| Composition |
Attributes |
| Boléro (Ravel, Maurice) for orchestra |
— |
| Boléro (Ravel, Maurice) for orchestra |
parts |
| Ballet de l'Amour Malade, LWV 8 (Lully, Jean-Baptiste) for voices and orchestra |
— |
| Ballet de la Revente des Habits, LWV 5 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
— |
| Ballet de la Revente des Habits, LWV 5 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
parts |
| Tarare (Salieri, Antonio) for voices, mixed chorus and orchestra |
— |
| Tarare (Salieri, Antonio) for voices, mixed chorus and orchestra |
parts |
| Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
— |
| Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
parts |
| Isis, LWV 54 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Les plaisirs de l'île enchantée, LWV 22 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
— |
| Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
parts |
| L'Art de toucher le clavecin (Couperin, François) for harpsichord |
— |
| Messe pour les Couvents from Pièces d'orgue (Couperin, François) for organ |
— |
Pièces de clavecin en concerts, RCT 7-11 (Rameau, Jean-Philippe) for violin, viol and harpsichord
flute, viol and harpsichord
2 violins and harpsichord
flute, violin and harpsichord
harpsichord |
— |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Arrangement of Messiah, HWV 56 (Handel, George Frideric) for piano |
— |
| Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra |
— |
| Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Pièces de clavecin (Royer, Joseph-Nicolas-Pancrace) for harpsichord |
— |
| 1757 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
— |
| 1757 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
parts |
| David et Jonathas, H.490 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
— |
| David et Jonathas, H.490 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
parts |
| Les Fêtes de Ramire, RCT 40 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
— |
| Les Fêtes de Ramire, RCT 40 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
parts |
| Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
6 Suites à 2 Muzettes, Op. 11 (Boismortier, Joseph Bodin de) for 2 musettes
2 bagpipes |
— |
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
— |
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
parts |
6 Suites à 2 Muzettes, Op. 17 (Boismortier, Joseph Bodin de) for 2 bagpipes
2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
— |
| Magnificat, H.73 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass and continuo |
— |
| In nativitatem Domini canticum, H.314 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
— |
| In nativitatem Domini canticum, H.314 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
— |
| Victimae paschali laudes, H.13 (Charpentier, Marc-Antoine) for 2 altos, bass and continuo |
— |
| La Betulia liberata, K.118/74c (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
— |
| La Betulia liberata, K.118/74c (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
parts |
| Daphnis et Eglé, RCT 34 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
— |
| Daphnis et Eglé, RCT 34 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
parts |
| Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
— |
| Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
— |
| Antiennes O from Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
parts |
| Antiennes O et Noëls from Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
parts |
| Noël pour les instruments, H.531 (Charpentier, Marc-Antoine) for orchestra |
— |
| Noël pour les instruments, H.531 (Charpentier, Marc-Antoine) for orchestra |
parts |
| Noël sur les instruments, H.534 (Charpentier, Marc-Antoine) for orchestra |
— |
| Noël sur les instruments, H.534 (Charpentier, Marc-Antoine) for orchestra |
parts |
| Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
— |
| Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
parts |
| Lamento della ninfa, SV 163 (Monteverdi, Claudio) for 4 voices |
— |
| Les Horaces (Salieri, Antonio) for voices and orchestra |
— |
| Les Horaces (Salieri, Antonio) for voices and orchestra |
parts |
| Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
— |
| Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
parts |
| Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
vocal score |