Scores with Paul-Gustav Feller as editor

Composition Score attributes
15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard —
Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian) for keyboard selections
Prelude and Fugue in E-flat major (Bach, Johann Christoph) for organ —
Keyboard Sonata in C major, F.1 (Bach, Wilhelm Friedemann) for keyboard —
Messe pour les Paroisses from Pièces d'orgue (Couperin, François) for organ —
Prelude and Fugue in B minor (No.3) from 6 Preludes and Fugues, Op. 35 (Mendelssohn, Felix) for piano —
3 Preludes and Fugues, Op. 37 (Mendelssohn, Felix) for organ —
Menuet en Rondeau from Pièces de clavecin avec une méthode, RCT 2-4 (Rameau, Jean-Philippe) for harpsichord —
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra selections
Overture: Sinfony (No.1) from Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra parts
Hallelujah (Part II, No.44) from Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra parts
Suite in F-sharp minor, HWV 431 (Handel, George Frideric) for harpsichord selections
Praeambulum in D minor, WV 31 (Scheidemann, Heinrich) for organ —
Symphony No. 94 in G major, Hob.I:94 (Haydn, Joseph) for orchestra —
Fugue in D major, Op. 137 (Beethoven, Ludwig van) for 2 violins, 2 violas and cello —
Regina caeli laetare for 5 voices (Victoria, Tomás Luis de) for soprano, 2 altos, tenor and bass —
Suite I (C major) from Pièces de Clavecin (Clérambault, Louis-Nicolas) for harpsichord —
Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra selections
20 Preludes and Fugues from Ariadne Musica (Fischer, Johann Caspar Ferdinand) for organ —
O quam gloriosum est regnum (Victoria, Tomás Luis de) for 4 voices —
As Vesta Was, from Latmos Hill Descending (Weelkes, Thomas) for 6 voices or 2 sopranos, alto, 2 tenors and bass —
7 Lieder, Op. 62 (Brahms, Johannes) for mixed chorus —
6 Lieder and Romances, Op. 93a (Brahms, Johannes) for mixed chorus —
Brandenburg Concerto No. 2 in F major, BWV 1047 (Bach, Johann Sebastian) for recorder, oboe, trumpet, violin, strings and continuo —
Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for orchestra selections
Prelude and Fugue in C major, K.394/383a (Mozart, Wolfgang Amadeus) for piano —
Missa Pange lingua, NJE 4.3 (Josquin Desprez) for 4 voices —
Trauergesang, Op. 116 (Mendelssohn, Felix) for mixed chorus —
Romanzen und Balladen, Op. 75 (Schumann, Robert) for mixed chorus —
Prophetiae Sibyllarum, LV 1048-1060 (Lassus, Orlande de) for 4 voices or mixed chorus selections
Haec dies quam fecit Dominus, IGP 23 (Palestrina, Giovanni Pierluigi da) for 4 voices —
Concerto in D minor, RV 565 (Vivaldi, Antonio) for 2 violins, cello, strings and continuo —
Concerto in D minor, RV 565 (Vivaldi, Antonio) for 2 violins, cello, strings and continuo parts
Vox in Rama audita est (Clemens non Papa, Jacobus) for soprano, alto, tenor and bass or mixed chorus —
Canon for 2 Voices in C minor, K.230/382b (Mozart, Wolfgang Amadeus) for 2 voices —
Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra —
Fugue in G minor, BWV 578 (Bach, Johann Sebastian) for organ —
Trio Sonata in F major, HWV 389 (Handel, George Frideric) for flute, violin and continuo or recorder, violin and continuo or 2 violins and continuo or oboe, violin and continuo —
Air in C major (Blow, John) for organ —
Aria della Battaglia a 8 (Padovano, Annibale) for 8 Unspecified instruments —
12 Polonaises, F.12 (Bach, Wilhelm Friedemann) for keyboard or clavichord selections
Veni sponsa Christi (Palestrina, Giovanni Pierluigi da) for 4 voices —
Resignation (No.3) from 6 Geistliche Lieder nach Gedichten von Eichendorff (Wolf, Hugo) for mixed chorus —
Ordre XX from Pièces de clavecin, Livre 4 (Couperin, François) for harpsichord —
Ordre XI from Pièces de clavecin, Livre 2 (Couperin, François) for harpsichord —
Jigg (No.4) from Suite in B-flat major, HWV 440 (Handel, George Frideric) for harpsichord —
Psalms (Goudimel, Claude) for 4 voices —
Duet for Flute and Violin, H.598 (Bach, Carl Philipp Emanuel) for flute and violin —
Primo libro de ricercari et canzoni (Bonelli, Aurelio) for soprano, alto, tenor and bass or 2 sopranos, 2 altos, 2 tenors and 2 basses —
Music for the Funeral of Queen Mary, Z.860 (Purcell, Henry) for 4 voices, 4 trumpets and organ or mixed chorus, 4 trumpets and organ —
Exultate Deo (Scarlatti, Alessandro) for soprano, alto, tenor and bass —
Erhalt uns, Herr, bei deinem Wort, BuxVW 185 (Buxtehude, Dietrich) for organ —
Scaramella, NJE 28.30 (Josquin Desprez) for 4 voices —
Anmuthige Clavier-Übung (Krieger, Johann) for keyboard or harpsichord or organ selections
Zefiro torna e di soavi accenti, SV 251 (Monteverdi, Claudio) for 2 tenors and continuo —
Of All the Birds (Bartlet, John) for 4 voices or voice and lute —
Dixit Maria ad angelum (Hassler, Hans Leo) for 4 voices —
Sing We and Chaunt It (Morley, Thomas) for 5 voices —
Le rossignol plaisant et gratieux, LV 91 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass or mixed chorus —
Violin Sonata in C major, F 1475.01 (Fontana, Giovanni Battista) for violin and continuo —
Cancionero de Palacio (Various) for voice or 2 voices or 3 voices or 4 voices selections
Sonata in F minor, F.58 from 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes —
Gavotte in G major, HWV 491 (Handel, George Frideric) for keyboard —
Keyboard Sonata in C minor, K.11 (Scarlatti, Domenico) for keyboard —
Magnificat Fugue, P.271 (Pachelbel, Johann) for organ —
Das Glaut zu Speyer (Senfl, Ludwig) for 6 voices —
Vom Himmel hoch, da komm ich her (Böhm, Georg) for organ —
Canzon 6 'Irene' (Bonelli, Aurelio) for 4 Unspecified instruments or organ —
Sonata in E minor (No.4) from 6 Sonatas, TWV 40:124-129 (Telemann, Georg Philipp) for 2 flutes or 2 violins or 2 oboes —
Mit fried und freud ich far dahin (Walter, Johann) for soprano, alto, tenor and bass or mixed chorus —
Suite in G major, Z.662 (Purcell, Henry) for keyboard —
Ricercata in Cylindrum phonotacticum transferenda (Kerll, Johann Caspar) for keyboard —
Dulces Exuviae (Willaert, Adrian) for 4 voices —
Ricercar II (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass —
Ricercar III (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass —
Ricercar I (Willaert, Adrian) for soprano, tenor and bass —
Ricercar IV (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass —
Canzon trigesimaterza à 8 (Massaino, Tiburtio) for 8 trombones and continuo or continuo and 8 basses —
Canzon trigesimaquinta à 16 (Massaino, Tiburtio) for continuo and 16 Unspecified instruments —
Ricercar V (Willaert, Adrian) for soprano, alto and bass or soprano, tenor and bass —
Arrangement of Abendlied zu Gott, Hob.XXVc:9 (Haydn, Joseph) for mixed chorus and keyboard —
Suite, HWV 449 (Handel, George Frideric) for harpsichord —
Air in B-flat major, HWV 471 (Handel, George Frideric) for harpsichord —
Fugue in A minor, HWV 609 (Handel, George Frideric) for harpsichord —
Keyboard Sonatina in G major, HWV 582 (Handel, George Frideric) for harpsichord —
Fugue in C minor, HWV 610 (Handel, George Frideric) for harpsichord —
Fugue in G major, BuxWV 175 (Buxtehude, Dietrich) for organ —
Jesus Christus, unser Heiland, BuxWV 198 (Buxtehude, Dietrich) for organ —
Christ lag in Todesbanden, IGB 2 (Böhm, Georg) for organ —
Fugue in G minor (Muffat, Gottlieb) for organ —
Gloria Patri et Filio, Z.105 (Purcell, Henry) for 2 sopranos, tenor and bass —
Sonata in G minor, R.534.4.3 (Scarlatti, Alessandro) for 2 violins, viola and cello —
Ricercar VI (Willaert, Adrian) for soprano, tenor and bass —
Ricercar VII (Willaert, Adrian) for 3 Unspecified instruments or soprano, tenor and bass —
Ricercar VIII (Willaert, Adrian) for soprano, tenor and bass —
Ricercar X (Willaert, Adrian) for soprano, tenor and bass —
S'infinita bellezza (Arcadelt, Jacob) for 5 voices —
Quand'io pens'al martire (Merulo, Claudio) for 5 voices —
O morte, eterno fin (Rore, Cipriano de) for 5 voices —
Ecco l'aurora con l'aurata fronte (Gabrieli, Andrea) for 5 voices —
Verament'in amore (Monte, Philippe de) for 5 voices —
Quivi sospiri (Luzzaschi, Luzzasco) for 5 voices —
Erasi al sole (Porta, Costanzo) for 5 voices —
Ah dolente partita (Wert, Giaches de) for 5 voices —
Fummo felici un tempo (Vecchi, Orazio) for 5 voices —
Fiere silvestre che per lati campi (Marenzio, Luca) for 5 voices —
Ohimè se tanto amate, SV 85 (Monteverdi, Claudio) for 5 voices —
Scaldava il sol (Marenzio, Luca) for 5 voices —
Arrangement of Tirsis (Moulinié, Étienne) for voice and keyboard —
Cantique des Petits Oiseaux (Anonymous) for voice and continuo —
Tu crois ô beau Soleil (King of France, Louis XIII) for voice and continuo —
Le Dépit (Dufresny, Charles Rivière) for voice and keyboard —
Esloigné de ce qu'on ayme (La Barre, Michel de) for voice and continuo —
Voria che tu cantass'una canzon' (Scandello, Antonio) for soprano, alto, tenor and bass or mixed chorus —
Nun bitten den Heiligen Geist (Staden, Johann) for soprano, alto and bass or soprano, alto, tenor and bass or mixed chorus —
Piagne e sospira, SV 93 (Monteverdi, Claudio) for soprano, alto, tenor and bass or mixed chorus —
Concerto Grosso in F major, HWV 327 (Handel, George Frideric) for 2 violins, cello, strings and continuo —
Mentre uno acceso raggio (Dell'Aquila, Serafino) for 4 voices —
Vivo sol di mirarti (Dell'Aquila, Serafino) for 4 voices —
Spesso nel mezo d'un bel fabricare (Dell'Aquila, Serafino) for 4 voices —
Ay que non se remediarme (Leon, Juan de) for 3 voices —
Christus resurgens ex mortuis, LV 712 (Lassus, Orlande de) for mixed chorus or 2 sopranos, alto, tenor and bass —
Ego sum panis vivus (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Verbum caro factum est (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Iluminare Jerusalem (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Levita Laurentium (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Stephanus servus Dei (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Beatus vir, RV 598 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus, strings and continuo —
Beatus vir, RV 598 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus, strings and continuo parts
Vidi speciosam (Massaino, Tiburtio) for 2 sopranos, tenor and bass —
Exiit sermo (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Isti qui amicti sunt (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Salvatorem exspectamus (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Quanti mercenarii (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Hic est Praecursor dilectus (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Cilicio Caecilia membra domabat (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Canzon 2 'Arete' (Bonelli, Aurelio) for 4 Unspecified instruments or organ —
Ne timeas Maria (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Per lignum servi facta sumus (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Minuet in E minor, ZD 225 (Purcell, Henry) for harpsichord —
Menuet in D minor (Handel, George Frideric) for harpsichord —
Passepied in A major, HWV 560 (Handel, George Frideric) for harpsichord —
Canzon 1 'Licori' (Bonelli, Aurelio) for 4 Unspecified instruments or organ —
Canzon 4 'Istrina' (Bonelli, Aurelio) for 4 Unspecified instruments or organ —
Minuet in A major (Barrett, John) for harpsichord —
Almond and Borry, ZD 219 (Purcell, Henry) for harpsichord —
Fantasia V (Banchieri, Adriano) for 4 Unspecified instruments or keyboard —
Canzon 7 'Artemisia' (Bonelli, Aurelio) for 4 Unspecified instruments or organ —
Ego pro te rogavi Petre (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Canzon 8 'Erina' (Bonelli, Aurelio) for 4 Unspecified instruments —
Fantasia XV (Banchieri, Adriano) for 4 Unspecified instruments or keyboard —
Prima Fantasia con quatro Stromenti uniti (Banchieri, Adriano) for 4 Unspecified instruments or keyboard —
Fantasia XVIII (Banchieri, Adriano) for 4 Unspecified instruments or keyboard —
Sonata in Aria Francese, Op. 13 No. 16 (Banchieri, Adriano) for 4 Unspecified instruments or keyboard or organ —
Sonata e fuga autentica in Aria Francese, Op. 13 No. 28 (Banchieri, Adriano) for 4 Unspecified instruments or keyboard or organ —
A Song Tune, ZT 694 (Purcell, Henry) —
Ite in universum mundum (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Virtute magna (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Nemo potest venire (Zarlino, Gioseffo) for 5 voices —
Si ego non abiero (Massaino, Tiburtio) for soprano, alto, tenor and bass —
Passepied in C major, HWV 559 (Handel, George Frideric) for harpsichord —
An Ayre (Clarke, Jeremiah) for harpsichord —
New Minuet, ZT 689 (Purcell, Henry) for harpsichord —
Minuet in A minor, Z.649 (Purcell, Henry) for harpsichord —
Benedicamus Patrem (Massaino, Tiburtio) for soprano, alto, tenor and bass —
O Domine Jesu Christe (Massaino, Tiburtio) for 2 sopranos, tenor and bass —
The Ape, the Monkey, and Baboone (Weelkes, Thomas) for 3 voices —
Canzon trigesimaquarta à 8 (Massaino, Tiburtio) for 4 lutes, 4 viols and continuo —
Hodie Christus natus est (Handl, Jacob) for 6 voices —
Hey, Trola, There Boys, There (Piers, Edward) for 4 voices —
Hora è di Maggio (Isaac, Heinrich) for 4 voices —
Non è tempo d'aspettare (Cara, Marchetto) for 4 voices or voice —
In illo tempore Maria Magdalene (Mouton, Jean) for 4 voices —
La rousé du moys de may (Mouton, Jean) for 6 voices —
A Pretty Ducke There Was (Bartlet, John) for 4 voices —
Pavane d'Angleterre avec sa Gaillarde (Gervaise, Claude) for 5 Unspecified instruments —
Ecce iam venit plenitudo (Zarlino, Gioseffo) for 4 voices —
Misereris omnium Domine (Zarlino, Gioseffo) for 6 voices —
I vo piangendo (Zarlino, Gioseffo) for 5 voices —
Come fuggir per selva ombrosa (Marenzio, Luca) for 6 voices —
Domine, ne memineris (Clemens non Papa, Jacobus) for 4 voices —
Tulerunt autem fratres eius (Clemens non Papa, Jacobus) for 5 voices —
Saul, Saul, was verfolgst du mich?, SWV 415 (Schütz, Heinrich) for 2 sopranos, alto, tenor, 2 basses, continuo and 2 sopranos or 2 sopranos, alto, tenor, 2 basses, mixed chorus, continuo and 2 sopranos —
Tu es Petrus, IGP 97 (Palestrina, Giovanni Pierluigi da) for 6 voices —
Nunc dimittis, Ch.50 (Gabrieli, Giovanni) for 14 voices or 3 mixed chorus —
Missa Ascendo ad Patrem (Palestrina, Giovanni Pierluigi da) for 5 voices —
Amour nous traicte (Busnois, Antoine) for 4 voices —
Me veux tu voir mourir (Ban, Joan Albert) for 2 voices —
Ave Regina (Lotti, Antonio) for 3 voices or 4 voices or 4 voices and organ —
Alma redemptoris Mater (Bernabei, Giuseppe Antonio) for 4 voices or 4 voices and organ —
Regina Coeli (Bernabei, Giuseppe Antonio) for 4 voices —
Regina Coeli (Lotti, Antonio) for 4 voices —
Salve Regina (Bernabei, Ercole) for 4 voices —
Salve Regina (Lotti, Antonio) for 4 voices —
At trepida (Arcadelt, Jacob) for 4 voices —
Recercar quintodecimo (Cavazzoni, Girolamo) for 3 Unspecified instruments —
Recercar undecimo (Anonymous) for 3 Unspecified instruments —
Ricercar quartodecimo (Barges, Antonio) for soprano, tenor and bass —
My Bonny Lass She Smileth (Morley, Thomas) for 5 voices —
Non ex virili semine (Escobar, Pedro) for 4 voices —
Sfogava con le stelle (Caccini, Giulio) for voice and continuo —
Exaudi me, Domine (Viadana, Lodovico da) for voice and continuo —
Weh, Windchen, weh, SSWV 108 (Scheidt, Samuel) for organ —
Praeambulum in D minor, WV 36 (Scheidemann, Heinrich) for organ —
Partita sopra l'aria della Romanesca, F 2.13 (Frescobaldi, Girolamo) for keyboard —
Canzona Francese (Trabaci, Giovanni Maria) for keyboard —
Io lo vedo, o luci belle (Rossi, Luigi) for soprano and continuo —
Sonata 'La Graziani', Op. 5 No. 5 (Vitali, Giovanni Battista) for 2 violins and continuo —
Suite in A minor, Op. 2 No. 3 (Fischer, Johann Caspar Ferdinand) for harpsichord or keyboard —
O Lord, My God (Humfrey, Pelham) for alto, tenor, bass, male chorus and organ —
What if I Never Speede (Dowland, John) for 4 voices and lute —
Stay Cruell, Stay (Danyel, John) for voice, lute and viol —
Passamezzo antico (Ammerbach, Elias Nikolaus) for organ —
L'Acceso (Gastoldi, Giovanni Giacomo) for 5 voices —
Toccata quarta (Merulo, Claudio) for organ —
Super flumina Babilonis (Gombert, Nicolas) for 4 voices —
Aus tieffer Not (Walter, Johann) for 4 voices —
My Lady Careys Dompe (Anonymous) for keyboard —
Victimae paschali laudes (Willaert, Adrian) for 6 voices —
A dew, a dew (Cornysh, William) for 3 voices —
Royne du ciel (Compère, Loyset) for 3 voices —
Puis que je voy (Lantins, Arnold de) for 3 voices —
Io son un pellegrin (Giovanni da Cascia) for 2 voices —
Non al suo amante (Jacopo da Bologna) for 2 voices —
Mon chier amy (Dufay, Guillaume) for 3 voices —
Ma bouche rit (Ockeghem, Johannes) for 3 voices —
Regina caeli (Willaert, Adrian) for 3 voices —
Regina caeli (Rore, Cipriano de) for 3 voices —
Recercar Nono (Anonymous) for soprano, tenor and bass —
Recercar duodecimo (Barges, Antonio) for soprano, tenor and bass or soprano, alto and bass —
Recercar tertiodecimo (Barges, Antonio) for soprano, tenor and bass —
Madonna non so dir tante parole (Verdelot, Philippe) for 5 voices —
Fuga a 3 soggetti (No.4) from String Quartet in A major, Hob.III:36 (Haydn, Joseph) for 2 violins, viola and cello —
Gitene canzonette (Artusi, Giovanni) for 4 voices —
Caro dolce mio bene (Vecchi, Orazio) for 4 voices —
Trio Sonata in C major, Op. 4 No. 1 (Corelli, Arcangelo) for 2 violins and violone or 2 violins and continuo —
Trio Sonata in B minor, Op. 1 No. 6 (Corelli, Arcangelo) for 2 violins, violone and organ or lute, 2 violins and organ —
II. Allegro from Trio Sonata in F major, Op. 3 No. 1 (Corelli, Arcangelo) for 2 violins, violone and continuo or lute, 2 violins and continuo or 2 violins, violone and organ or lute, 2 violins and organ —
Organ Sonata No. 2, MWV W 57 (Mendelssohn, Felix) for organ —
Organ Sonata No. 1, MWV W 56 (Mendelssohn, Felix) for organ —


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