| Composition |
Score attributes |
| Melismata (Ravenscroft, Thomas) for 3 voices or 4 voices or 5 voices |
selections |
| Original Edition Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
— |
| Sonaten und Suiten, Teil 1 (Becker, Dietrich) for 2 violins and continuo or violin, viol and continuo |
— |
| Poco Lento e grazioso (No.7) from 8 Humoresques, Op. 101 (Dvořák, Antonín) for piano |
— |
| Nun bitten wir den heiligen Geist, BuxWV 208 (Buxtehude, Dietrich) for organ |
— |
| Sicut cervus (Palestrina, Giovanni Pierluigi da) for soprano, alto, tenor and bass |
— |
| The Whole Booke of Psalmes (Ravenscroft, Thomas) for soprano, alto, tenor and bass or mixed chorus |
selections |
| The Whole Booke of Psalmes (Ravenscroft, Thomas) for soprano, alto, tenor and bass or mixed chorus |
selections |
| The Whole Booke of Psalmes (Ravenscroft, Thomas) for soprano, alto, tenor and bass or mixed chorus |
selections |
| The Whole Booke of Psalmes (Ravenscroft, Thomas) for soprano, alto, tenor and bass or mixed chorus |
selections |
| The Whole Booke of Psalmes (Ravenscroft, Thomas) for soprano, alto, tenor and bass or mixed chorus |
selections |
| Borgvægterens Sang (Act II) from Macbeth (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
— |
| Borgvægterens Sang (Act II) from Macbeth (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
parts |
| Pammelia (Ravenscroft, Thomas) for voices |
selections |
| Pammelia (Ravenscroft, Thomas) for voices |
selections |
| Pammelia (Ravenscroft, Thomas) for voices |
selections |
| Festen på Kenilworth (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
selections |
| Romance: Hyrden græsser sine Faar from Festen på Kenilworth (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
parts |
| Sonata No.12 from Sonatae à 2, 3, 4 e 5 stromenti da arco et altri (Rosenmüller, Johann) for 2 violins and continuo or bassoon, violin and continuo or violin, viol and continuo or 2 violins, viol and continuo or bassoon, 2 violins and continuo or 2 violins, viola, viol and continuo or bassoon, 2 violins, viola and continuo or 2 violins, 2 violas, viol and continuo or bassoon, 2 violins, 2 violas and continuo |
parts |
| Von Gott will ich nicht lassen, BuxWV 220 (Buxtehude, Dietrich) for organ |
— |
| Flute Concerto in D major, GroF 1643 (Agrell, Johan) for flute, 2 violins, viola and continuo |
— |
| Flute Concerto in D major, GroF 1643 (Agrell, Johan) for flute, 2 violins, viola and continuo |
parts |
| Mein gmüth ist mir verwirret (No.24) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
— |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Selva di varia ricreatione (Vecchi, Orazio) for 3 voices or 4 voices or 4 voices and lute or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices |
selections |
| Natus est nobis Deus de Deo (Handl, Jacob) for soprano, alto, tenor and bass or mixed chorus |
— |
| Organ Sonata No. 1 in E-flat major, BWV 525 (Bach, Johann Sebastian) for organ |
— |
| Organ Sonata No. 2 in C minor, BWV 526 (Bach, Johann Sebastian) for organ |
— |
| Organ Sonata No. 3 in D minor, BWV 527 (Bach, Johann Sebastian) for organ |
— |
| Organ Sonata No. 4 in E minor, BWV 528 (Bach, Johann Sebastian) for organ |
— |
| Organ Sonata No. 6 in G major, BWV 530 (Bach, Johann Sebastian) for organ |
— |
| Organ Sonata No. 5 in C major, BWV 529 (Bach, Johann Sebastian) for organ |
— |
| Dodecachordon (Glareanus, Henricus) |
selections |
| 2 Flute Concerti (Scheibe, Johann Adolph) for flute, strings and continuo |
— |
| Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Ecco la Primavera (No.1) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Se nel partir da voi (No.2) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Morirò, cor mio (No.3) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| T'amo mia vita! (No.4) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| O che soaue baccio (No.5) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Son viuo e non son viuo (No.6) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Care lagrime mie (Nos.7-8) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Come esser può ch'io viua (No.9) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| S'io rido et scherzo (No.10) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Nell' apparir dell' amorosa Aurora (Nos.11-12) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Tra queste verdi fronde (No.13) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Amor, per tua mercè (No.14) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Donna, mentre i' vi miro (No.15) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Non voglio piu seruire (No.16) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Dimmi, caro ben mio (No.17) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Io non credea già mai (No.18) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Lascia, semplice (No.19) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Madonn', Amor (Nos.20-21) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| Madonn', Amor (Nos.20-21) from Madrigali a cinque voci, Libro 1 (Pedersøn, Mogens) for 5 voices |
— |
| 28 Intradae (Orologio, Alessandro) for 2 sopranos, alto, tenor and bass or 2 sopranos, 2 altos, tenor and bass |
— |
| 28 Intradae (Orologio, Alessandro) for 2 sopranos, alto, tenor and bass or 2 sopranos, 2 altos, tenor and bass |
selections |
| Pratum spirituale (Pedersøn, Mogens) for 5 voices |
selections |
| In the Bleak Midwinter (Holst, Gustav) for mixed chorus and organ |
— |
| Sonata in A major (No.1) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in D major (No.2) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in C minor (No.3) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Menuetto in G major from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in B minor (No.4) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in C major (No.6) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in A major (No.7) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in A major (No.8) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in B flat major (No.9) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in D major (No.10) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Sonata in C minor (No.11) from 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| 10 Flute Sonatas (Ræhs, Martin) for flute and cello or flute and continuo |
— |
| Verschiedene Empfindungen an einem Platze, G.37 (Gerson, Georg) for soprano, 2 tenors, bass and piano |
— |
| Die Erwartung, G.28 (Gerson, Georg) for voice and piano |
— |
| Cantate til Kongen's Fødselsdag, G.173 (Gerson, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
— |
| Cantate til Kongen's Fødselsdag, G.173 (Gerson, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
parts |
| Cantate til Kongen's Fødselsdag, G.173 (Gerson, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| Capriccio for Violin and Orchestra, G.67 (Gerson, Georg) for violin and orchestra |
— |
| Capriccio for Violin and Orchestra, G.67 (Gerson, Georg) for violin and orchestra |
parts |
| Recitative and Aria from 'La morte di Comala', G.73 (Gerson, Georg) for soprano and orchestra or soprano and piano |
— |
| Recitative and Aria from 'La morte di Comala', G.73 (Gerson, Georg) for soprano and orchestra or soprano and piano |
parts |
| Version II from Ouverture in D major, G.60 (Gerson, Georg) for orchestra |
— |
| Version II from Ouverture in D major, G.60 (Gerson, Georg) for orchestra |
parts |
| Ouverture in E-flat major, G.147 (Gerson, Georg) for orchestra |
— |
| Ouverture in E-flat major, G.147 (Gerson, Georg) for orchestra |
parts |
| String Quartet No. 2 in G minor, G.14 (Gerson, Georg) for 2 violins, viola and cello |
— |
| String Quartet No. 4 in G major, G.51 (Gerson, Georg) for 2 violins, viola and cello |
— |
| String Quintet in E-flat major, G.41 (Gerson, Georg) for 2 violins, 2 violas and cello |
— |
| Frühlings Orakel, G.39 (Gerson, Georg) for soprano, tenor and piano or 2 sopranos and piano |
— |
| Il Ratto impedito, G.59 (Gerson, Georg) for soprano, tenor, bass and orchestra |
— |
| Il Ratto impedito, G.59 (Gerson, Georg) for soprano, tenor, bass and orchestra |
parts |
| Il Ratto impedito, G.59 (Gerson, Georg) for soprano, tenor, bass and orchestra |
vocal score |
| Piano Trio in C major, G.23 (Gerson, Georg) for violin, cello and piano |
— |
| String Quartet No. 1 in D major, G.8 (Gerson, Georg) for 2 violins, viola and cello |
— |
| Symphony in E-flat major, G.76 (Gerson, Georg) for orchestra |
— |
| Symphony in E-flat major, G.76 (Gerson, Georg) for orchestra |
parts |
| Arrangement of Symphony in E-flat major, G.76 (Gerson, Georg) for piano 4 hands |
— |
| Arrangement of Symphony in E-flat major, G.76 (Gerson, Georg) for piano 4 hands |
— |
| Arrangement of Symphony in E-flat major, G.76 (Gerson, Georg) for piano 4 hands |
— |
| Vorschlag zur Güte, G.35 (Gerson, Georg) for soprano, tenor, bass and orchestra |
— |
| Vorschlag zur Güte, G.35 (Gerson, Georg) for soprano, tenor, bass and orchestra |
parts |
| Vorschlag zur Güte, G.35 (Gerson, Georg) for soprano, tenor, bass and orchestra |
vocal score |
| String Quartet No. 5 in A minor, G.63 (Gerson, Georg) for 2 violins, viola and cello |
— |
| Verzeichnis über 200 meiner Compositionen (Gerson, Georg) |
— |
| String Quartet No. 3 in C major, G.20 (Gerson, Georg) for 2 violins, viola and cello |
— |
| Trio Sonata in G minor, BeRI 101 (Roman, Johan Helmich) for 2 oboes and continuo or 2 violins and continuo |
— |
| Trio Sonata in G minor, BeRI 101 (Roman, Johan Helmich) for 2 oboes and continuo or 2 violins and continuo |
— |
| Potpourri on a Theme from Mehul's 'Joseph', G.172 (Gerson, Georg) for violin and orchestra |
— |
| Potpourri on a Theme from Mehul's 'Joseph', G.172 (Gerson, Georg) for violin and orchestra |
parts |
| Pater noster, G.174 (Gerson, Georg) for 2 tenors, 2 basses, trombone and cello or 2 tenors, 2 basses, trombone, cello and double bass or 2 tenors and 2 basses or 2 tenors, 2 basses and trombone or 2 tenors, 2 basses and cello |
— |
| Ascendens Christus in altum (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
— |
| A Briefe Discourse (Ravenscroft, Thomas) for soprano, alto, tenor and bass |
selections |
| Noël (Busnois, Antoine) for soprano, alto, tenor and bass or mixed chorus |
— |
| Flute Concerto in A major, SchW A1:005 (Scheibe, Johann Adolph) for flute, strings and continuo |
— |
| Flute Concerto in A major, SchW A1:005 (Scheibe, Johann Adolph) for flute, strings and continuo |
— |
| Flute Concerto in G major, SchW A1:007 (Scheibe, Johann Adolph) for flute, strings and continuo |
— |
| Flute Concerto in G major, SchW A1:007 (Scheibe, Johann Adolph) for flute, strings and continuo |
parts |
| Flute Concerto in D major, SchW A1:006 (Scheibe, Johann Adolph) for flute, strings and continuo |
— |
| Flute Concerto in D major, SchW A1:006 (Scheibe, Johann Adolph) for flute, strings and continuo |
parts |
| Durch Adams Fall ist ganz verderbt, BuxVW 183 (Buxtehude, Dietrich) for organ |
— |
| Erhalt uns, Herr, bei deinem Wort, BuxVW 185 (Buxtehude, Dietrich) for organ |
— |
| Herr Jesu Christ, ich weiss gar wohl, BuxWV 193 (Buxtehude, Dietrich) for organ |
— |
| Komm, heiliger Geist, Herre Gott, BuxWV 199 (Buxtehude, Dietrich) for organ |
— |
| Nun bitten wir den heiligen Geist, BuxWV 209 (Buxtehude, Dietrich) for organ |
— |
| Christ unser Herr zum Jordan kam, BuxWV 180 (Buxtehude, Dietrich) for organ |
— |
| Wir danken dir, Herr Jesu Christ, BuxWV 224 (Buxtehude, Dietrich) for organ |
— |
| Concerto in D major, GroF 1231 (Anderssen) for orchestra |
— |
| Concerto in G major, GroF 1232 (Anderssen) for 2 flutes, 2 violins, viola and continuo or 2 flutes, strings and continuo |
— |
| Concerto in G major, GroF 1232 (Anderssen) for 2 flutes, 2 violins, viola and continuo or 2 flutes, strings and continuo |
parts |
| Beau le cristal, LV 574 (Lassus, Orlande de) for soprano, alto, tenor and bass or mixed chorus |
— |
| Saag du nokke Kjærringa mi (Berggreen, Andreas Peter) for voice and piano |
— |
| Heimreise fraa Sæteren (Berggreen, Andreas Peter) for voice and piano |
— |
| Arrangement of Fuggi speme mia fuggi (Striggio, Alessandro) for voice and lute or voice and keyboard |
— |
| Arrangement of Fuggi speme mia fuggi (Striggio, Alessandro) for lute |
— |
| In Exitu Israel (Galilei, Vincenzo) for 4 voices |
— |
| Arrangement of In Exitu Israel (Galilei, Vincenzo) for bass and lute or bass and keyboard |
— |
| Tu che del mio dolore (Dalla Gostena, Giovanni Battista) for soprano, alto, 2 tenors and bass |
— |
| Sinfonia (Iversen, Johannes Erasmus) for orchestra |
— |
| Sinfonia (Iversen, Johannes Erasmus) for orchestra |
parts |
| Fantasy for Organ, HartW 129 (Hartmann, Johan Peter Emilius) for organ |
— |
| Gejstlig Ouverture, Op. 9 (Hartmann, Johan Peter Emilius) for orchestra or organ and orchestra |
— |
| Gejstlig Ouverture, Op. 9 (Hartmann, Johan Peter Emilius) for orchestra or organ and orchestra |
parts |
| Gejstlig Ouverture, Op. 9 (Hartmann, Johan Peter Emilius) for orchestra or organ and orchestra |
parts |
| Gejstlig Ouverture, Op. 9 (Hartmann, Johan Peter Emilius) for orchestra or organ and orchestra |
parts |
| Preludium for Flöite og Orgel, HartW 57 (Hartmann, Johan Peter Emilius) for flute and organ or clarinet and organ |
— |
| Porgetemi la lira (Molinaro, Simone) for 2 sopranos, 2 tenors and bass or mixed chorus |
— |
| Pandolpho I (Parsons, Robert) for voice and 4 viols |
— |
| Pandolpho I (Parsons, Robert) for voice and 4 viols |
— |
| Fuga quatuor vocum (Kraft, Hans) for 4 Unspecified instruments |
— |
| 10 Aarestrupske Ritorneller (Laub, Thomas) for voice and piano |
vocal score |
| 4 Voices Setting from Tart ara mon cueur sa plaisance (Molinet, Jean) for 3 voices or 4 voices |
— |
| Attendite a falsis profetis (Strata, Giovanni Battista) for soprano, alto, 2 tenors, bass and continuo |
— |
| Propter peccata quae peccatis, NJE 29.12 (Josquin Desprez) for 5 voices |
— |
| Concerto â 6, Gunnerus XM 55 (Ræhs, Christian) for violin, strings and continuo |
— |
| Violin Concerto, Gunnerus XM 56 (Ræhs, Christian) for violin, strings and continuo |
— |
| Concerto a 6, Gunnerus XM 57 (Ræhs, Christian) for violin, strings and continuo |
— |
| Von Gott will ich nicht lassen, BuxWV 221 (Buxtehude, Dietrich) for organ |
— |
| Angelus autem (Tejeda, Alonso de) for 2 sopranos, alto, tenor and bass |
— |
| Cum ieiunatis (Vivanco, Sebastián de) for 5 voices |
— |
| Movi il tuo plettro Apollo (Tosone, Marcello) for 4 voices |
— |
| Erat Iesus (Tejeda, Alonso de) for mixed chorus or soprano, 2 altos, tenor and bass |
— |
| Rex autem (Tejeda, Alonso de) for mixed chorus or 2 sopranos, alto, tenor and bass |
— |
| Sonata in C major (No.1) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Sonata in A major (No.2) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Sonata in B minor (No.3) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Sonata in D minor (No.4) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Sonata in A minor (No.5) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Sonata in D major (No.6) from 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| 6 Flute Sonatas (Ræhs, Martin) for flute and continuo or flute and cello |
— |
| Lagrime mie, a che vi trattenete (No.4) from Diporti di Euterpe, Op. 7 (Strozzi, Barbara) for voice and continuo |
— |
| Freut euch, ihr lieben Christen II (Schröter, Leonhard) for voices or mixed chorus |
— |
| Lullaby, My Sweet Little Baby (Byrd, William) for voice or 5 voices |
— |
| Fragment af Hjemvee, G.48 (Gerson, Georg) for voice and piano |
— |
| Rey a quien (No.38) from Cancionero de Uppsala (Various) for voice or 2 voices or 3 voices or 4 voices or 5 voices |
— |
| Adelaide, G.64 (Gerson, Georg) for voice and piano |
— |
| Todo quanto pudo dar (Guerrero, Francisco) for 4 voices |
— |
| Lemko and Ukrainian Songbook (Chemijewski, Wojtek) for voice |
— |
| Praise the Lord O Ye Gentils All (Tallis, Thomas) for soprano, alto, tenor and bass or mixed chorus |
— |
| Havfruen, G.100 (Gerson, Georg) for voice and piano |
— |
| Es spricht der Unweisen Mund wohl, BuxWV 187 (Buxtehude, Dietrich) for organ |
— |
| Gioite tutti (Vecchi, Orazio) for 5 voices and lute |
— |
| You That Wont to My Pipe's Sound (Morley, Thomas) for 5 voices |
— |
| Nun komm, der Heiden Heiland (No.1a) from Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
— |
| Nun komm, der Heiden Heiland à 5 (No.1b) from Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
— |
| Vom Himmel hoch à 5 (No.5b) from Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
— |
| Christ lag in Todes Banden (No.44a) from Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
— |
| Christ lag in Todes Banden à 5 (No.44b) from Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
— |
| Duett af 'Fiskerne' af Johannes Evald, G.167 (Gerson, Georg) for 2 voices and piano |
— |
| De la mia cruda sorte (Vecchi, Orazio) for 5 voices |
— |
| Se tra verdi arbuscelli (Vecchi, Orazio) for 5 voices |
— |
| Se tra verdi arbuscelli (Vecchi, Orazio) for 5 voices |
— |
| Al bel de tuoi capelli (Vecchi, Orazio) for 5 voices |
— |
| Al bel de tuoi capelli (Vecchi, Orazio) for 5 voices |
— |
| Tich toch ò Zanni (Vecchi, Orazio) for 5 voices |
— |
| Tich toch ò Zanni (Vecchi, Orazio) for 5 voices |
— |
| Cicirlanda (Vecchi, Orazio) for 5 voices |
— |
| Cicirlanda (Vecchi, Orazio) for 5 voices |
— |
| Margarita dai Corai (Vecchi, Orazio) for soprano, alto, 2 tenors and bass |
— |
| Margarita dai Corai (Vecchi, Orazio) for soprano, alto, 2 tenors and bass |
— |
| Ie veu le Cerf du bois salir (Vecchi, Orazio) for 5 voices |
— |
| Gitene Ninfe (Vecchi, Orazio) for soprano, alto, 2 tenors and bass or soprano, alto, 2 tenors and bass |
— |
| Se desio di fuggir (Vecchi, Orazio) for 5 voices |
— |
| Se desio di fuggir (Vecchi, Orazio) for 5 voices |
— |
| Saltarello detto Trivella (Vecchi, Orazio) for strings |
— |
| Saltarello detto Trivella (Vecchi, Orazio) for strings |
— |
| Accingeteui Amanti (Vecchi, Orazio) for 2 mixed chorus or 3 sopranos, 2 altos, 3 tenors and 2 basses |
— |
| Accingeteui Amanti (Vecchi, Orazio) for 2 mixed chorus or 3 sopranos, 2 altos, 3 tenors and 2 basses |
— |
| Mo magari colona (Vecchi, Orazio) for 3 voices |
— |
| Deh vita allabastrina (Vecchi, Orazio) for 3 voices |
— |
| O felici cortesi habitori (Vecchi, Orazio) for 2 mixed chorus or 2 sopranos, 2 altos, 4 tenors and 2 basses |
— |
| Ecco su'l Tauro (Vecchi, Orazio) for 10 voices or 2 mixed chorus |
— |
| Sanita e allegrezza (Vecchi, Orazio) for 2 tenors and bass |
— |
| Diuersi linguaggi à 9 (Vecchi, Orazio) for 3 sopranos, 2 altos, 3 tenors and bass |
— |
| Diuersi linguaggi à 9 (Vecchi, Orazio) for 3 sopranos, 2 altos, 3 tenors and bass |
— |
| Damon e Filli (Vecchi, Orazio) for 4 voices or 4 Unspecified instruments |
— |
| Damon e Filli (Vecchi, Orazio) for 4 voices or 4 Unspecified instruments |
— |
| Amor opra che puoi (Vecchi, Orazio) for 3 voices |
— |
| Arrangement of Amor opra che puoi (Vecchi, Orazio) for lute and keyboard |
— |
| Mostrau'in ciel (Vecchi, Orazio) for 5 voices |
— |
| Se gli è vero Himeneo (Vecchi, Orazio) for 3 voices |
— |
| Se gli è vero Himeneo (Vecchi, Orazio) for 3 voices |
— |
| Io sper' e tem' et ard' (Vecchi, Orazio) for 3 voices |
— |
| Non vuò pregare (Vecchi, Orazio) for 3 voices |
— |
| Aus Oehlenschlägers Sanct Hansaftenspil, G.66 (Gerson, Georg) for voice and piano |
— |
| Die Welt die hat ein thummen mut (Stoltzer, Thomas) for soprano, alto, 2 tenors and bass or mixed chorus |
— |
| Entlaubet ist der Walde (Stoltzer, Thomas) for soprano, alto, tenor and bass or mixed chorus |
— |
| Skilsmissen, G.101 (Gerson, Georg) for 2 voices and piano |
— |
| So ben mi ch'a bon tempo (Vecchi, Orazio) for 4 voices and lute |
— |
| Sieg der Liebe, G.152 (Gerson, Georg) for 2 voices and piano |
— |
| Die Kleine Myris, G.99 (Gerson, Georg) for voice and piano |
— |
| Ecossaises for Piano (Gerson, Georg) for piano |
— |
| Waltzes for Piano (Gerson, Georg) for piano |
— |
| An die Erwählte, G.12 (Gerson, Georg) for voice and piano |
— |
| Lied, G.29 (Gerson, Georg) for voice and piano |
— |
| Herr Michel, G.6 (Gerson, Georg) for voice and piano |
— |
| Der Storch, G.30 (Gerson, Georg) for voice and piano |
— |
| Sehnsucht, G.33 (Gerson, Georg) for voice and piano |
— |
| Das Lied vom Glücke von A. G. von Halem, G.31 (Gerson, Georg) for voice and piano |
— |
| Romanze von Tiedge, G.74 (Gerson, Georg) for voice and piano |
— |
| Trost in Thränen, G.58 (Gerson, Georg) for voice and piano |
— |
| Die kleine Ida von Tiedge, G.75 (Gerson, Georg) for voice and piano |
— |
| Mein Vaterland, G.82 (Gerson, Georg) for voice and piano |
— |
| Sang ved Frøken Buchwalds Vugge af D. N. David, G.78 (Gerson, Georg) for voice and piano |
— |
| Gebet während der Schlacht, G.83 (Gerson, Georg) for voice and piano |
— |
| Das unschuldige Weib, G.89 (Gerson, Georg) for voice and piano |
— |
| Das Mädchen, G.96 (Gerson, Georg) for voice and piano |
— |
| Ich denke dein, G.97 (Gerson, Georg) for voice and piano |
— |
| Romance aus der Heiligen Genoveva, G.95 (Gerson, Georg) for voice and piano |
— |
| Wiegenlied, G.117 (Gerson, Georg) for voice and piano |
— |
| An die Entfernte, G.111 (Gerson, Georg) for voice and piano |
— |
| Das Mädchen aus der Fremde, G.110 (Gerson, Georg) for voice and piano |
— |
| Nachtgesang, G.112 (Gerson, Georg) for voice and piano |
— |
| Wechsel, G.113 (Gerson, Georg) for voice and piano |
— |
| Am Flusse, G.114 (Gerson, Georg) for voice and piano |
— |
| Sehnsucht, G.115 (Gerson, Georg) for voice and piano |
— |
| Die kleine Adelaide, G.116 (Gerson, Georg) for voice and piano |
— |
| Selene, G.40 (Gerson, Georg) for voice and piano |
— |
| Edwina, G.42 (Gerson, Georg) for voice and piano |
— |
| Ich liebe dich, G.43 (Gerson, Georg) for voice and piano |
— |
| Wiegenlied, G.45 (Gerson, Georg) for voice and piano |
— |
| Nähe des Geliebten, G.57 (Gerson, Georg) for voice and piano |
— |
| Das gestörte Glück, G.119 (Gerson, Georg) for voice and piano |
— |
| Der Lebensmüde, G.118 (Gerson, Georg) for voice and piano |
— |
| Das Söhnchen, G.123 (Gerson, Georg) for voice and piano |
— |
| Der blinde Harfenspieler, G.47 (Gerson, Georg) for voice and piano |
— |
| Zur Nacht, G.120 (Gerson, Georg) for voice and piano |
— |
| Einladung zum Tanze, G.121 (Gerson, Georg) for voice and piano |
— |
| An die Laura, G.122 (Gerson, Georg) for voice and piano |
— |
| Seufzer eines Ungeliebten, G.124 (Gerson, Georg) for voice and piano |
— |
| Der Liebeskranke, G.125 (Gerson, Georg) for voice and piano |
— |
| Hummel-Lied, G.126 (Gerson, Georg) for voice and piano |
— |
| In dulci jubilo (Decker, Joachim) for 4 voices |
— |
| Die Jahreszeiten, G.137 (Gerson, Georg) for voice and piano |
— |
| Werbungslied, G.136 (Gerson, Georg) for voice and piano |
— |
| Das Töchterchen, G.138 (Gerson, Georg) for voice and piano |
— |
| Der Heimliche, G.140 (Gerson, Georg) for voice and piano |
— |
| Hylas will kein Weib haben, G.139 (Gerson, Georg) for voice and piano |
— |
| Erklärungen, G.141 (Gerson, Georg) for voice and piano |
— |
| Die Bekehrte, G.146 (Gerson, Georg) for voice and piano |
— |
| Die drey Sterne, G.153 (Gerson, Georg) for voice and piano |
— |
| Der vergnügte Bauer, G.150 (Gerson, Georg) for voice and piano |
— |
| Das ungetreue Mädchen, G.149 (Gerson, Georg) for voice and piano |
— |
| An die Lerche, G.159 (Gerson, Georg) for voice and piano |
— |
| Die Nachtigall im April, G.161 (Gerson, Georg) for voice and piano |
— |
| Trost, G.160 (Gerson, Georg) for voice and piano |
— |
| An meine Frau Pathe, G.162 (Gerson, Georg) for voice and piano |
— |
| An den Frühling, G.168 (Gerson, Georg) for voice and piano |
— |
| Meine Leibfarben, G.170 (Gerson, Georg) for voice and piano |
— |
| Lied, G.176 (Gerson, Georg) for voice and piano |
— |
| Lied, G.184 (Gerson, Georg) for voice and piano |
— |
| Negatives Ständchen, G.177 (Gerson, Georg) for voice and piano |
— |
| Widerschein, G.178 (Gerson, Georg) for voice and piano |
— |
| Wunsch und Entsagung, G.182 (Gerson, Georg) for voice and piano |
— |
| Dichterlied, G.188 (Gerson, Georg) for voice and piano |
— |
| Du und Ich, G.197 (Gerson, Georg) for voice and piano |
— |
| Gretchen in der Stadt, G.194 (Gerson, Georg) for voice and piano |
— |
| Warum ich ein Junggeselle bin, G.192 (Gerson, Georg) for voice and piano |
— |
| Ich bin dein, G.198 (Gerson, Georg) for voice and piano |
— |
| Marie, G.199 (Gerson, Georg) for voice and piano |
— |
| Der unschuldige Zweifel, G.200 (Gerson, Georg) for voice and piano |
— |
| Immer mehr, WoO 2 (Gerson, Georg) for voice and piano |
— |
| Anfrage, WoO 4 (Gerson, Georg) for voice and piano |
— |
| Mein Alter, WoO 5 (Gerson, Georg) for voice and piano |
— |
| Die Gottheit, WoO 8 (Gerson, Georg) for voice and piano |
— |
| Surge propera amica mea, IGP 94 (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Liebeszauber, WoO 10 (Gerson, Georg) for tenor and piano |
— |
| Arrangement of Liebeszauber, WoO 10 (Gerson, Georg) |
— |
| Das Brummen, WoO 9 (Gerson, Georg) for 2 tenors and 2 basses |
— |
| Der Schiffer, G.165 (Gerson, Georg) for voice and piano |
— |
| Der Schiffer (Bornhardt, Johann Heinrich Carl) for voice and piano |
— |
| Iris, G.154 (Gerson, Georg) for 2 tenors and 2 basses |
— |
| Die menschliche Stimme, G.155 (Gerson, Georg) for 2 tenors and 2 basses or male chorus |
— |
| Alexis und Nettchen, WoO 11 (Gerson, Georg) for voice and piano |
— |
| Puer natus in Bethlehem, BuxWV 217 (Buxtehude, Dietrich) for organ |
— |
| Ein feste Burg ist unser Gott, BuxWV 184 (Buxtehude, Dietrich) for organ |
— |
| Duett aus den Unglückbringenden Pantoffeln, G.164 (Gerson, Georg) for soprano, tenor and piano |
— |
| Lied, G.175 (Gerson, Georg) for voice and piano |
— |
| Romance, G.15 (Gerson, Georg) for soprano, tenor and bass |
— |
| Geständnis eines getreuen Liebhabers, G.16 (Gerson, Georg) for soprano, tenor and bass |
— |
| Lied in Scala von D bis b und wieder zurück, G.13 (Gerson, Georg) for voice and bass |
— |
| Der Glückliche, G.17 (Gerson, Georg) for soprano, tenor and bass |
— |
| Das Laubblatt (Seckendorff, Carl von) for voice and piano |
— |
| Aufmunterung zur Freude, G.18 (Gerson, Georg) for soprano, tenor and bass |
— |
| Canzonetta, G.22 (Gerson, Georg) for voice, guitar and piano |
— |
| Lieder für 3 Männerstimmen (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Pater noster, G.46 (Gerson, Georg) for 2 tenors and bass |
— |
| Dreystimmiges Canonisches Lied, G.36 (Gerson, Georg) for soprano, tenor and bass |
— |
| Canons (Gerson, Georg) for 2 voices or 3 voices or 4 voices or soprano and bass |
— |
| 2 Songs from Lalla Rookh, G.179-180 (Gerson, Georg) for voice and piano |
— |
| Lieder für 4 Männerstimmen (Gerson, Georg) for 2 tenors and 2 basses or male chorus |
— |
| Leiligheds Sang af Dr. David, WoO 19 (Gerson, Georg) for 2 tenors, 2 basses and piano or male chorus and piano |
— |
| The Happy Couple, G.181 (Gerson, Georg) for voice and piano |
— |
| The Sweet Little Girl that I Know, G.186 (Gerson, Georg) for voice and piano |
— |
| The Time I’ve Lost in Wooing, G.187 (Gerson, Georg) for voice and piano |
— |
| Then, Fare Thee Well, G.189 (Gerson, Georg) for voice and piano |
— |
| Chansonette, G.86 (Gerson, Georg) for voice and piano |
— |
| La Paille, G.77 (Gerson, Georg) for voice and piano |
— |
| La faiseuse de Bouquets, G.91 (Gerson, Georg) for voice and piano |
— |
| Romance, G.94 (Gerson, Georg) for voice and piano |
— |
| Rondeau des Amants Prothée, G.102 (Gerson, Georg) for soprano, 2 violins, viola and cello |
— |
| 2 Chansons des Acteurs à l’épreuve, G.87-88 (Gerson, Georg) for voice, violin and piano |
— |
| Romance des Étrennes de Mercure, G.142 (Gerson, Georg) for voice and piano |
— |
| Lied, G.50 (Gerson, Georg) for voice and cello |
— |
| In dulci jubilo, BuxWV 197 (Buxtehude, Dietrich) for organ |
— |
| Vater unser im Himmelreich, BuxWV 219 (Buxtehude, Dietrich) for organ |
— |
| Chanson de Cordonnier, G.9 (Gerson, Georg) for voice and piano |
— |
| Le retour du croisé, G.157 (Gerson, Georg) for voice, violin and piano |
— |
| L’Innocente, G.156 (Gerson, Georg) for voice and piano |
— |
| Romance de Hortense à Napoléon, G.169 (Gerson, Georg) for voice and piano |
— |
| L’Amour et les Graces, G.166 (Gerson, Georg) for voice and piano |
— |
| Ni jamais, ni toujours, G.185 (Gerson, Georg) for voice and piano |
— |
| Romance, G.193 (Gerson, Georg) for voice and piano |
— |
| L’attente, G.191 (Gerson, Georg) for voice and piano |
— |
| La Femme, G.195 (Gerson, Georg) for voice and piano |
— |
| Le Plaisir des Larmes, WoO 6 (Gerson, Georg) for soprano, tenor and bass |
— |
| Pour toi, WoO 7 (Gerson, Georg) for voice and piano |
— |
| Je n’ose pas vous le dire, WoO 12 (Gerson, Georg) for voice and piano |
— |
| Un peu de tout, WoO 14 (Gerson, Georg) for voice and piano |
— |
| Tu n'es pas lui, WoO 15 (Gerson, Georg) for voice and piano |
— |
| Hélas!, WoO 16 (Gerson, Georg) for voice and piano |
— |
| J’étais bien jeune encore, WoO 18 (Gerson, Georg) for voice and piano |
— |
| L'amour en sentinelle, WoO 17 (Gerson, Georg) for voice and piano |
— |
| L'amour en sentinelle (Laurent, Charles) for voice and guitar |
— |
| Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for voice and piano |
— |
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for orchestra |
— |
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for wind band |
— |
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for male chorus |
— |
| Duetto della Semiramide, G.19 (Gerson, Georg) for soprano, tenor, 2 violins, viola and cello |
— |
| Arrangement of Duetto della Semiramide, G.19 (Gerson, Georg) for soprano, tenor and piano |
— |
| Aria Napolitana, G.38 (Gerson, Georg) for voice and piano |
— |
| Neues Neapolitanisches Volkslied from Ah! che soffrir mi resta (Anonymous) for voice and piano |
— |
| Barcarola Napoletana from Ah! che soffrir mi resta (Anonymous) for voice and piano |
— |
| Arrangement of Ah! che soffrir mi resta (Anonymous) for voice and guitar |
— |
| Lamento amoroso, G.132 (Gerson, Georg) for voice and piano |
— |
| L’Amante timido, G.133 (Gerson, Georg) for voice and piano |
— |
| Lamento d’un Amante, G.134 (Gerson, Georg) for voice and piano |
— |
| La vera felicità, G.135 (Gerson, Georg) for voice and piano |
— |
| Duetto di Metastasio, G.183 (Gerson, Georg) for soprano, tenor and piano |
— |
| Duetto d’Adriano, G.53 (Gerson, Georg) for soprano, tenor and harpsichord |
— |
| Hodie Christus Natus est a 5 (Molinaro, Simone) for 5 voices and continuo |
— |
| Veni redemptor gentium (Handl, Jacob) for 5 voices |
— |
| Saper vorrei se m’ami (Salieri, Antonio) for soprano, tenor and piano |
— |
| Duet for Flute and Violin, G.3 (Gerson, Georg) for flute and violin |
— |
| Waltz for Flute, Violin and Piano, G.10 (Gerson, Georg) for flute, violin and piano |
— |
| Waltz for Flute, 2 Violins and Bass, G.21 (Gerson, Georg) for flute, 2 violins and cello |
— |
| Waltz for Flute, 2 Violins and Bass, G.34 (Gerson, Georg) for flute, 2 violins and cello |
— |
| Waltz for Dance Orchestra, G.70 (Gerson, Georg) for orchestra |
— |
| Waltz for Dance Orchestra, G.70 (Gerson, Georg) for orchestra |
parts |
| Quadrille allemande, G.92 (Gerson, Georg) for piccolo, clarinet and strings |
— |
| Quadrille allemande, G.92 (Gerson, Georg) for piccolo, clarinet and strings |
parts |
| Ecossaise for Dance Orchestra, G.98 (Gerson, Georg) for orchestra |
— |
| Ecossaise for Dance Orchestra, G.98 (Gerson, Georg) for orchestra |
parts |
| Lied in drey Thönen, G.81 (Gerson, Georg) for voice and piano |
— |
| Deutsches Lied, G.2 (Gerson, Georg) for voice |
— |
| Französische Romance, G.1 (Gerson, Georg) for voice |
— |
| Das Lachen, G.104 (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Die lange und kurze Zeit, G.106 (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Ermunterung im Herbst, G.105 (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Aufmunterung zur Freude, G.108 (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Lied aus Göthe's Divan, G.190 (Gerson, Georg) for 2 tenors and bass or male chorus |
— |
| Canon à 4, WoO 20 (Gerson, Georg) for 4 voices |
— |
| Das Lachen, WoO 13 (Gerson, Georg) for 2 tenors and 2 basses or male chorus |
— |
| Kleine Solfeggios für Goetze componiert, WoO 3 (Gerson, Georg) for voice and piano |
— |
| Sonata for Piano and Violin, G.7 (Gerson, Georg) for violin and piano |
— |
| Polonaise for 2 Violins, G.5 (Gerson, Georg) for 2 violins |
— |
| Allegro for Flute and Violin, G.4 (Gerson, Georg) for flute and violin |
— |
| Canon in H. Beer's Stammbuch, G.72 (Gerson, Georg) for 4 voices |
— |
| Marsch, G.49 (Gerson, Georg) for piano |
— |
| Mourning March, G.163 (Gerson, Georg) for piano 4 hands |
— |
| Lied, G.71 (Gerson, Georg) for voice and violin |
— |
| Pon Dié! pon Dié! (No.11) from 14 Romancen, Lieder etc. in Amants Prothée, G.79 (Gerson, Georg) for voice and piano or 2 voices and piano |
— |
| 14 Romancen, Lieder etc. in Amants Prothée, G.79 (Gerson, Georg) for voice and piano or 2 voices and piano |
— |
| 6 Ecossaisen, G.84 (Gerson, Georg) for piano |
— |
| Introduction zu einem Rondo von A. Romberg, G.148 (Gerson, Georg) for violin and orchestra |
— |
| Variations pour Violon obligé, G.44 (Gerson, Georg) for violin and orchestra |
— |
| Marsch für Militair Musik, G.196 (Gerson, Georg) for wind ensemble, brass ensemble and percussion |
— |
| Portrait format from Marsch für Militair Musik, G.196 (Gerson, Georg) for wind ensemble, brass ensemble and percussion |
parts |
| Landscape format from Marsch für Militair Musik, G.196 (Gerson, Georg) for wind ensemble, brass ensemble and percussion |
parts |
| Mass for 5 Voices (Pedersøn, Mogens) for 5 voices |
— |
| Gloria from Mass for 5 Voices (Pedersøn, Mogens) for 5 voices |
— |
| Gloria from Mass for 5 Voices (Pedersøn, Mogens) for 5 voices |
— |
| Sanctus from Mass for 5 Voices (Pedersøn, Mogens) for 5 voices |
— |
| Ad te levavi oculos meos (Pedersøn, Mogens) for 5 voices |
— |
| Deus misereatur nostri (Pedersøn, Mogens) for 5 voices |
— |
| Laudate Dominum (Pedersøn, Mogens) for 5 voices |
— |
| Victimae pascali laudes (Pedersøn, Mogens) for 5 voices |
— |
| Fine Knacks for Ladies (Dowland, John) for 4 voices or 4 voices, lute and viol |
— |
| Sang af de lystige Passagerer (Lorentz, Johan Henrik) for voice and harp or voice and piano |
— |
| Vom Himmel hoch da komm ich her (Gumpelzhaimer, Adam) for 4 voices |
— |
| Fuyons tous d'amour le jeu, LV 164 (Lassus, Orlande de) for 4 voices |
— |
| Musae Sioniae, Theil 6 (Praetorius, Michael) for 4 voices and 4 Unspecified instruments |
selections |
| Musae Sioniae, Theil 6 (Praetorius, Michael) for 4 voices and 4 Unspecified instruments |
selections |
| Puer natus est nobis (Byrd, William) for 4 voices |
— |
| Den elskende Bondeknøs (Fonseca, Ida Henriette da) for voice and piano |
— |
| Græd ei! (Fonseca, Ida Henriette da) for voice and piano |
— |
| Vinterangst (Fonseca, Ida Henriette da) for voice and piano |
— |
| Aly og Gulhyndy (Fonseca, Ida Henriette da) for voice and piano |
— |
| Einsamkeit (Fonseca, Ida Henriette da) for voice and piano |
— |
| Den angrende Skole-Pige (Fonseca, Ida Henriette da) for voice and piano |
— |
| Vals og Romance 'Mi eja Jente' (Fonseca, Ida Henriette da) for voice and piano |
— |
| Die spröde Schäferin (Fonseca, Ida Henriette da) for voice and piano |
— |
| Maylied (Fonseca, Ida Henriette da) for 2 sopranos and bass or soprano, tenor and bass |
— |
| Der Abschied (Fonseca, Ida Henriette da) for voice and piano |
— |
| Zum neuen Jahr (Fonseca, Ida Henriette da) for voice and piano |
— |
| Romance-Eccoet paa Møen (Fonseca, Ida Henriette da) for voice and piano |
— |
| Romance (Fonseca, Ida Henriette da) for voice and piano |
— |
| Byrons Statue (Fonseca, Ida Henriette da) for voice and piano |
— |
| Regnbuen (Fonseca, Ida Henriette da) for voice and piano |
— |
| Granen ved Lougen (Fonseca, Ida Henriette da) for voice and piano |
— |
| Die Erwartung (Fonseca, Ida Henriette da) for voice and piano |
— |
| Wechsellied zum Tanze (Fonseca, Ida Henriette da) for 2 sopranos, alto and bass |
— |
| Lamento (Verdier, Pierre) for 4 Unspecified instruments |
— |
| 5 Dances (Ræhs, Christian) for violin and continuo or keyboard |
— |
| Christus wir sollen loben schon (Hassler, Hans Leo) for 4 voices or mixed chorus |
— |
| A Bellman's Song (Ravenscroft, Thomas) for 4 voices |
— |
| The Marriage of the Frogge and the Mouse (Ravenscroft, Thomas) for 4 voices |
— |
| Heigh-ho, away the Mare (Ravenscroft, Thomas) for 4 voices |
— |
| Long have I been Perplexed (Ravenscroft, Thomas) for 3 voices |
— |
| Viderunt omnes, T 123 (Byrd, William) for 4 voices |
— |
| Tui sunt coeli (Byrd, William) for 4 voices |
— |
| Hylas will kein Weib nicht haben (Anonymous) for voice and continuo |
— |
| Lobt Gott, ihr Christen (Schröter, Leonhard) for 5 voices |
— |
| Der blinde Harfenspieler (Anonymous) for voice and piano |
— |
| Kommt her zu mir, spricht Gottes Sohn, BuxWV 201 (Buxtehude, Dietrich) for organ |
— |
| Lobt Gott, ihr Christen, allzugleich, BuxWV 202 (Buxtehude, Dietrich) for organ |
— |
| Mensch, willst du leben seliglich, BuxWV 206 (Buxtehude, Dietrich) for organ |
— |
| Nun komm, der Heiden Heiland, BuxWV 211 (Buxtehude, Dietrich) for organ |
— |
| Ach Herr, mich armen Sünder, BuxWV 178 (Buxtehude, Dietrich) for organ |
— |
| Der Tag, der ist so freudenreich, BuxWV 182 (Buxtehude, Dietrich) for organ |
— |
| Es ist das Heil uns kommen her, BuxWV 186 (Buxtehude, Dietrich) for organ |
— |
| Gelobet seist du, Jesu Christ, BuxWV 189 (Buxtehude, Dietrich) for organ |
— |
| Gelobet seist du, Jesu Christ, BuxWV 189 (Buxtehude, Dietrich) for organ |
— |
| Herr Christ, der einig Gottes Sohn, BuxWV 192 (Buxtehude, Dietrich) for organ |
— |
| Komm, heiliger Geist, Herre Gott, BuxWV 200 (Buxtehude, Dietrich) for organ |
— |
| Wär Gott nicht mit uns diese Zeit, BuxWV 222 (Buxtehude, Dietrich) for organ |
— |
| Gott der Vater wohn uns bei, BuxWV 190 (Buxtehude, Dietrich) for organ |
— |
| Herr Christ, der einig Gottes Sohn, BuxWV 191 (Buxtehude, Dietrich) for organ |
— |
| Newe Weinacht Liedlein mit 4 und 8 Stimmen (Schröter, Leonhard) for 4 voices or 5 voices or 8 voices |
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| Noel (Du Caurroy, Eustache) for 4 voices |
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| Flute Concerto in D major, SchW A1:001 (Scheibe, Johann Adolph) for flute, strings and continuo |
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| Flute Concerto in D major, SchW A1:001 (Scheibe, Johann Adolph) for flute, strings and continuo |
parts |
| Flute Concerto in A major, SchW A1:002 (Scheibe, Johann Adolph) for flute, strings and continuo |
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| Flute Concerto in A major, SchW A1:002 (Scheibe, Johann Adolph) for flute, strings and continuo |
parts |
| Coelos ascendit hodie / Gen Himmel auff gefahren ist from Geistliche Deutsche Lieder (Gesius, Bartholomäus) for 4 voices or 5 voices |
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| Scholarly edition from Ein Briefwechsel mit Jens Baggesen (Gerson, Georg) |
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| Poi ch'el mio largo pianto, LV 755 (Lassus, Orlande de) for 4 voices |
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| Cantata Paa Christi Himmelfarts Dag Gud farer op (Grosmann, Heinrich Ernst) for soprano, tenor, bass and orchestra |
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| Cantata Paa Christi Himmelfarts Dag Gud farer op (Grosmann, Heinrich Ernst) for soprano, tenor, bass and orchestra |
parts |
| Cantata Paa Christi Himmelfarts Dag Gud farer op (Grosmann, Heinrich Ernst) for soprano, tenor, bass and orchestra |
vocal score |
| Deh prega Amore, Canzonetta from Deh prega Amor il Fato (Vecchi, Orazio) for 4 voices and lute |
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| Deh prega Amore, Canzonetta from Deh prega Amor il Fato (Vecchi, Orazio) for 4 voices and lute |
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| Che fai Dori (Vecchi, Orazio) for 4 voices and lute |
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| Che fai Dori (Vecchi, Orazio) for 4 voices and lute |
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| Soura le lucid' acque (Vecchi, Orazio) for 6 voices |
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| Soura le lucid' acque (Vecchi, Orazio) for 6 voices |
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| Jubel Music. Op! op i Andagtsfulde Siele (Grosmann, Heinrich Ernst) for soprano, tenor, bass, mixed chorus and orchestra |
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| Jubel Music. Op! op i Andagtsfulde Siele (Grosmann, Heinrich Ernst) for soprano, tenor, bass, mixed chorus and orchestra |
parts |
| Jubel Music. Op! op i Andagtsfulde Siele (Grosmann, Heinrich Ernst) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| O magnum mysterium (Rota, Andrea) for mixed chorus |
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| Cantata paa 1ste Januarij 1801 (Grosmann, Heinrich Ernst) for soprano, tenor, mixed chorus and orchestra |
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| Cantata paa 1ste Januarij 1801 (Grosmann, Heinrich Ernst) for soprano, tenor, mixed chorus and orchestra |
vocal score |
| Cantata paa 1ste Januarij 1801 (Grosmann, Heinrich Ernst) for soprano, tenor, mixed chorus and orchestra |
parts |
| Cantata paa Nytaars-Dag Vi Himlens allmægtigste Herre (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
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| Cantata paa Nytaars-Dag Vi Himlens allmægtigste Herre (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
vocal score |
| Cantata paa Nytaars-Dag Vi Himlens allmægtigste Herre (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
parts |
| Cantata Paa første og anden Paaske Dag. Udbryd med Lov og Priis gienløste Siel (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
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| Cantata Paa første og anden Paaske Dag. Udbryd med Lov og Priis gienløste Siel (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
parts |
| Cantata Paa første og anden Paaske Dag. Udbryd med Lov og Priis gienløste Siel (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
vocal score |
| Paaske Music (Grosmann, Heinrich Ernst) for soprano and orchestra or tenor and orchestra |
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| Paaske Music (Grosmann, Heinrich Ernst) for soprano and orchestra or tenor and orchestra |
parts |
| Paaske Music (Grosmann, Heinrich Ernst) for soprano and orchestra or tenor and orchestra |
vocal score |
| Ein Kindelein so löbelich (Schröter, Leonhard) for mixed chorus |
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| Upon my lap (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Exultate Deo (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| Exultate Deo (Palestrina, Giovanni Pierluigi da) for 5 voices |
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| Flute Sonata No. 11 in C minor, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 1 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 1 in C major, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 2 in A major, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 2 in D major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 3 in B minor, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 3 in C minor, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 4 in D minor, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 5 in A minor, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 5 in G major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 6 in C major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 6 in D major, Schwerin coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 7 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 8 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 9 in B-flat major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Flute Sonata No. 10 in D major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Menuetto in G major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
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| Original version from Flute Sonata in B minor, Op. 1 No. 2 (Cannabich, Martin Friedrich) for flute and continuo |
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| Gjedde manuscript version from Flute Sonata in B minor, Op. 1 No. 2 (Cannabich, Martin Friedrich) for flute and continuo |
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| Flute Sonata in D major, Op. 1 No. 1 (Cannabich, Martin Friedrich) for flute and continuo |
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| Flute Sonata in D major, Op. 1 No. 6 (Cannabich, Martin Friedrich) for flute and continuo |
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| Flute Sonata in E minor, Op. 1 No. 4 (Cannabich, Martin Friedrich) for flute and continuo |
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| Flute Sonata in G major, Op. 1 No. 3 (Cannabich, Martin Friedrich) for flute and continuo |
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| Flute Sonata in G minor, Op. 1 No. 5 (Cannabich, Martin Friedrich) for flute and continuo |
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| Open the dore (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Resolved to love (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Ah were she pityful (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Flute Sonata in D major, WoO (Cannabich, Martin Friedrich) for flute and continuo or violin and continuo |
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| Disdaine that so doth fill me (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Private Musicke (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| O Precious Time (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Can a maid (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| O I do love, then kiss me (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Since just disdain began to rise (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Violin Sonata in A major, WoO (Cannabich, Martin Friedrich) for violin and continuo or flute and continuo |
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| At her fair hands (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Now Robin laugh and sing (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Hey the Horn (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Lock up fair lids (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Love her no more (Peerson, Martin) for 4 voices or 4 viols or voice and 3 viols or 2 voices and 2 viols or 3 voices and viol or voice and 3 Unspecified instruments or 2 voices and 2 Unspecified instruments or 3 voices or 4 Unspecified instruments |
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| Come pretty wag (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| Pretty wantons, sweetly sing (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| Sing, love is blind (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| What need the morning rise (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| Gaze not on youth (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| The spring of joy is dry (Peerson, Martin) for 5 voices or 5 viols or voice and 4 viols or 2 voices and 3 viols or 3 voices and 2 viols or 4 voices and viol or voice and 4 Unspecified instruments or 2 voices and 3 Unspecified instruments or 3 voices and 2 Unspecified instruments or 4 voices and Unspecified instrument |
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| Is not that my fancy's queen? (Peerson, Martin) for 6 voices or 6 viols or voice and 5 viols or 2 voices and 4 viols or 3 voices and 3 viols or 4 voices and 2 viols or 5 voices and viol or voice and 5 Unspecified instruments or 2 voices and 4 Unspecified instruments or 3 voices and 3 Unspecified instruments or 4 voices and 2 Unspecified instruments or 5 voices and Unspecified instrument |
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| See, see, O see who is here come a-maying (Peerson, Martin) for 6 voices or 6 viols or voice and 5 viols or 2 voices and 4 viols or 3 voices and 3 viols or 4 voices and 2 viols or 5 voices and viol or voice and 5 Unspecified instruments or 2 voices and 4 Unspecified instruments or 3 voices and 3 Unspecified instruments or 4 voices and 2 Unspecified instruments or 5 voices and Unspecified instrument |
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| Cantata paa første og anden Paaskedag, Opstandne Frelser dig være (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
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| Cantata paa første og anden Paaskedag, Opstandne Frelser dig være (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
parts |
| Cantata paa første og anden Paaskedag, Opstandne Frelser dig være (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
vocal score |
| Coro 'Herren lever' (Grosmann, Heinrich Ernst) for mixed chorus and orchestra |
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| Coro 'Herren lever' (Grosmann, Heinrich Ernst) for mixed chorus and orchestra |
parts |
| Coro 'Herren lever' (Grosmann, Heinrich Ernst) for mixed chorus and orchestra |
vocal score |
| Allein Gott in der höh I (Schröter, Leonhard) for soprano, alto, tenor and bass or mixed chorus |
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| In Natali Domini gaudent omnes Angeli (Schröter, Leonhard) for soprano, alto, tenor and bass |
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| Helft mir Gotts güte preisen (Schröter, Leonhard) for soprano, alto, tenor and bass |
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| Ein kindt geborn zu Bethlehem I (Schröter, Leonhard) for 2 mixed chorus or 8 voices |
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| Ein kindt geborn zu Bethlehem II (Schröter, Leonhard) for 2 sopranos and 2 altos |
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| Ein kindt geborn zu Bethlehem III (Schröter, Leonhard) for 2 mixed chorus or 8 voices |
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| Allein Gott in der höh II (Schröter, Leonhard) for 2 sopranos and 2 altos or 2 sopranos, alto and tenor |
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| Freut euch, ihr lieben Christen I (Schröter, Leonhard) for soprano, alto, tenor and bass |
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| Hört zu und seid getrost (Schröter, Leonhard) for mixed chorus or 4 voices or 8 voices |
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| Joseph lieber Joseph mein I (Schröter, Leonhard) for 2 sopranos and 2 altos |
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| Joseph lieber Joseph mein II (Schröter, Leonhard) for soprano, alto, tenor and bass |
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| Joseph lieber Joseph mein III (Schröter, Leonhard) for 8 voices or 2 mixed chorus |
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| In dulci iubilo (Schröter, Leonhard) for 8 voices or 2 mixed chorus |
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| Trio Sonata No. 1 in C major (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 2 in C major (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 3 in D major (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 4 in D major (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 5 in E minor (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 6 in E minor (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 7 in F major (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 8 in F major (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 9 in G minor (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 10 in G minor (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 11 in A major (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 12 in A major (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 13 in B-flat major (Becker, Dietrich) for 2 violins and continuo |
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| Suite No. 14 in B-flat major (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 15 in C minor (Becker, Dietrich) for 2 violins and continuo |
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| Die Brünnlein, die da fließen (Arthopius, Balthasar) for 4 voices |
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| Suite No. 16 in C minor (Becker, Dietrich) for 2 violins and continuo |
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| Trio Sonata No. 17 in G major (Becker, Dietrich) for violin, viol and continuo |
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| Suite No. 18 in D major (Becker, Dietrich) for violin, viol and continuo |
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| 28 Chorale Preludes (Buxtehude, Dietrich) for organ |
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| An dich mein hort (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Mit deiner zucht (Greiter, Matthias) for soprano, alto, tenor and bass |
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| Freüntlich von art (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Hilfft mich jetzt nit freüntlicher gruß (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Man sagt von gelt und grossem gůt (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Sie ist mein glück (Wüst, Paulus) for soprano, alto, tenor and bass |
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| In diser welt, hab ich kein gelt (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Wie wol ich kan, und bin ein man (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Mein gblüt und sin (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Wer aller pein, wißhafft wil sein (Wüst, Paulus) for 5 voices |
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| Als ab on eins (Wüst, Paulus) for 5 voices |
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| Ich armer man (Wüst, Paulus) for 5 voices |
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| Hör zu von neuen sachen (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Anfang minr lieb (Wüst, Paulus) for 5 voices |
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| Mement (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Elslin liepstes Elselin (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Beatus qui intelligit (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Curia pauperibus clausa est (Wüst, Paulus) for 2 voices |
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| Ach scheydens art (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Wer wolt dir nit in ehrn sein holdt (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Offt wünsch ich dir (Wüst, Paulus) for soprano, alto, tenor and bass |
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| Pleni sunt coeli (Wüst, Paulus) for soprano and tenor |
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| Ursach zwingt mich (Wüst, Paulus) for 5 voices |
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| Bauern Tanz (Othmayr, Caspar) |
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