| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Goodbye, Wild Women, Goodbye! | George W. Meyer, composer Howard Johnson, librettist Milton Ager, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| There's a Lot of Blue-Eyed Marys down in Maryland | George W. Meyer, composer Jack Yellen, librettist Milton Ager, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Ragtime Wedding Bells | George W. Meyer, composer Sam M. Lewis, librettist |
voice and piano | Early 20th century | Rags | |||||
| The Tale That the Roses Told (The Tale That the Sweet Roses Told) | George W. Meyer, composer Helge Rode, librettist |
voice and piano | Early 20th century | Songs | |||||
| A Ring on the Finger Is Worth Two on the Phone | George W. Meyer, composer Jack Mahoney, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Always Take a Girl Named Daisy ('Cause Daisies Won't Tell) | George W. Meyer, composer Alfred Bryan, librettist Sam M. Lewis, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Beautiful Annabell Lee (Song) | George W. Meyer, composer Alfred Bryan, librettist Artie Mehlinger, librettist |
D major | voice and piano | Early 20th century | Songs | ||||
| Brass Band Ephraham Jones | George W. Meyer, composer Joe Goodwin, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Bring Back My Daddy to Me | George W. Meyer, composer William Tracey, librettist Howard Johnson, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Johnny's in Town | George W. Meyer, composer Jack Yellen, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Cheer Up (Cheer Up! Cherries Will Soon Be Ripe) | George W. Meyer, composer Alfred Bryan, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Come On and Baby Me. | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| 'Cross the Great Divide (I'll Wait for You) | George W. Meyer, composer Sam M. Lewis, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| For Me and My Gal | George W. Meyer, composer Edgar Leslie, librettist Edward Ray Goetz, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Hiawatha's Melody of Love (Song) | George W. Meyer, composer Alfred Bryan, librettist Artie Mehlinger, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Homeward Bound | George W. Meyer, composer Howard Johnson, librettist Coleman Goetz, librettist |
voice and piano | Early 20th century | Songs | |||||
| I'm a Lonesome Melody | George W. Meyer, composer Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| I'm Awfully Glad I Met You | George W. Meyer, composer Jack Drislane, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| I've Got Your Number | George W. Meyer, composer Alfred Bryan, librettist |
voice and piano | Early 20th century | Songs | |||||
| If He Can Fight Like He Can Love, Good Night, Germany! | George W. Meyer, composer Grant Clarke, librettist Howard Emmett Rogers, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| In the Land of Beginning Again (Where Broken Dreams Come True) | George W. Meyer, composer Grant Clarke, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Isch Ga-Bibble (I Should Worry) | George W. Meyer, composer Sam M. Lewis, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Just Like Washington Crossed the Delaware (General Pershing Will Cross the Rhine) | George W. Meyer, composer Howard Johnson, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Make Me Love You | George W. Meyer, composer Jack Drislane, librettist |
B flat major | voice and piano 2 voices and piano |
Early 20th century | Songs | ||||
| Maybe that Is Why I'm Lonely (Song) | George W. Meyer, composer Joe Goodwin, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| My Mother's Rosary | George W. Meyer, composer Sam M. Lewis, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| My Prairie Song-Bird (Intermezzo) | George W. Meyer, composer | piano | Early 20th century | Intermezzos | |||||
| Now I Lay Me Down to Sleep (Song) | George W. Meyer, composer Sidney D. Mitchell, librettist |
voice and piano | Early 20th century | Songs | |||||
| Open Your Arms (My Alabamy) | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Since Maggie Dooley Learned the Hooley Hooley | George W. Meyer, composer Bert Kalmar, librettist Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Sittin' in a Corner | George W. Meyer, composer Gustav Kahn, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Somebody Else It's Always Somebody Else | George W. Meyer, composer Jack Drislane, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| Cover Me Up with the Sunshine of Virginia | George W. Meyer, composer Joe Young, librettist Sam M. Lewis, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| The Chinatown Rag (That Chinatown Rag) | George W. Meyer, composer Jack Drislane, librettist |
Early 20th century | Rags | ||||||
| That Mellow Melody | George W. Meyer, composer Sam M. Lewis, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| That Naughty Melody | George W. Meyer, composer Sam M. Lewis, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| The Hen and the Cow (It's Only a Dream of the Past / Comedy Song) | George W. Meyer, composer Irving Caesar, librettist Alfred Bryan, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| The High Cost of Loving | George W. Meyer, composer Alfred Bryan, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| The Paradise Rag | George W. Meyer, composer Joe Goodwin, librettist |
B flat major | voice and piano | Early 20th century | Rags, Songs | ||||
| There'll Be a Hot Time for the Old Men (While the Young Men Are Away) | George W. Meyer, composer Grant Clarke, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| There's a Dixie Girl Who's Longing for a Yankee Doodle Boy | George W. Meyer, composer Robert F. Roden, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| On the Way to Home Sweet Home (There's a Little Lane without a Turning on the Way to Home Sweet Home) | George W. Meyer, composer Sam M. Lewis, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Tucky Home (Tuck Me to Sleep in My Old Tucky Home) | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Underneath the Cotton Moon | George W. Meyer, composer Sam M. Lewis, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| When the Girl Whose Heart You Long For, Has a Heart that Longs for You | George W. Meyer, composer Robert F. Roden, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Where Did Robinson Crusoe Go with Friday on Saturday Night? | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| When You're a Long, Long Way from Home | George W. Meyer, composer Sam M. Lewis, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| Whistle and I'll Wait for You | George W. Meyer, composer Earle C. Jones, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Wiggle-Wag (Ragtime Waltz) | George W. Meyer, composer | C major | piano | Early 20th century | Rags, Waltzes | ||||
| You Taught Me How to Love You, Now Teach Me to Forget | George W. Meyer, composer Jack Drislane, librettist Alfred Bryan, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| You'll Find Old Dixieland in France (On voit tout Dixieland en France) | George W. Meyer, composer Grant Clarke, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Way Down in Iowa (I'm Going to Hide Away) | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Yaddie Kaddie Kiddie Kaddie Koo | George W. Meyer, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| If Baby Would Never Grow Older (A Mother Would Never Be Sad / Song) | George W. Meyer, composer Alfred Bryan, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Rachel Rubenstein's Rag | George W. Meyer, composer Sam M. Lewis, librettist |
voice and piano | Early 20th century | Rags, Songs |
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