Scores with Nicolas Sceaux as editor

Composition Score attributes
Boléro (Ravel, Maurice) for orchestra —
Boléro (Ravel, Maurice) for orchestra parts
Ballet de l'Amour Malade, LWV 8 (Lully, Jean-Baptiste) for voices and orchestra —
Ballet de la Revente des Habits, LWV 5 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass —
Ballet de la Revente des Habits, LWV 5 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass parts
Tarare (Salieri, Antonio) for voices, mixed chorus and orchestra —
Tarare (Salieri, Antonio) for voices, mixed chorus and orchestra parts
Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra —
Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra parts
Isis, LWV 54 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra parts
Les plaisirs de l'île enchantée, LWV 22 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo —
Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo parts
L'Art de toucher le clavecin (Couperin, François) for harpsichord —
Messe pour les Couvents from Pièces d'orgue (Couperin, François) for organ —
Pièces de clavecin en concerts, RCT 7-11 (Rameau, Jean-Philippe) for violin, viol and harpsichord or flute, viol and harpsichord or 2 violins and harpsichord or flute, violin and harpsichord or harpsichord —
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra —
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra parts
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra parts
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra vocal score
Arrangement of Messiah, HWV 56 (Handel, George Frideric) for piano —
Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra —
Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra parts
Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra parts
Pièces de clavecin (Royer, Joseph-Nicolas-Pancrace) for harpsichord —
1757 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra —
1757 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra parts
David et Jonathas, H.490 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra —
David et Jonathas, H.490 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra parts
Les Fêtes de Ramire, RCT 40 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra —
Les Fêtes de Ramire, RCT 40 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra parts
Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra —
Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra parts
6 Suites à 2 Muzettes, Op. 11 (Boismortier, Joseph Bodin de) for 2 musettes or 2 bagpipes —
L'Europe galante (Campra, André) for voices, mixed chorus and orchestra —
L'Europe galante (Campra, André) for voices, mixed chorus and orchestra parts
6 Suites à 2 Muzettes, Op. 17 (Boismortier, Joseph Bodin de) for 2 bagpipes or 2 musettes or 2 vielles or 2 recorders or 2 flutes or 2 oboes —
Magnificat, H.73 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass and continuo —
In nativitatem Domini canticum, H.314 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra —
In nativitatem Domini canticum, H.314 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra —
Victimae paschali laudes, H.13 (Charpentier, Marc-Antoine) for 2 altos, bass and continuo —
La Betulia liberata, K.118/74c (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra —
La Betulia liberata, K.118/74c (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra parts
Daphnis et Eglé, RCT 34 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra —
Daphnis et Eglé, RCT 34 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra parts
Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra —
Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra —
Antiennes O from Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra parts
Antiennes O et Noëls from Antiennes O de l'Avent, H.36-43 (Charpentier, Marc-Antoine) for 4 voices and orchestra parts
Noël pour les instruments, H.531 (Charpentier, Marc-Antoine) for orchestra —
Noël pour les instruments, H.531 (Charpentier, Marc-Antoine) for orchestra parts
Noël sur les instruments, H.534 (Charpentier, Marc-Antoine) for orchestra —
Noël sur les instruments, H.534 (Charpentier, Marc-Antoine) for orchestra parts
Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra —
Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra parts
Lamento della ninfa, SV 163 (Monteverdi, Claudio) for 4 voices —
Les Horaces (Salieri, Antonio) for voices and orchestra —
Les Horaces (Salieri, Antonio) for voices and orchestra parts
Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra —
Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra parts
Semiramis (Destouches, André Cardinal) for voices, mixed chorus and orchestra vocal score


©2026 CMI