Compositions with Raymond B. Egan as librettist
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| The Japanese Sandman (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
F minor, ends F major | voice and piano | Early 20th century | Songs |  |
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| Kaiser Bill (Comic Song) | Egbert Van Alstyne, composer Raymond B. Egan, librettist |
C major | voice and piano | Early 20th century | Songs | |
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| So Long, Mother | Egbert Van Alstyne, composer Raymond B. Egan, librettist Gustav Kahn, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| Till We Meet Again (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
voice and piano | Early 20th century | Songs | |
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| Mammy's Little Coal Black Rose | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
voice and piano | Early 20th century | Songs | |
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| Some Sunday Morning | Richard Armstrong Whiting, composer Gustav Kahn, librettist Raymond B. Egan, librettist |
A flat major | voice and piano | Early 20th century | Songs | |
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| Throw Me a Kiss from Over the Sea | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| Ain't We Got Fun (Song) | Richard Armstrong Whiting, composer Gustav Kahn, librettist Raymond B. Egan, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| Ain't You Coming Back to Dixieland (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
C major | voice and piano | Early 20th century | Songs | |
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| Bad, Bad Baby | Howard Patrick, composer Raymond B. Egan, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| You're Breaking My Heart with 'Good-bye' (Song) | Abe Olman, composer Raymond B. Egan, librettist |
G major | voice and piano | Early 20th century | Songs | |
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| Dear Old Gal, Who's Your Pal To-Night (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
C major | voice and piano | Early 20th century | Songs | |
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| Hand in Hand Again (Song / In Answer to "Till We Meet Again") | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
A flat major | voice and piano | Early 20th century | Songs | |
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| Kickapoo Trail (Fox-trot) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
A flat major | voice and orchestra | Early 20th century | Foxtrots | |
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| Little Black Buddie (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
F major | voice and piano | Early 20th century | Songs | |
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| Someday Down in Carolin' | George Hamilton Green, composer Raymond B. Egan, librettist |
B flat major | voice and piano | Early 20th century | Songs | |
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| The Bravest Heart of All (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| Mighty Blue (Fox-trot blues) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
voice and piano | Early 20th century | Foxtrots, Blues | |
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| They Made It Twice as Nice as Paradise (They Made It Twice as Nice as Paradise and They Called It Dixieland / Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
C major | voice and piano | Early 20th century | Songs | |
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| You're Still an Old Sweetheart of Mine (Song) | Richard Armstrong Whiting, composer Raymond B. Egan, librettist |
A flat major | voice and piano | Early 20th century | Songs | |
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