich betracht die hinefart (Anonymous) for 4 voices |
— |
| Wer diser zeit sein sach in dweit (Senfl, Ludwig) for 4 voices |
— |
| Peccavi quid faciam tibi (Rore, Cipriano de) for 5 voices |
— |
| Canzon Terza (Troilo, Antonio) for continuo and 4 Unspecified instruments |
— |
| Da pacem, Domine (Rore, Cipriano de) for 5 voices |
— |
| In die tribulationis (Rore, Cipriano de) for 5 voices |
— |
| Vado ad eum qui misit me (Rore, Cipriano de) for 5 voices |
— |
| Se'l lauro è sempre verde (Luzzaschi, Luzzasco) for 5 voices |
— |
| Ecco il bel lauro verde (Luzzaschi, Luzzasco) for 6 voices |
— |
| Prima parte: Ohime il bel viso from Ohime il bel viso (Marenzio, Luca) for 5 voices |
— |
| Seconda parte: Per voi conven ch'io ardo from Ohime il bel viso (Marenzio, Luca) for 5 voices |
— |
| O vin en vigne, LV 379 (Lassus, Orlande de) for 4 voices |
— |
| La morre est jeu pire, LV 160 (Lassus, Orlande de) for 4 voices |
— |
| On doit le fer battre, LV 745 (Lassus, Orlande de) for 4 voices |
— |
| La peine dure, LV 762 (Lassus, Orlande de) for 4 voices |
— |
| O voi ch'avete di pietade il viso (Monte, Philippe de) for 5 voices |
— |
| Der Winter kalt ist vor dem Haus (Othmayr, Caspar) for 4 voices |
— |
| Prima parte: I' vo piangendo from I'vo piangendo (Ruffo, Vincenzo) for 5 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra from I'vo piangendo (Ruffo, Vincenzo) for 5 voices |
— |
| Prima parte: I' vo piangendo from I' vo piangendo (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra from I' vo piangendo (Wert, Giaches de) for 5 voices |
— |
| Vezzosi augelli (Asola, Giammateo) for 3 voices |
— |
| Vezzosi augelli (Tristabocca, Pasquale) for 5 voices |
— |
| Hi sunt qui cum mulieribus (Gabrieli, Andrea) for 4 voices |
— |
| Prima parte: I' vo piangendo from I'vo piangendo (Sabino, Ippolito) for 6 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra from I'vo piangendo (Sabino, Ippolito) for 6 voices |
— |
| Prima parte: I' vo piangendo from I'vo piangendo, LV 319 (Lassus, Orlande de) for 5 voices |
— |
| Seconda parte: Sì che, s'io vissi in guerra e in tempesta from I'vo piangendo, LV 319 (Lassus, Orlande de) for 5 voices |
— |
| O beltà rara, LV 311 (Lassus, Orlande de) for 5 voices |
— |
| Ego rogabo patrem (Gabrieli, Andrea) for 4 voices |
— |
| Magnum hereditatis mysterium (Gabrieli, Andrea) for 4 voices |
— |
| Las qu'on congnust mon voloir (Manchicourt, Pierre de) for 4 voices |
— |
| Sanctus (Ganassi, Andrea) for 2 voices or 2 Unspecified instruments |
— |
| Agnus Dei (Gero, Jhan) for 2 voices or 2 Unspecified instruments |
— |
| Pleni sunt coeli (Ganassi, Andrea) for 2 voices or 2 Unspecified instruments |
— |
| Prima pars: Cantate Domino from Cantate Domino canticum novum (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: Annuntiate inter gentes from Cantate Domino canticum novum (Gabrieli, Andrea) for 5 voices |
— |
| O sacrum convivium (Felis, Stefano) for 5 voices |
— |
| Mentre Dafne gentil (Flori, Giovanni) for 6 voices |
— |
| Cantate Domino canticum novum (Felis, Stefano) for 8 voices or 2 mixed chorus |
— |
| Prima pars: Christus resurgens from Christus resurgens (Byrd, William) for 4 voices |
— |
| Secunda pars: Dicant nunc Judaei from Christus resurgens (Byrd, William) for 4 voices |
— |
| Mentre la greggia errando (Gabrieli, Andrea) for 5 voices |
— |
| Vita della vita mia (Gabrieli, Andrea) for 5 voices |
— |
| Prima pars: Miserere mei, Deus from Miserere mei (Gabrieli, Andrea) for 6 voices |
— |
| Secunda pars: Ecce enim in iniquitatibus from Miserere mei (Gabrieli, Andrea) for 6 voices |
— |
| Tertia pars: Cor mundum crea in me from Miserere mei (Gabrieli, Andrea) for 6 voices |
— |
| Quarta pars: Domine, labia mea aperies from Miserere mei (Gabrieli, Andrea) for 6 voices |
— |
| Viri Sancti (Gabrieli, Andrea) for 4 voices |
— |
| O quam metuendus (Gabrieli, Andrea) for 4 voices |
— |
| Veni sponsa Christi (Gabrieli, Andrea) for 4 voices |
— |
| Beatus vir qui inventus est (Gabrieli, Andrea) for 4 voices |
— |
| Fantasie 39 (Du Caurroy, Eustache) for 6 Unspecified instruments |
— |
| Oimè il cor, oimè la testa, (Cara, Marchetto) for 4 voices |
— |
| Capriccio sopra sette note (Cazzati, Maurizio) for 2 violins and continuo or 2 violins, violone and continuo |
— |
| Canzon 'Las voules' (Anonymous) for 5 Unspecified instruments |
— |
| Vostro fui, vostro sono, e sarò vostro (Lambertini, Giovan Tomaso) for 4 voices |
— |
| Vostro fui, vostro sono, LV 66 (Lassus, Orlande de) for 5 voices |
— |
| Se ben di sette stelle ardenti e belle (Lambertini, Giovan Tomaso) for 4 voices |
— |
| Era l'anima mia (Pallavicino, Benedetto) for 5 voices |
— |
| O come vaneggiate (Pallavicino, Benedetto) for 5 voices |
— |
| Filiae Hierusalem (Gabrieli, Andrea) for 4 voices |
— |
| Par trop souffrir de fortune ennemie (Crecquillon, Thomas) for 4 voices |
— |
| Si pour aimer et désirer (Crecquillon, Thomas) for 4 voices |
— |
| Hodie Simon Petrus (Gabrieli, Andrea) for 4 voices |
— |
| Mulier, quae erat in civitate peccatrix (Gabrieli, Andrea) for 4 voices |
— |
| Have mercy upon me O God (Byrd, William) for 6 voices and 4 viols |
— |
| Amanti, io vi so dire (Ferrari, Benedetto) for voice and continuo |
— |
| Capriccio sopra La sol fa re mi (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Capriccio sopra O felici occhi miei (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Deus misereatur nostri (Gabrieli, Andrea) for 12 voices or 3 mixed chorus |
— |
| Tirsi morir volea (Gabrieli, Andrea) for 7 voices |
— |
| In manus tuas, Domine (Tallis, Thomas) for 4 voices |
— |
| Peccantem me quotidie (Byrd, William) for 5 voices |
— |
| Fuit homo missus a Deo (Gabrieli, Andrea) for 4 voices |
— |
| Levita Laurentius (Gabrieli, Andrea) for 4 voices |
— |
| How long shall mine enemies (Byrd, William) for 5 voices |
— |
| Jubilate Deo a8 (Gabrieli, Andrea) for 8 voices or 2 mixed chorus |
— |
| Prima pars: Tristitia et Anxietas from Tristitia et anxietas (Byrd, William) for 5 voices |
— |
| Secunda pars: Sed tu, Domine from Tristitia et anxietas (Byrd, William) for 5 voices |
— |
| Universi qui te expectant (Balbi, Ludovico) for 4 voices |
— |
| Hierusalem surge (Balbi, Ludovico) for 4 voices |
— |
| Pulchræ sunt genæ tuæ (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Sicut lilium inter spinas, IGP 138 (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Fasciculus myrrhae (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Quam pulchra es (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Nigra sum sed formosa (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Vineam meam non custodivi (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Si ignoras te (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Ecce tu pulcher es (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Tota pulchra es (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Veni, dilecte mi (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Introduxit me Rex (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Vox dilecti mei (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Caput ejus aurum optimum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Dilectus meus descendit (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Pulchra es, amica mea (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Descendi in hortum nucum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Vulnerasti cor meum (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Surge propera amica mea, IGP 159 (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Surge amica mea, speciosa mea (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Dilectus meus mihi (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Adjuro vos filiae Jerusalem (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Cari cumbagni (Gabrieli, Andrea) for 7 voices |
— |
| Giathi tanda fantiga (Schiavetti, Giulio) for 5 voices |
— |
| Arse così per voi (Striggio, Alessandro) for 5 voices |
— |
| Quam pulchri sunt gressus tui, IGP 158 (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Ecco l'aurora (Marenzio, Luca) for 5 voices |
— |
| Deh, vezzose del Tebro amate Ninfe (Marenzio, Luca) for 5 voices |
— |
| Si presso a voi (Marenzio, Luca) for 5 voices |
— |
| Canzon Settima 'L'Ugona' (Lappi, Pietro) for 4 Unspecified instruments |
— |
| Deus misereatur nostri, LV 266 (Lassus, Orlande de) for 8 voices or 2 mixed chorus |
— |
| Factor orbis (Obrecht, Jacob) for 5 voices |
— |
| Parto da voi (Marenzio, Luca) for 6 voices |
— |
| Tigre mia (Marenzio, Luca) for 6 voices |
— |
| Prima pars: Cantantibus organis Cecilia virgo from Cantantibus organis Cecilia virgo (Rore, Cipriano de) for 5 voices |
— |
| Seconda pars: Biduanis ac triduanis from Cantantibus organis Cecilia virgo (Rore, Cipriano de) for 5 voices |
— |
| Donne leggiadre che seguite Amore (Conversi, Girolamo) for 5 voices |
— |
| Io non potria goder gioia perfetta (Merulo, Claudio) for 5 voices |
— |
| Prima parte: Mentre nel più felice è lieto stato from Mentre nel più felice è lieto stato (Striggio, Alessandro) for 5 voices |
— |
| Seconda parte: Poi che ti piace amor che la tua fiamma from Mentre nel più felice è lieto stato (Striggio, Alessandro) for 5 voices |
— |
| Rimanti amor, in sempiterno oblio (Gabrieli, Andrea) for 5 voices |
— |
| Io canterò di quell'almo splendore (Conversi, Girolamo) for 5 voices |
— |
| Sfrondate o sacre dive (Rore, Cipriano de) for 5 voices |
— |
| Chi no'l sà, LV 590 (Lassus, Orlande de) for 5 voices |
— |
| Soave sia il morir per viver sempre (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| La luce occhi miei lassi (Primavera, Giovan Leonardo) for 5 voices |
— |
| Da bei rami scendea (Arcadelt, Jacob) for 4 voices |
— |
| Da bei rami scendea (Ruffo, Vincenzo) for 3 Unspecified instruments |
— |
| Ne la dolce stagion (Vinci, Pietro) for 5 voices |
— |
| Eran le vostre lagrime nel viso (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Dove, speranza mia, dove ora sei (Berchem, Jacquet de) for 4 voices |
— |
| Zefiro torna (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Ahi come soffrirò dolce mia vita (Wert, Giaches de) for 5 voices |
— |
| Prima Parte: Donna, l'ardente fiamma from Donna, l'ardente fiamma (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Risposta: Signor, la vostra fiamma from Donna, l'ardente fiamma (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Nativitas tua (Gabrieli, Andrea) for 7 voices |
— |
| Nun bitten wir den Heiligen Geist I à 2 (Praetorius, Michael) for 2 voices |
— |
| Nun bitten wir den Heiligen Geist II à 2 (Praetorius, Michael) |
— |
| Nun bitten wir den Heiligen Geist I à 6 (Praetorius, Michael) for 6 voices |
— |
| Nun bitten wir den heiligen Geist II à 3 (Praetorius, Michael) for 3 voices |
— |
| Nun bitten wir den Heiligen Geist I à 3 (Praetorius, Michael) for 3 voices |
— |
| Nun bitten wir den Heiligen Geist I à 4 (Praetorius, Michael) for 4 voices |
— |
| In dulci jubilo I à 2 (Praetorius, Michael) for 2 voices |
— |
| Nun bitten wir den Heiligen Geist II à 6 (Praetorius, Michael) for 6 voices |
— |
| Vom Himmel hoch da komm ich her à 5 (Praetorius, Michael) for 5 voices |
— |
| Vom Himmel hoch da komm ich her à 3 (Praetorius, Michael) for 3 voices |
— |
| Nun bitten wir den Heiligen Geist II à 4 (Praetorius, Michael) for 4 voices |
— |
| Nun komm der Heiden Heiland à 4 (Praetorius, Michael) for 4 voices |
— |
| Nun bitten wir den heiligen Geist (Osiander, Lucas) for 4 voices |
— |
| Hosianna in der Höhe (Praetorius, Michael) for 6 voices |
— |
| Der Tag der ist so freudenreich à 2 (Praetorius, Michael) for 2 voices |
— |
| Gelobet seist du, Jesu Christ I à 2 (Praetorius, Michael) for 2 voices |
— |
| Vom Himmel hoch da komm ich her I à 2 (Praetorius, Michael) for 2 voices |
— |
| Vom Himmel hoch da komm ich her II à 2 (Praetorius, Michael) |
— |
| Der Tag der ist so freudenreich à 3 (Praetorius, Michael) for 3 voices |
— |
| Christe der du bist Tag und Licht à 2 (Praetorius, Michael) for 2 voices |
— |
| Ein Kindelein so löbelich à 2 (Praetorius, Michael) |
— |
| In dulci jubilo II à 2 (Praetorius, Michael) |
— |
| Puer natus in Bethlehem à 2 (Praetorius, Michael) |
— |
| Ich stund an einem Morgen (Vento, Ivo de) for 5 voices |
— |
| Non moriar sed vivam (Slegel, Valentin) for 4 voices |
— |
| Virgine bella (Asola, Giammateo) for 3 voices |
— |
| Es taget vor dem Walde/Fortuna desperata (Senfl, Ludwig) for 5 voices |
— |
| Es taget vor dem Walde/Kein Adler in der Welt (Bruck, Arnold von) for 5 voices |
— |
| Ich stund an einem morgen I à 4 (Senfl, Ludwig) for 4 voices |
— |
| Virgine santa che con chiaro esempio (Le Duc, Philippe) for 6 voices |
— |
| Sacre Muse beate (Le Duc, Philippe) for 8 voices or 2 mixed chorus |
— |
| Quivi sospiri pianti ed alti guai (Micheli, Domenico) for 5 voices |
— |
| Quivi sospir con pianti et alti guai (Vinci, Pietro) for 5 voices |
— |
| Deh torna a me mio sol for 5 Voices (Ruffo, Vincenzo) for 5 voices |
— |
| Quivi sospiri pianti ed alti guai (Soriano, Francesco) for 5 voices |
— |
| Gravi pene in amor si provan molte (Paien, Gioan) for soprano and tenor |
— |
| Ingiustissimo Amor (Paien, Gioan) for soprano and tenor |
— |
| Vergine bella (Paien, Gioan) for soprano and tenor |
— |
| Che dolce più, che più giocondo stato (Paien, Gioan) for soprano and tenor |
— |
| Hodie nata est beata virgo Maria (Vinci, Pietro) for 5 voices |
— |
| Occhi leggiadri e belli (Vinci, Pietro) for 3 voices |
— |
| Prima parte: Passa la nave mia from Passa la nave mia colma d'oblio (Vinci, Pietro) for 6 voices |
— |
| Seconda parte: Pioggia di lagrimar from Passa la nave mia colma d'oblio (Vinci, Pietro) for 6 voices |
— |
| Prima parte: Quando amor i begli occhi from Quando amor i begli occhi (Vinci, Pietro) for 5 voices |
— |
| Seconda parte: Ma'l suon che di dolcessa from Quando amor i begli occhi (Vinci, Pietro) for 5 voices |
— |
| Luci a me dolci e care (Wert, Giaches de) for 5 voices |
— |
| Pavana (Cavaccio, Giovanni) for 4 Unspecified instruments |
— |
| Prima parte: Datemi pace from Datemi pace, o duri miei pensieri (Wert, Giaches de) for 5 voices |
— |
| Seconda parte: In te i secreti from Datemi pace, o duri miei pensieri (Wert, Giaches de) for 5 voices |
— |
| I' desiai, ben mio (Wert, Giaches de) for 5 voices |
— |
| Qui fu dove s'assise (Wert, Giaches de) for 5 voices |
— |
| Tu canti e canto anch'io (Wert, Giaches de) for 5 voices |
— |
| Amor s'hai pur desio (Wert, Giaches de) for 5 voices |
— |
| Quivi sospiri pianti ed alti guai (Mosto, Giovanni Battista) for 5 voices |
— |
| In qual parte risplende oggi il mio sole (Wert, Giaches de) for 5 voices |
— |
| Canzon francese (Viadana, Lodovico da) for cornett, 2 trombones and violin or cornett, 2 trombones, violin and continuo |
— |
| Donna se voi m'odiate (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Donna se voi m'odiate (Trombetti, Ascanio) for 4 voices |
— |
| Sur le pont davignon (Anonymous) for 4 voices |
— |
| Zucharo porti dentro (Cambio, Perissone) for 4 voices |
— |
| In nomine à 6 (Tye, Christopher) for 2 sopranos, 2 altos and 2 basses or 2 sopranos, 2 altos and 2 basses |
— |
| Elle s'en va de moi, LV 90 (Lassus, Orlande de) for 5 voices |
— |
| Con soave parlar, con dolce accento (Verdelot, Philippe) for 4 voices |
— |
| Così vincete in terra (Willaert, Adrian) for 4 voices |
— |
| I will give laud (Byrd, William) for lute |
— |
| Madonna qual certezza (Verdelot, Philippe) for 4 voices |
— |
| Godea Tirsi gli amori (Ferrabosco Sr., Alfonso) for 5 voices |
— |
| Aime le plus bella (contrafactum version) from Puisque si bien m'est advenu (Compère, Loyset) for 3 voices |
— |
| Sapete amanti perché amor è cieco (Cambio, Perissone) for 4 voices |
— |
| Quel foco che tanti anni (Rore, Cipriano de) for 4 voices |
— |
| A qui dirai je ma pensee (Compère, Loyset) for 3 voices |
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| 3 Voices Setting from Cela sans plus, NJE 27.4 (Josquin Desprez) for 3 voices |
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| 4 Voices Setting from Cela sans plus, NJE 27.4 (Josquin Desprez) for 3 voices |
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| Sotto un verde e alto cupresso (Caprioli, Antonio) for 4 voices |
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| Une mosche de Bischaye, NJE 28.35 (Josquin Desprez) for 4 voices |
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| Je cuide se ce temps me dure (Congiet, Petrus) for 3 voices |
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| Ave Regina caelorum, LV 717 (Lassus, Orlande de) for 6 voices |
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| Ha, que ville et abominable, IAB 68 (Busnois, Antoine) for 3 voices |
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| Arrangement of Lourdault, lourdault, NJE 28.23 (Josquin Desprez) |
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| Ecco mormorar l’onde, SV 51 (Monteverdi, Claudio) for 5 voices |
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| Amor che sai in qual stat'io mi viva (Wert, Giaches de) for 5 voices |
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| Ditemi o donna mia, ditemi un poco (Striggio, Alessandro) for 5 voices |
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| Tra pure nevi alme purpuree rose (Merulo, Claudio) for 6 voices |
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| In monte Oliveti (Ferrabosco Sr., Alfonso) for 6 voices |
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| Verbum caro factum est (Zallamella, Pandolfo) for 5 voices |
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| In Nomine à 4 (Anonymous) for soprano, alto, tenor and bass or 4 viols |
— |
| Sinfonia No. 2 (Duarte, Leonora) for 5 Unspecified instruments or 2 sopranos, alto, tenor and bass |
— |
| Canzon sesta 'La Panigarola' (Soderini, Agostino) for soprano, alto, tenor and bass |
— |
| Libera me Domine (Gabrieli, Andrea) for 5 voices |
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| Heu mihi Domine (Gabrieli, Andrea) for 5 voices |
— |
| Susanne un jour (Sweelinck, Jan Pieterszoon) for 5 voices |
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| Prima pars: Susanna ab improbis from Susanna ab improbis (Palestrina, Giovanni Pierluigi da) for 6 voices |
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| Seconda pars: Postquam autem falso eorum from Susanna ab improbis (Palestrina, Giovanni Pierluigi da) for 6 voices |
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| Susanne un jour (Turnhout, Geert van) for 2 voices |
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| Responsories (Ingegneri, Marc Antonio) for 5 voices |
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| Nimis exaltatus es super omnes Deos (Ingegneri, Marc Antonio) for 5 voices |
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| O sacrum convivium (Ingegneri, Marc Antonio) for 5 voices |
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| Che pena si può dire (Merulo, Claudio) for 3 voices |
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| Dunque fia ver dicea che mi convegna (Merulo, Claudio) for 3 voices |
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| Vaghi boschetti di soavi allori (Ingegneri, Marc Antonio) for 5 voices |
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| Surge propera amica mea (Ingegneri, Marc Antonio) for 5 voices |
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| Le donne, i cavallier, l'arme, gli amori (Da Reggia, Hoste) for 4 voices |
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| Ingiustissimo Amor, perché sì raro (Da Reggia, Hoste) for 4 voices |
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| Pensier dicea che'l cor, LV 909 (Lassus, Orlande de) for 5 voices |
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| Deh, ferma, Amor, costui che così sciolto (Merulo, Claudio) for 3 voices |
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| S'un medesimo ardor, s'un disir pare (Nasco, Giovanni) for 5 voices |
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| Maria Magdalene, Maria Jacobi (Gabrieli, Andrea) |
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| Emendemus in melius (Gabrieli, Andrea) for 6 voices |
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| Angelus Domini descendit (Gabrieli, Andrea) for 5 voices |
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| O crux splendidior (Gabrieli, Andrea) for 8 voices |
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| Ave Sanctissima Maria (Gabrieli, Andrea) for 5 voices |
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| Confitebor tibi Domine (Gabrieli, Andrea) for 5 voices |
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| Beatus vir qui non abiit (Gabrieli, Andrea) for 6 voices |
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| Iniquos odio habui (Gabrieli, Andrea) for 6 voices |
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| Kyrie from Missa Doulce memoire (Crecquillon, Thomas) for 4 voices |
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| Dolci sospiri ardenti (Luzzaschi, Luzzasco) for 5 voices |
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| Lucenti e chiare stelle (Luzzaschi, Luzzasco) for 5 voices |
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| Quel foco ch'io pensai che fosse spento (Luzzaschi, Luzzasco) for 5 voices |
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| Princeps gloriosissime (Marenzio, Luca) for 4 voices |
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| Bramo veder un dì per mia vendetta (Ingegneri, Marc Antonio) for 4 voices |
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| Mentre tu canti, io canto teco e moro (Ingegneri, Marc Antonio) for 4 voices |
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| Quando l'errante e stanco peregrino (Ingegneri, Marc Antonio) for 4 voices |
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| Deh, non cantar, Donna gentil ch'io sento (Luzzaschi, Luzzasco) for 5 voices |
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| Vicino un chiaro e cristallino fonte (Wert, Giaches de) for 7 voices |
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| Amor n’è causa, che nel cor m’ha impresso (Merulo, Claudio) for 3 voices |
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| Quando da bei vostri occhi i dolci sguardi (Ingegneri, Marc Antonio) for 4 voices |
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| Grazie ad Amor (Luzzaschi, Luzzasco) for 5 voices |
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| Da l'odorate spoglie (Luzzaschi, Luzzasco) for 5 voices |
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| Sacro felice e avventurato nodo (Bertani, Lelio) for 5 voices |
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| Sdegno la fiamma estinse (Bertani, Lelio) for 6 voices |
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| Filli al partir del suo caro Pastore (Luzzaschi, Luzzasco) for 6 voices |
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| Da l'angelico viso (Bertani, Lelio) for 5 voices |
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| Suscipe Quaeso (Tallis, Thomas) for 7 voices |
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| Ave Maria gratia plena (Senfl, Ludwig) for 6 voices |
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| Parce mihi Domine (Rore, Cipriano de) for 5 voices |
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| Ave rosa sine spinis (Senfl, Ludwig) for 5 voices |
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| Voce mea ad Dominum clamavi (Rore, Cipriano de) for 5 voices |
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| O salutaris Hostia (Rore, Cipriano de) for 5 voices |
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| Prima pars: Jubilate Deo from Jubilate Deo omnis terra (Rore, Cipriano de) for 5 voices |
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| Secunda pars: Populus ejus from Jubilate Deo omnis terra (Rore, Cipriano de) for 5 voices |
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| Prima pars: Ad te levavi from Ad te levavi oculos meos (Rore, Cipriano de) for 5 voices |
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| Secunda pars: Miserere nostri Domine from Ad te levavi oculos meos (Rore, Cipriano de) for 5 voices |
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| Confitebor tibi, Domine (Rore, Cipriano de) for 5 voices |
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| Prima pars: Levavi oculus from Levavi oculos meos in montes (Gabrieli, Andrea) for 5 voices |
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| Secunda pars: Ecce non dormitabit from Levavi oculos meos in montes (Gabrieli, Andrea) for 5 voices |
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| Tertia pars: Per diem sol non uret te from Levavi oculos meos in montes (Gabrieli, Andrea) for 5 voices |
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| Dai bei labbri di rose (Marenzio, Luca) for 6 voices |
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| Prima parte: Lasciato hai, Morte from Lasciato hai, Morte (Striggio, Alessandro) for 6 voices |
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| Seconda parte: Pianger l'aere e la terra from Lasciato hai, Morte (Striggio, Alessandro) for 6 voices |
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| Per alti monti e per selve aspre trovo (Verdelot, Philippe) for 5 voices |
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| Prima parte: O voi che sotto from O voi, che sotto l'amorose insegne (Rore, Cipriano de) for 5 voices |
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| Seconda parte: Si dira poi ciascun from O voi, che sotto l'amorose insegne (Rore, Cipriano de) for 5 voices |
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| Prima parte: Sarò signor io sol from Sarò signor io sol (Wert, Giaches de) for 5 voices |
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| Seconda parte: Nè duol nè gioia from Sarò signor io sol (Wert, Giaches de) for 5 voices |
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| Deus justus (Wert, Giaches de) for 6 voices |
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| Deus, venerunt gentes (Byrd, William) for 5 voices |
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| Domine tu jurasti (Byrd, William) for 5 voices |
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| Prima pars: Beati quorum from Beati quorum remissæ sunt iniquitates (Gabrieli, Andrea) for 6 voices |
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| Secunda pars: Delictum meum from Beati quorum remissæ sunt iniquitates (Gabrieli, Andrea) for 6 voices |
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| Tertia pars: Tu es refugium from Beati quorum remissæ sunt iniquitates (Gabrieli, Andrea) for 6 voices |
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| Quarta pars: In camo et freno from Beati quorum remissæ sunt iniquitates (Gabrieli, Andrea) for 6 voices |
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| Prima pars: Confitebor tibi Domine from Confitebor tibi, Domine in toto corde meo (Willaert, Adrian) for 4 voices |
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| Secunda pars: In quacumque die from Confitebor tibi, Domine in toto corde meo (Willaert, Adrian) for 4 voices |
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| Tertia pars: Si ambulavero from Confitebor tibi, Domine in toto corde meo (Willaert, Adrian) for 4 voices |
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| Absterge Domine (Tallis, Thomas) for 5 voices |
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| Prima pars: Deus ne me objurga from Deus, ne me objurga in furore (Croce, Giovanni) for 6 voices |
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| Secunda pars: Defatigatus sum sic suspirando from Deus, ne me objurga in furore (Croce, Giovanni) for 6 voices |
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| Prima parte: Quel rosignuol from Quel rossignuol, LV 312 (Lassus, Orlande de) for 5 voices |
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| Seconda parte: O che lieve e ingannar from Quel rossignuol, LV 312 (Lassus, Orlande de) for 5 voices |
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| Miser, chi speme, LV 313 (Lassus, Orlande de) for 5 voices |
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| Prima parte: Che fai? che pensi? from Che fai che pensi, LV 315 (Lassus, Orlande de) for 5 voices |
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| Seconda parte: Deh non rinnovellar from Che fai che pensi, LV 315 (Lassus, Orlande de) for 5 voices |
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| Luci serene e chiare (Monteverdi, Claudio) for 5 voices |
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| Siderum rector (Byrd, William) for 5 voices |
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| Mihi autem nimis (Tallis, Thomas) for 5 voices |
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| Miserere nostri (Tallis, Thomas) for 7 voices |
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| Salvator mundi II (Tallis, Thomas) for 5 voices |
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| Candidi facti sunt Nazarei (Tallis, Thomas) for 5 voices |
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| Da mihi auxilium (Byrd, William) for 6 voices |
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| Diliges Dominum Deum (Byrd, William) for 8 voices |
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| Dum transisset Sabbatum (Tallis, Thomas) for 5 voices |
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| Infelix ego (Byrd, William) for 6 voices |
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| Usquequo Domine (Gabrieli, Andrea) for 7 voices |
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| A Voi Londonio invio (Vinci, Pietro) for 5 voices |
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| Beata viscera Mariae Virginis (Ingegneri, Marc Antonio) for 5 voices |
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| Peccantem me quotidie (Ingegneri, Marc Antonio) for 5 voices |
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| Hodie Christus natus est (Mel, Rinaldo del) for 6 voices |
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| Sancti Dei omnes (Ingegneri, Marc Antonio) for 5 voices |
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| Inclina Domine aurem tuam (Gabrieli, Giovanni) for 6 voices |
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| Attollite portas principes vestras (Byrd, William) for 6 voices |
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| Tribue Domine (Byrd, William) for 6 voices |
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| Libera me, Domine, de morte aeterna (Byrd, William) for 5 voices |
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| This Day Christ was Born (Byrd, William) for 6 voices |
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| Domine secundum actum meum (Byrd, William) for 6 voices |
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| Honor, Virtus et potestas (Tallis, Thomas) for 5 voices |
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| Quella che in mille selve (Vecchi, Orazio) for 5 voices |
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| Sermone blando angelus (Tallis, Thomas) for 5 voices |
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| Vidimus stellam ejus in Oriente (Byrd, William) for 4 voices |
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| Videntes stellam magi, LV 111 (Lassus, Orlande de) for 5 voices |
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| Omnia quae fecisti, LV 109 (Lassus, Orlande de) for 5 voices |
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| Adversum me loquebantur, LV 119 (Lassus, Orlande de) for 5 voices |
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| In jejunio et fletu (Tallis, Thomas) for 5 voices |
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| O doux regard (Wilder, Philip van) for 5 voices |
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| Ohimè, se tanto amate (Marenzio, Luca) for 5 voices |
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| Prima parte: La pastorella from La pastorella mia spietata e rigida (Marenzio, Luca) for 5 voices |
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| Seconda parte: Eco rimbomba from La pastorella mia spietata e rigida (Marenzio, Luca) for 5 voices |
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| Prima parte: Ridean gia from Ridean già per le piagge erbette e fiori (Marenzio, Luca) for 5 voices |
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| Seconda parte: Piagge, erbe, fiori from Ridean già per le piagge erbette e fiori (Marenzio, Luca) for 5 voices |
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| Non fu donna giammai gentil e bella (Wert, Giaches de) for 5 voices |
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| Tandernack quinque (Senfl, Ludwig) for 5 voices or soprano, 2 altos, tenor and bass |
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| Toutes les nuits, LV 149 (Lassus, Orlande de) for 5 voices |
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| Come Sable Night (Ward, John) for 6 voices |
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| La bocca onde l’asprissime parole (Monteverdi, Claudio) for 5 voices |
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| Dolcissimi legami (Monteverdi, Claudio) for 5 voices |
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| Cantai un tempo e se fu dolce il canto (Monteverdi, Claudio) for 5 voices |
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| Tutte le bocche belle (Monteverdi, Claudio) for 5 voices |
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| Non sono in queste rive (Monteverdi, Claudio) for 5 voices |
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| Non giacinti o narcisi (Monteverdi, Claudio) for 5 voices |
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| Questo specchio ti dono (Monteverdi, Claudio) for 5 voices |
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| Non mi è grave il morire (Monteverdi, Claudio) for 5 voices |
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| Ti spontò l'ali, Amor, la donna mia (Monteverdi, Claudio) for 5 voices |
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| Donna, nel mio ritorno (Monteverdi, Claudio) for 5 voices |
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| Mentre io mirava fisso (Monteverdi, Claudio) for 5 voices |
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| Se tu mi lassi, perfida (Monteverdi, Claudio) for 5 voices |
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| Quell’ombra esser vorrei (Monteverdi, Claudio) for 5 voices |
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| Si ambulavero in medio tribulationis (Trombetti, Ascanio) for 5 voices |
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| Benedictus Dominus Deus Israel (Croce, Giovanni) for 2 sopranos, 2 altos, 2 tenors and 2 basses or 2 mixed chorus |
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| Capriccio 8 (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Ricercar primo (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Gagliarda (Turini, Francesco) for 2 violins and continuo |
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| Fantasia 7 (Cima, Giovanni Paolo) for keyboard or organ or harpsichord or 4 Unspecified instruments |
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| Figlio immortal d'immortal padre (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| E questo spirto della propria sede (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| Cor mio, deh, non piangete (Giovannelli, Ruggiero) for 5 voices |
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| Care dolci mammelle (Giovannelli, Ruggiero) for 5 voices |
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| S'io non miro non moro (Giovannelli, Ruggiero) for 5 voices |
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| Città di Dio cui fan tempi e fortezze (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| E tu Signor, tu la tua grazia infondi (Palestrina, Giovanni Pierluigi da) for voices |
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| Prima parte: Dal vago Mincio from Del vago Mincio sull'adorne sponde (Wert, Giaches de) for 5 voices |
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| Seconda parte: Invido fiume from Del vago Mincio sull'adorne sponde (Wert, Giaches de) for 5 voices |
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| Donne, la pura luce (Giovannelli, Ruggiero) for 8 voices or 2 mixed chorus |
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| Prima parte: Anima mia, perdone from Anima mia, perdona (Monteverdi, Claudio) for 5 voices |
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| Seconda parte: Che se tu se il cor mio from Anima mia, perdona (Monteverdi, Claudio) for 5 voices |
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| Come vivrò nelle mie pene, Amore (Pallavicino, Benedetto) for 5 voices |
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| Quell'augellin, che canta (Marenzio, Luca) |
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| O qual gioia e contento (Wert, Giaches de) for 5 voices |
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| Tutte sue squadre di miserie e stenti (Marenzio, Luca) for 6 voices |
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| Dolce nemica mia (Gabrieli, Giovanni) for 7 voices |
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| Come la notte ogni fiammella è viva (Ingegneri, Marc Antonio) for 4 voices |
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| Da non veduto aspetto (Ingegneri, Marc Antonio) for 4 voices |
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| Deh torna a me mio sol for 4 Voices (Ruffo, Vincenzo) for 4 voices |
— |
| Fantasia da sonar (Agostini, Lodovico) for 5 Unspecified instruments |
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| Dolce grave ed acuto (Pallavicino, Benedetto) for 5 voices |
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| Qual grazia, o qual beltate (Ingegneri, Marc Antonio) for 4 voices |
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| T'amo, mia vita, la mia cara vita (Pallavicino, Benedetto) for 5 voices |
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| Bevea Fillide mia (Monteverdi, Claudio) for 5 voices |
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| Dolcemente dormiva la mia Clori (Pallavicino, Benedetto) for 5 voices |
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| Intorno a due vermiglie e vaghe labra (Monteverdi, Claudio) for 5 voices |
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| Oh infelice! oh misero! che voglio (Berchem, Jacquet de) for 4 voices |
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| Di pianger mai, mai di gridar non resta (Berchem, Jacquet de) for 4 voices |
— |
| Sonata 'La Bottana' (Gussago, Cesario) for soprano, alto, tenor and bass |
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| Sonata 'La Nicolina' (Gussago, Cesario) for soprano, alto, tenor and bass |
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| Queste non son più lacrime, che fuore (Berchem, Jacquet de) for 4 voices |
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| Sonata 'La Badina' (Gussago, Cesario) for 2 sopranos, 2 altos, tenor and bass |
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| Sonata 'La Marina' (Gussago, Cesario) for 2 sopranos, alto, 2 tenors and bass |
— |
| Sonata 'La Schilina' (Gussago, Cesario) for soprano, alto and 2 tenors |
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| Sonata 'La Zonta' (Gussago, Cesario) for soprano, alto and 2 tenors |
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| Sonata a 22 (Gabrieli, Giovanni) for 22 Unspecified instruments |
— |
| Sonata 'L'Onofria' (Gussago, Cesario) for 8 Unspecified instruments or 2 sopranos, 2 altos, 2 tenors and 2 basses |
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| Cresce la pena mia (Tromboncino, Bartolomeo) for soprano, alto, tenor and bass or soprano, alto, tenor and bass or soprano, alto, tenor and bass |
— |
| Non resta in questa valle (Anonymous) for 4 voices |
— |
| Canzona 'La Lafranchina' (Cavaccio, Giovanni) for soprano, alto, tenor and bass |
— |
| Canzona 'La Brigientia' (Cavaccio, Giovanni) for soprano, alto, tenor and bass |
— |
| Canzona 'La Solcia' (Cavaccio, Giovanni) for soprano, alto, tenor and bass |
— |
| Ahimé che Sol, ahimé che paradiso (Dattari, Ghinolfo) for 5 voices |
— |
| Osculetur me osculo, LV 735 (Lassus, Orlande de) for 8 voices or 2 mixed chorus |
— |
| Prima pars: De profundis from De profundis clamavi (Gabrieli, Andrea) for 6 voices |
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| Secunda pars: Sustinuit anima mea from De profundis clamavi (Gabrieli, Andrea) for 6 voices |
— |
| Domine, exaudi orationem meam (Gabrieli, Andrea) for 6 voices |
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| Sa questo altier ch'io l'amo e ch'io l'adoro (Merulo, Claudio) for 3 voices |
— |
| Ricercar secondo (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
— |
| Canzon I à due bassi e canto, F 8.25b (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
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| Canzon II à due bassi e canto, F 8.26b (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
— |
| Canzona 'La Nova' (Cavaccio, Giovanni) for soprano, alto, tenor and bass |
— |
| Cinto m'havea tra belle e nude braccia (Gabrieli, Andrea) for 6 voices |
— |
| Voi non volete, donna (Gabrieli, Andrea) for 6 voices |
— |
| Apostrophe au petit Jésus dans la crèche (Philips, Peter) for soprano and bass |
— |
| Sonata quinta sopra Porto celato il mio Nobil pensiero (Rossi, Salamone) for 2 violins and continuo |
— |
| Ballo detto Pollicio, Op. 12 No. 24 (Merula, Tarquinio) for 2 violins, violone and continuo |
— |
| Sonata prima, Op. 8 No. 1 (Marini, Biagio) for 2 violins and continuo |
— |
| In Nomine à 5 'Free from all' (Tye, Christopher) for 5 Unspecified instruments or 5 viols |
— |
| In Nomine I à 6 (Mundy, John) for 2 sopranos, 2 tenors and 2 basses or 6 viols |
— |
| In Nomine II (Tallis, Thomas) for 4 Unspecified instruments or 5 Unspecified instruments |
— |
| In Nomine (Golder, R.) for 2 sopranos, tenor and bass or 4 viols |
— |
| Laetatus sum (Merula, Tarquinio) |
— |
| Confitebor tibi, Domine (Merula, Tarquinio) for 2 sopranos, bass, 2 violins and continuo |
— |
| Sinfonia (Turini, Francesco) for 2 violins, continuo and bass or 2 violins and continuo |
— |
| Ballo del Gran Ducca (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Sonata V sopra Poi che noi rimena (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Sonata III, Op. 11 (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Sonata I, Op. 11 (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Sonata II, Op. 11 (Buonamente, Giovanni Battista) for 2 violins and continuo |
— |
| Canzon III (Bonzanini, Giacomo) for soprano, alto, tenor and bass |
— |
| In Nomine à 5 'Saye so' (Tye, Christopher) for 5 Unspecified instruments or 5 viols |
— |
| Beatus vir (Merula, Tarquinio) for 2 sopranos, alto and continuo |
— |
| La Cavagliera, Op. 17 No. 18 (Merula, Tarquinio) for 2 violins, violone and continuo |
— |
| Adoramus te Christe, LV 884 (Lassus, Orlande de) for 3 voices |
— |
| In me transierunt, LV 121 (Lassus, Orlande de) for 5 voices |
— |
| Newark Siege (Jenkins, John) |
— |
| Prima pars: Bonum est confiteri from Bonum est confiteri Domino (Gabrieli, Andrea) for 5 voices |
— |
| Secunda pars: In decachordo, psalterio from Bonum est confiteri Domino (Gabrieli, Andrea) for 5 voices |
— |
| Io t'ho donato il core (Zesso, Giovanni Battista) |
— |
| Fantasia suite 1 for 2 violins, RC 109 (Coperario, John) for 2 violins and viol |
— |
| Fantasia a 4, T 380 (Byrd, William) for soprano, alto, tenor and bass |
— |
| Ciaccona (Giamberti, Giuseppe) for soprano and tenor |
— |
| Baciai per aver vita (Aleotti, Vittoria) for 4 voices |
— |
| Baciai per aver vita (Monte, Philippe de) for 5 voices |
— |
| Baciai per aver vita (Philips, Peter) for 6 voices |
— |
| Aria del gran Duca (Giamberti, Giuseppe) for soprano and alto |
— |
| La Leona, Op. 3 Sonata 11 (Uccellini, Marco) for 2 violins and continuo |
— |
| Trecce ombrose ove s'asconde (Banchieri, Adriano) for 2 voices and continuo |
— |
| Aria sopra la Bergamasca, Op. 3 Aria 5 (Uccellini, Marco) for 2 violins and continuo or continuo and 2 sopranos |
— |
| Aria sopra un balletto, Op. 3 Aria 3 (Uccellini, Marco) for 2 violins and continuo or continuo and 2 sopranos |
— |
| L'Emenfrodite, Op. 3 Aria 9 (Uccellini, Marco) for 2 violins and continuo |
— |
| La Reggiana, Op. 3 Sonata 9 (Uccellini, Marco) for 2 violins and continuo |
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| Tagliò lo scritto e’l sasso, e sin al cielo (Berchem, Jacquet de) |
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| Ricercar quarto (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Ricercar terzo (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Ciaccona, Op. 7 (Vitali, Giovanni Battista) for 2 violins and violone or 2 violins and continuo |
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| O dolce vita mia (Pallavicino, Benedetto) for 5 voices |
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| Passagallo I, Op. 7 (Vitali, Giovanni Battista) for 2 violins and violone or 2 violins and continuo |
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| Why fumeth in sight (Tallis, Thomas) for soprano, alto, tenor and bass |
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| Pel bosco errò tutta la notte il conte (Berchem, Jacquet de) for 4 voices |
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| Prima parte: Io gia cantando from Io già cantando la mia libertate (Pallavicino, Benedetto) for 5 voices |
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| Seconda parte: Allor ch'io senti'l cor from Io già cantando la mia libertate (Pallavicino, Benedetto) for 5 voices |
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| Non son, non sono io quel che paio in viso (Berchem, Jacquet de) for 4 voices |
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| Tra più soavi fiori (Pallavicino, Benedetto) for 5 voices |
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| Ricercar quinto (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Ricercar sesto (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| Ricercar settimo (Cima, Giovanni Paolo) for keyboard or harpsichord or organ or 4 Unspecified instruments |
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| In nomine (Eglestone, John) for 5 Unspecified instruments or 5 viols |
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| La Zozri, Op. 1 No. 7 (Marini, Biagio) for 2 violins, continuo and bass |
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| La Zoppa, Op. 1 No. 17 (Marini, Biagio) for 2 violins, continuo and bass |
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| Il Vendramino, Op. 1 No. 2 (Marini, Biagio) for 2 violins, continuo and bass or 2 cornetts, continuo and bass |
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| O gradite o sprezzate (Nenna, Pomponio) for 5 voices |
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| Division in B-flat (Simpson, Christopher) for viol |
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| Mentre io campai contento (Vecchi, Orazio) for 4 voices |
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| Prima pars: Defecit in dolore from Defecit in dolore vita mea (Byrd, William) for 5 voices |
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| Secunda pars: Sed tu Domine from Defecit in dolore vita mea (Byrd, William) for 5 voices |
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| Questi ch'indizio fan del mio tormento (Ruffo, Vincenzo) for 4 voices |
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| In Nomine for keyboard (Gibbons, Orlando) for keyboard or harpsichord |
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| L'Eau vaviste en s'escoulant (L'Estocart, Paschal de) for 4 voices |
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| Verde lauro è'l mio core (Monte, Philippe de) for 6 voices |
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| Prima parte: Illustre alma gentile from Illustre alma gentile (Striggio, Alessandro) for 5 voices |
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| Seconda parte: Non puo ingegno mortale from Illustre alma gentile (Striggio, Alessandro) for 5 voices |
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| O di che grato odore i bei giacinti (Merulo, Claudio) for 5 voices |
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| Quante volte volgete (Luzzaschi, Luzzasco) for 5 voices |
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| Quante volte volgete (Wert, Giaches de) for 5 voices |
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| Queste non son più lacrime che fuore (Verdelot, Philippe) for 6 voices |
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| Tirsi morir volea (Pallavicino, Benedetto) for 6 voices |
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| In nomine à 5 No. 1 (Gibbons, Orlando) for 5 Unspecified instruments or 5 viols |
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| In nomine (Gibbons, Edward) for 5 Unspecified instruments or 5 viols |
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| Che rami e ceppi e tronchi e sassi e zolle (Berchem, Jacquet de) for 4 voices |
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| In Nomine à 5 'Rounde' (Tye, Christopher) for 5 Unspecified instruments or 5 viols |
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| No, no, ch’io non mi fido, sopra la ciaccona (Merula, Tarquinio) for soprano, bass and continuo |
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| Chi prende amor a gioco, sopra la ciaccona (Merula, Tarquinio) for soprano, alto, bass, 2 violins and continuo |
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| Bianca neve ò Bianca (Merula, Tarquinio) for soprano, bass and continuo |
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| In nomine (Withy, John) for 5 Unspecified instruments or 5 viols |
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| In Nomine à 5 'Blameless' (Tye, Christopher) for 5 Unspecified instruments or 5 viols |
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| In Nomine à 5 'Hold Fast' (Tye, Christopher) for 5 Unspecified instruments or 5 viols |
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| In Nomine à 5, VdGS 1561 (Anonymous) for 5 Unspecified instruments or 5 viols |
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| In nomine I à 4 (Tallis, Thomas) for 2 sopranos, tenor and bass or 4 viols |
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| Exultate Deo adjutori nostro (Bianciardi, Francesco) |
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| Death hath deprived me (Weelkes, Thomas) for 6 voices |
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| Versa est in luctum cythara mea (Bianciardi, Francesco) for soprano, 2 tenors and bass |
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| Pulcra facie sed pulcrior es fide (Bianciardi, Francesco) |
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| Sacerdos et Pontifex (Bianciardi, Francesco) |
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| Ego dormivi (Bianciardi, Francesco) for 4 voices |
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| O quam gloriosum est regnum (Bianciardi, Francesco) |
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| Aura, che errando intorno (Luzzaschi, Luzzasco) for 5 voices |
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| Lungi da te cor mio (Luzzaschi, Luzzasco) for 5 voices |
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| Chi vuol perle e coralli (Nanino, Giovanni Bernardino) for 5 voices |
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| Crudelissima Donna (Luzzaschi, Luzzasco) for 5 voices |
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| L'empio folgore ardente (Nanino, Giovanni Bernardino) for 5 voices |
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| Se la mia vita sete (Luzzaschi, Luzzasco) for 5 voices |
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| Itene a volo, o miei sospiri ardenti (Luzzaschi, Luzzasco) for 5 voices |
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| Prima pars: Aspice Domine from Aspice Domine quia facta est (Willaert, Adrian) for 6 voices |
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| Secunda pars: Plorans ploravit from Aspice Domine quia facta est (Willaert, Adrian) for 6 voices |
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| Ahi cruda sorte mia (Luzzaschi, Luzzasco) for 5 voices |
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| Ecco, o dolce, o gradita (Luzzaschi, Luzzasco) for 5 voices |
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| O miracol d'Amore (Luzzaschi, Luzzasco) for 5 voices |
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| Se parti i' moro (Luzzaschi, Luzzasco) for 5 voices |
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| Tu godi o bell’amante (Luzzaschi, Luzzasco) for 5 voices |
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| Part 1: Of gold all burnish'd from Of gold all burnish'd (Byrd, William) for 5 voices |
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| Part 2: her breath is more sweet from Of gold all burnish'd (Byrd, William) for 5 voices |
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| Cinto di neve omai (Luzzaschi, Luzzasco) for 5 voices |
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| Credete a me (Luzzaschi, Luzzasco) for 5 voices |
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| Vivo da voi lontana (Luzzaschi, Luzzasco) for 5 voices |
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| Come viva il mio core (Luzzaschi, Luzzasco) |
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| Io vissi anima mia per darti vita (Luzzaschi, Luzzasco) for 5 voices |
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| Allor fia lieto il core (Luzzaschi, Luzzasco) for 5 voices |
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| Moro ardendo, e m'è grato (Luzzaschi, Luzzasco) for 5 voices |
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| Parte il corpo da voi (Luzzaschi, Luzzasco) for 5 voices |
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| Godete anima bella (Luzzaschi, Luzzasco) for 5 voices |
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| Non guardar, che se guardi (Luzzaschi, Luzzasco) |
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| Mentre la notte al suo bel manto il lembo (Luzzaschi, Luzzasco) for 5 voices |
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| Tra le dolcezze e l'ire (Luzzaschi, Luzzasco) for 5 voices |
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| Di semplice farfalla (Luzzaschi, Luzzasco) for 5 voices |
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| Io veggio pur pietate (Luzzaschi, Luzzasco) for 5 voices |
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| All as a Sea (Byrd, William) for 5 voices or voice and 4 viols |
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| O you that hear this voice (Byrd, William) for 5 voices or voice and 4 viols |
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| O God give ear and do apply (Byrd, William) for 5 voices |
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| What Pleasure have Great Princes (Byrd, William) for 5 voices or voice and 4 viols |
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| Help Lord, for wasted are those men (Byrd, William) |
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| Compel the Hawk to sit (Byrd, William) for 5 voices |
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| O Domine adjuva me (Byrd, William) |
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| Prima pars: Vide Domine from Vide, Domine (Byrd, William) for 5 voices |
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| Secunda pars: Sed veni, Domine from Vide, Domine (Byrd, William) for 5 voices |
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| Vergine saggia (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| Un baciar furioso (Festa, Costanzo) for 4 voices |
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| Memento Domine (Byrd, William) for 5 voices |
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| Domine praestolamur (Byrd, William) |
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| Aspice Domine de sede sancta tua (Byrd, William) for 5 voices |
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| In resurrectione tua Domine (Byrd, William) for 5 voices |
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| Laetentur coeli (Byrd, William) for 5 voices |
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| O quam gloriosum est regnum (Byrd, William) |
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| Tribulationes civitatum (Byrd, William) |
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| Domine, secundum multitudinem (Byrd, William) |
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| Prima parte: Occhi si de from Occhi si dè per voi giunger al core (Nanino, Giovanni Maria) |
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| Seconda parte: Forse che avrete from Occhi si dè per voi giunger al core (Nanino, Giovanni Maria) |
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| Mentre il Ciel è sereno (Marenzio, Luca) |
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| Amatemi, ben mio a 6 (Marenzio, Luca) |
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| Prima parte: Ecco che'l ciel from Ecco che'l ciel a noi chiaro e sereno (Marenzio, Luca) |
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| Seconda parte: Ecco che mille augei from Ecco che'l ciel a noi chiaro e sereno (Marenzio, Luca) |
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| Candide perle e voi labbra ridenti (Bicci, Antonio) |
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| Giunto a un bel fonte (Marenzio, Luca) |
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| Nel dolce seno della bella Clori (Marenzio, Luca) |
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