| Composition |
Score attributes |
| No.1. La Billiarda from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.2. Pass'e mezzo antico from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.3. Pass'e mezzo della Paganina from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.4. Caro Ortolano from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.5. Gagliarda from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.6. Putta Nera Ballo Furlano from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.7. La Zanetta Padoana from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.8. La Saporita Padoana from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.9. Tedescha from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.10. La Lauandara Gagliarda from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.11. Pass'e mezzo moderno from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.12. Schiarazula Marazula from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.13. Tedescha from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.14. Ungarescha from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.15. L'arboscello Ballo Furlano from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.16. Ballo Milanese from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.17. La Parma from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.18. Ballo Francese from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.19. Ballo Anglese from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.20. Tedescha from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.21. La Fiamenga from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.21. La Fiamenga from Il Primo Libro de Balli (Mainerio, Giorgio) for soprano, alto, tenor and bass |
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| No.1. Paduan from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.2. Paduan from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.3. Paduan from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.4. Paduan from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.5. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.6. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.7. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.8. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.9. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.10. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.11. Mascharada from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.12. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.13. Aria from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.14. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.15. Aria from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.16. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.17. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.18. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.19. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.20. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.21. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.22. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.23. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.24. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.25. Courente from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.26. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.27. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.28. Aria from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.29. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.30. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.31. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.32. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.33. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.34. Galliard from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.35. Galliard from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.36. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.37. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.38. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.39. Ballet from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.40. Aria from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.41. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| No.41. Sarabande from Neuer Paduanen, et al, Teil 1 (Hammerschmidt, Andreas) for 5 viols and continuo |
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| Tu es Petrus (Morales, Cristóbal de) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Der Tag der ist so freudenreich (Eccard, Johannes) for mixed chorus or soprano, alto, 2 tenors and bass |
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| The Firste Booke of Songes (Dowland, John) for voice and lute or 4 voices and lute or voice, lute and viol or voice and viol or lute |
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| Ach Fräulein zart (No.1) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ein alter Greis (No.2) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ich hab's gewagt und zugesagt (No.3) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ach Lieb, hier ist das Herze (No.4) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Mein Herz, das mir hast g'stohlen (No.6) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Mit dein' lieblichen Augen (No.7) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Mir träumt' in einer Nacht gar spat (No.8-10) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ein Bräutlein wollt nicht gehn zu Bett (No.11-14) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| All Lust und Freud (No.15) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Wer liebt aus treuem Herzen (No.16) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Zu dir steht all mein Sinn (No.17) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Nun laßt uns fröhlich sein (No.18) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ach weh des Leiden (No.19) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Vor Freuden will ich singen (No.21) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Ihr Musici, frisch auf (No.35) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| 10 Intradas and 1 Gagliarda (No.40-50) from Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden (Hassler, Hans Leo) for mixed chorus or 4 voices or 5 voices or 6 voices or 8 voices or 6 Unspecified instruments |
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| Da Jakob nu das Kleid ansah (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Ein Abt den wöll wir weihen (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Hat uns der Teufel gen Teiningen bracht (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Ewiger Gott, aus des Gebot (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Hans Beutler der wollt reiten aus (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Kein Adler in der Welt so schön (Senfl, Ludwig) for mixed chorus or 2 sopranos, 2 altos, tenor and bass |
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| O ho! So geb der Mann ein Pfenning (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| O Elslein, liebstes Elselein mein (Senfl, Ludwig) for 4 voices or mixed chorus |
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| Wiewol viel herter Orden sind a 5 (Senfl, Ludwig) for 2 sopranos, alto, tenor and bass |
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| Ich armes Keuzlein kleine (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| Jetzt bringt Sanct Martin Gsellschaft viel (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| O Herr, ich ruf dein Namen an (Senfl, Ludwig) for mixed chorus or soprano, alto, tenor and bass |
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| O allmächtiger Gott, dich lobt der Christen Rott (Senfl, Ludwig) for soprano, alto, tenor and bass or mixed chorus |
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| Missa Carminum (Isaac, Heinrich) for mixed chorus |
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| Teutsche Liedlein, Books 1-5 (Forster, Georg) for 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 10 voices or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments |
selections |
| Mein Mütterlein (Isaac, Heinrich) for soprano, alto, tenor and bass |
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| Christ lag in Todesbanden, W17 (Hellinck, Lupus) for mixed chorus or soprano, alto, tenor and bass |
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| Lachrimae, or Seven Tears (Dowland, John) for lute and 5 viols |
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| Lachrimae, or Seven Tears (Dowland, John) for lute and 5 viols |
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| Komm, heiliger Geist, Herre Gott (Bruck, Arnold von) for mixed chorus or soprano, alto, tenor and bass |
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| Madrigaletti a 3 voci (Brachrogge, Hans) for 2 sopranos and bass |
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| Trio Sonata, TWV 42:a4 (Telemann, Georg Philipp) for recorder, violin and continuo |
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| Canzon per sonar septimi toni a 8, Ch.171 (Gabrieli, Giovanni) for 8 Unspecified instruments |
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| Sonata pian e forte, Ch.175 (Gabrieli, Giovanni) for 8 Unspecified instruments or cornett and viola |
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| Audite nova, LV 483 (Lassus, Orlande de) for mixed chorus or soprano, alto, tenor and bass |
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| No.20. Die Martinsgans (Was haben doch die Gäns getan) from Musicalisch Kurtzweil (Widmann, Erasmus) for 4 voices or 5 voices or 4 Unspecified instruments or 5 Unspecified instruments |
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| Ach, edles Bild, von Tugend mild (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Banchetto musicale (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass or flute, cornett, violin and continuo or 4 crumhorns |
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| In Nomine à 5 'Crye' (No.12) from 21 In Nomines (Tye, Christopher) for 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or soprano, alto, tenor and bass or 2 sopranos, 2 tenors and bass or soprano, alto, 2 tenors and bass or 3 sopranos, tenor and bass or 2 sopranos, alto, tenor and bass or 3 sopranos, alto and 2 basses |
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| In Nomine 'Trust' à 5 (No.13) from 21 In Nomines (Tye, Christopher) for 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or soprano, alto, tenor and bass or 2 sopranos, 2 tenors and bass or soprano, alto, 2 tenors and bass or 3 sopranos, tenor and bass or 2 sopranos, alto, tenor and bass or 3 sopranos, alto and 2 basses |
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| Alleluja, lobet ihr Knechte des Herrn (Schein, Johann Hermann) for mixed chorus |
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| Amor, wie ist dein Lieblichkeit (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Einstmals ich ein Jungfräulein (Schein, Johann Hermann) for mixed chorus |
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| Frisch auf du edle Musikkunst (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Gleich wie ein kleines Vögelein (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Haec est dies (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Herbei, wer lustig sein will hier (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Post Martinum bonum vinum (Schein, Johann Hermann) for mixed chorus or soprano, alto, 2 tenors and bass |
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| Canzon corollarium à 5 (Schein, Johann Hermann) for 5 Unspecified instruments |
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| Canzon à 5, VK 23 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
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| Canzon à 6 (Schein, Johann Hermann) for 6 Unspecified instruments |
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| Ingrediente Domino (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Heulen und schmerzlichs Weinen (Schein, Johann Hermann) for mixed chorus |
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| Ich will nun fröhlich singen (Schein, Johann Hermann) for mixed chorus or 2 sopranos, 2 altos, 2 tenors and 2 basses |
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| Itzund ich mich vergleiche (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Lobet den Herrn in seinem Heiligtum (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Lobet den Herrn in seinem Heiligtum (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Maria Magdalena (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Mit Lust zu tragen mir gefällt (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| O Fortun, wie dass du mich so gar sehr betrübest (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Rings um mich schwebet Traurigkeit (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Soll denn so mein Herz bezahlt werden (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Soll es denn nun nicht anders sein (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Sollt' ich mein' Freud' verschweigen (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Vergiss aller der Traurigkeit (Schein, Johann Hermann) for mixed chorus or 2 sopranos, alto, tenor and bass |
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| Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
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| Ehr sei Gott in der Höh allein (Schein, Johann Hermann) for 2 mixed chorus or 3 sopranos, 3 altos, 2 tenors and 2 basses |
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| Doulce memoire en plaisir consommée (Sandrin) for 4 voices |
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| Laudate Dominum (Aichinger, Gregor) for 2 mixed chorus |
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| Primo libro de ricercari et canzoni (Bonelli, Aurelio) for soprano, alto, tenor and bass or 2 sopranos, 2 altos, 2 tenors and 2 basses |
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| Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada I ("Wo Gott der Herr nicht bei uns hält") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada II ("Nun lob mein Seel den Herren") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada III ("Vater unser im Himmelreich") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada IV ("O Herre Gott, dein göttlich Wort") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada V ("Ach Gott, vom Himmel sieh darein") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada VI ("Nun höret zu, ihr Christenleut") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada VII ("Von Gott will ich nicht lassen") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada VIII ("Warum betrübst du dich, mein Herz") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada IX ("Nun laßt uns Gott dem Herren") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada X ("Es spricht der Unweisen Mund wohl") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada XI ("Allein Gott in der Höh sei Ehr") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada XII ("Ein feste Burg") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada XIII ("Gott der Vater wohn uns bei") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada XV ("List und Neid") from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Intrada XVI ("Zum Verdruß den Beschluß", Part 2 of Intrada XV) from Neuer lieblicher und zierlicher Intraden (Altenburg, Michael) for 2 sopranos, alto, 2 tenors and bass or tenor, 2 sopranos, alto, tenor and bass |
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| Motet “Nun komm, der Heiden Heiland” from Cantiones de Adventu (Altenburg, Michael) for 5 voices or 6 voices or 8 voices |
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| Intrada “Nun komm, der Heiden Heiland” from Cantiones de Adventu (Altenburg, Michael) for 5 voices or 6 voices or 8 voices |
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| Browning (Bevin, Elway) for alto, tenor and bass |
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| Rest von polnischen und andern Täntzen (Haussmann, Valentin) for soprano, 2 altos, tenor and bass or soprano, alto, 2 tenors and bass or 5 voices |
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| Laßt uns zusammen in Gottes Namen singen from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Wer leben will ohn Schmerz from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Wer leben will ohn Schmerz from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Die Musik und ein guter Wein from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Die Musik und ein guter Wein from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Beim guten Wein traurig zu sein from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Kann auch der Liebe Band from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Musik von alters ist geehrt from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Midas, der grobe Rustephil from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Orpheus die Harfen schlug so fein from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Wir armen Kartäuser from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Wir armen Kartäuser from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Nun tret herbei ein jeder frei from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Nun tret herbei ein jeder frei from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Mein Lust und Freud in Traurigkeit from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Mein Lust und Freud in Traurigkeit from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Im Maien from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Im Maien from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Mit Lust tät ich spazieren from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Mit Lust tät ich spazieren from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Der Kuckuck hat sich zu Tod gefall'n from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Der Kuckuck hat sich zu Tod gefall'n from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Martinus, der gar milde Mann from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Martinus, der gar milde Mann from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Frisch fröhlich woll'n wir singen from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
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| Frisch fröhlich woll'n wir singen from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Der Kuckuck auf dem Zaune saß from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Engraving files (Capella) from Neue teutsche weltliche Madrigalia und Balletten (Steffens, Johann) for 5 voices |
— |
| Christ ist erstanden (Finck, Heinrich) for mixed chorus or soprano, 2 altos, tenor and bass or soprano, alto, 2 tenors and bass |
— |
| Ausserlesener Paduanen und Galliarden, Ander Theil (Hildebrand, Christian) for soprano, 2 altos, tenor and bass or soprano, alto, 2 tenors and bass |
— |
| Tulerunt Dominum, NJE 20.14 (Josquin Desprez) for 2 sopranos, 2 altos, 2 tenors and 2 basses |
— |
| Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
selections |
| 57. Almaine from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 58. The Fruit of Love [Almaine] from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 59. The Choise [Almaine] from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 61. Wanton from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 62. The Widowes Myte from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 63. The Fairie-Round from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 64. As it Fell on a Holie Eve from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 64. As it Fell on a Holie Eve from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| 64. As it Fell on a Holie Eve from Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
| Der Kölner Markt (Zangius, Nikolaus) for mixed chorus |
— |
| La paglia (Erbach, Christian) for 2 sopranos, alto, tenor and bass or 3 sopranos, tenor and bass |
— |
| Cries of London (Gibbons, Orlando) for 2 sopranos, alto, tenor and bass or 5 viols |
— |
| Newe ausserlesene Paduanen, Galliarden, Cantzonen, Allmand und Couranten (Brade, William) for 5 viols or 5 Unspecified instruments |
— |
| Carmen (Isaac, Heinrich) for 4 Unspecified instruments |
— |
| Opusculum Neuwer Paduanen, Gaillarden, Couranten und Volten (Simpson, Thomas) for 5 Unspecified instruments or 5 viols |
— |
| Sinfonia from Intermedio 4 (Malvezzi, Cristofano) |
— |
| Intermedio 5 (Malvezzi, Cristofano) |
selections |
| Intermedio 1 (Malvezzi, Cristofano) |
selections |
| Noi, che cantando from Intermedio 1 (Malvezzi, Cristofano) |
— |
| When David Heard (Weelkes, Thomas) for mixed chorus |
— |
| Zanni et Magnifico (Eccard, Johannes) for mixed chorus or soprano, alto, 2 tenors and bass |
— |
| Newe ausserlesene Paduanen und Galliarden (Brade, William) for 6 viols or 6 Unspecified instruments |
— |
| Gloria Patri, qui creavit nos (Franck, Melchior) |
— |
| The Funeralls (Holborne, Anthony) for 5 viols |
— |
| Mein himmlischer Vater (Othmayr, Caspar) for soprano, alto, 2 tenors and bass |
— |
| Primitiae musicales (Fritsch, Balthasar) for 4 Unspecified instruments or 5 Unspecified instruments |
— |
| Studenten-Schmaus (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass or 2 sopranos, alto, tenor, bass and continuo |
— |
| Selections (Nos.17-22) from Venus-Kränzlein (Schein, Johann Hermann) for 5 voices or 8 voices or 5 Unspecified instruments or 6 Unspecified instruments |
— |
| Magnificat super ''Ut re mi fa sol la'' from Megalynodia Sionia (Praetorius, Michael) for 5 voices or 6 voices or 8 voices |
— |
| Magnificat super ''In te, Domine, speravi'' from Megalynodia Sionia (Praetorius, Michael) for 5 voices or 6 voices or 8 voices |
— |
| Magnificat super Chorale melos germanicum from Megalynodia Sionia (Praetorius, Michael) for 5 voices or 6 voices or 8 voices |
— |
| Danceries, Livre 3 (Gervaise, Claude) for soprano, alto, tenor and bass or soprano, alto, tenor and 2 basses |
— |
| No.1. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.2. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.3. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.4. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.5. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.6. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.7. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.8. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.9. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.10. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.11. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.12. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.13. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.14. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.15. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.16. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.17. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.18. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.19. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.20. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.21. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.22. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.23. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.24. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.25. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.26. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.27. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.28. Padouan from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.29. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.30. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| No.30. Galliarda from Dreißig auserlesene Padouanen und Galliarden (Groh, Johann) for 5 Unspecified instruments or 5 viols |
— |
| Missa duplex per totum annum (Stoltzer, Thomas) for alto, 2 tenors and bass or soprano, 2 tenors and bass or mixed chorus |
— |
| Melodia I. toni (Dorian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia II. toni (Hypodorian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia III. toni (Phrygian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia IV. toni (Hypophrygian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia V. toni (Lydian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia VI. toni (Hypolydian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia VII. toni (Mixolydian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia VIII. toni (Hypomixolydian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Melodia VIII. toni (Hypomixolydian) from Octo tonorum melodiae quinque vocibus (Stoltzer, Thomas) for 5 Unspecified instruments |
— |
| Cancionero de Uppsala (Various) for voice or 2 voices or 3 voices or 4 voices or 5 voices |
selections |
| Was mein Gott will, das g'scheh allzeit (Gumpelzhaimer, Adam) for 2 mixed chorus |
— |
| Salve Regina (Guerrero, Francisco) for mixed chorus or soprano, alto, tenor and bass |
— |
| Quo mihi crude dolor tantum dominare (Handl, Jacob) for 2 mixed chorus |
— |
| Laudate Dominum (Handl, Jacob) for 2 mixed chorus |
— |
| Lust hab ich ghabt zur musica (Senfl, Ludwig) for mixed chorus |
— |
| Sonata à 7 Flauti in G major (Schmelzer, Johann Heinrich) for 7 recorders and continuo |
— |
| No.1. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.2. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.3. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.4. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.5. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.6. Phantasia from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.7. Phantasia from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.8. Canzon from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.9. Madrigal "Die Brünnlein, die da fließen" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.10. Madrigal "Ich und du" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.11. Madrigal "O höchster Schatz" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.12. Madrigal "Ade, mein's Herzens Krönelein" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.13. Moteta "Duo abs te rogavi" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.14.-23. Passametz from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.24. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.25. Fuga from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.26. Phantasia from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.27. Madrigal "Der Liebste mein" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.28. Madrigal "Mein Herz nach Gottes Willen" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.29. Madrigal "Mit deiner Zucht" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.30. Moteta "Tria me exhilarant" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.31. Paduana from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.32. Paduana from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.33. Intrada from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.34. Intrada from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.35. Galliard from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.36. Tantz "Ein' Tochter bat die Mutter schon" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.37. Madrigal "Elend bringt Pein" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.38. Madrigal "Buhlschaft schad't neut from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.39. Galliard "Gar treu, aufrichtig, friedesam" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.40. Tantz "Einstmals ein Mägdlein frisch und jung" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.41. Paduana from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.42. Paduana from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.43. Intrada from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.44. Intrada from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.45. Galliard "Ach, ach groß Schmerz und Pein" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.46. Galliard from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.47. Madrigal "Vor Zeiten war die Tugend" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.48. Madrigal "Ich bin des reichen Bauren Sohn" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.49. Tantz from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.50. Tantz from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.51. Galliard "Ach Fräulein schon" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.52. Moteta "Vulnerasti cor meum" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.53. Cantzon from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.54-56. "Herzlich tut mich erfreuen" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.57. Madrigal "Schwer langweilig ist mir mein' Zeit" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.58. "Nachtwache" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| No.59. "Der ehlich Stand" from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| Engraving files (Capella) from Musicalischer Lüstgarte (Schultz, Johannes) for 2 Unspecified instruments or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or 7 Unspecified instruments or 8 Unspecified instruments or voices |
— |
| Kyrie from Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Gloria from Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Credo from Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Sanctus - Benedictus from Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Agnus Dei from Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Magnificat octavi toni, LV 286 (Lassus, Orlande de) for soprano, alto, tenor and bass or 2 sopranos, alto, 2 tenors and bass or mixed chorus |
— |
| Zwo-chorige Passametzen mit 8 Stimmen from 40 Neuwe außerlesene schöne liebliche Paduanen, Intraden und Galliard (Schultz, Johannes) for soprano, alto, tenor and bass or 2 sopranos, 2 altos, 2 tenors and 2 basses |
— |
| Opusculum etlicher newer und alter Reuterliedlein (Franck, Melchior) for soprano, alto, tenor and bass |
— |
| Beati estis (Philips, Peter) for 8 voices or 2 mixed chorus |
— |
| Pavan passamezzo (Philips, Peter) for 6 viols |
— |
| Fantasia 'Innsbruck, ich muß dich lassen' (Lütkemann, Paul) for 5 Unspecified instruments |
— |
| Canzona 1 (Grillo, Giovanni Battista) for 2 sopranos, alto, 3 tenors and 2 basses |
— |
| Sinfonia 'La Bergamasca' (Viadana, Lodovico da) for 8 Unspecified instruments |
— |
| Sinfonia 'La Padovana' (Viadana, Lodovico da) for 8 Unspecified instruments |
— |
| Deutsches Magnificat, SSWV 331 (Scheidt, Samuel) for mixed chorus and continuo |
— |
| A la battaglia (Isaac, Heinrich) for 4 voices |
— |
| A la battaglia (Isaac, Heinrich) for 4 voices |
— |
| A la battaglia (Isaac, Heinrich) for 4 voices |
— |
| Hodie Christus natus est, Ch.40 (Gabrieli, Giovanni) for 10 voices |
— |
| Chiar' angioletta, Ch.117 (Gabrieli, Giovanni) for 8 voices |
— |
| Chiar' angioletta, Ch.117 (Gabrieli, Giovanni) for 8 voices |
— |
| Chiar' angioletta, Ch.117 (Gabrieli, Giovanni) for 8 voices |
— |
| Quodlibet "In illo tempore" from Newes teutsches musicalisches fröliches Convivium (Franck, Melchior) for voices |
— |
| 2 Dances on the Tune 'La Spagna' (Anonymous) for alto, 2 tenors and bass |
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| In dedicatione templi (Trehou, Gregorius) for 6 voices |
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| Nachtlied (No.3) from 8 Geistliche Gesänge, Op. 138 (Reger, Max) for mixed chorus |
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| Sing Joyfully unto God Our Strength (Byrd, William) for 2 sopranos, 2 altos, tenor and bass or 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Fuga secunda (Haussmann, Valentin) for 4 Unspecified instruments |
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| Deutsches Magnificat "Meine Seele erhebt den Herren", SWV 494 (No.13) from Der Schwanengesang, Op. 13 (Schütz, Heinrich) for 2 mixed chorus and continuo or 8 voices and continuo |
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| Toccata 'Athalanta' (Bonelli, Aurelio) for 8 Unspecified instruments or organ |
— |
| Pavan and Galliard on 'Go from my Window' (Haussmann, Valentin) for 5 Unspecified instruments |
— |
| Nun komm, der Heiden Heiland, SSWV 12 (Scheidt, Samuel) for 2 mixed chorus |
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| Wohlan, so kommet her, ihr Frommen, SSWV 328 (Scheidt, Samuel) for 4 voices |
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| Ich bin die Auferstehung und das Leben, SWV 464 (Schütz, Heinrich) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
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| Audi dulcis amica mea (Steffens, Johann) for 8 voices or 2 mixed chorus |
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| Audi dulcis amica mea (Steffens, Johann) for 8 voices or 2 mixed chorus |
— |
| Audi dulcis amica mea (Steffens, Johann) for 8 voices or 2 mixed chorus |
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| Bewahre mich, Herr (Sommer, Johann) for voices |
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| Herr, unser Herrscher (Sommer, Johann) |
— |
| Canzon XVI a 12, Ch.209 (Gabrieli, Giovanni) for 12 voices |
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| Canzon XII a 8, Ch.205 (Gabrieli, Giovanni) for 8 voices |
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| Jubilate Deo omnis terra, Ch.136 (Gabrieli, Giovanni) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Jubilate Deo omnis terra, Ch.136 (Gabrieli, Giovanni) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Von üppiklichen dingen (Heselloher, Hans) for 3 voices |
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| Verbum caro factum est (Hassler, Hans Leo) for 6 voices |
— |
| Bona speranza (Holborne, Anthony) for 5 Unspecified instruments |
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| Heigh Ho Holiday (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 18 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 8 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 9 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 47 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| The Night Watch (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 10 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Sedet sola (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 14 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Hermoza (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 16 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 17 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| The Marie-golde (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 23 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Canciones y villanescas espirituales (Guerrero, Francisco) for 3 voices or 4 voices or 5 voices |
— |
| Canciones y villanescas espirituales (Guerrero, Francisco) for 3 voices or 4 voices or 5 voices |
— |
| Canciones y villanescas espirituales (Guerrero, Francisco) for 3 voices or 4 voices or 5 voices |
— |
| Canciones y villanescas espirituales (Guerrero, Francisco) for 3 voices or 4 voices or 5 voices |
— |
| Canciones y villanescas espirituales (Guerrero, Francisco) for 3 voices or 4 voices or 5 voices |
— |
| Paduana from Paduana and Galliard, APG2.07 (Gistou, Nicolo) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.07 (Gistou, Nicolo) for 5 Unspecified instruments |
— |
| Galliard, IAH 21 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Misericordiae tuae (Trombetti, Ascanio) for 12 voices |
— |
| Galliard, APG2.10b (Bateman, Robert) for 5 Unspecified instruments or 5 viols |
— |
| Paduana from Paduana and Galliard, APG2.01 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.01 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.09 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.09 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Suite No. 5 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 16 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 1 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 3 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 4 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 6 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 7 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 8 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 9 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 10 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 2 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 11 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 12 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 13 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 14 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 17 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 18 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 15 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Padouana à 4 (Schein, Johann Hermann) for 4 crumhorns |
— |
| Intrada à 4 (Schein, Johann Hermann) for flute, cornett, violin and continuo |
— |
| Suite No. 19 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Suite No. 20 (Schein, Johann Hermann) for 2 sopranos, alto, tenor and bass |
— |
| Paduana from Paduana and Galliard, APG2.02 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.02 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.05 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.05 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Cantional (Schein, Johann Hermann) for 4 voices or 5 voices or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
selections |
| Paduana and Galliard, APG2.03 (Grep, Benedict) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.04 (Gistou, Nicolo) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.04 (Gistou, Nicolo) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.06 (Borchgrevinck, Melchior) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.06 (Borchgrevinck, Melchior) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.08 (Brade, William) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.08 (Brade, William) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.11 (Grep, Benedict) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.11 (Grep, Benedict) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.12 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.12 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.18 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.18 (Steffens, Johann) for 5 Unspecified instruments |
— |
| Galliard, APG2.14b (Bateman, Robert) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.13 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.13 (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.16 (Sommer, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.16 (Sommer, Johann) for 5 Unspecified instruments |
— |
| Paduana from Paduana and Galliard, APG2.17 (Sommer, Johann) for 5 Unspecified instruments |
— |
| Galliard from Paduana and Galliard, APG2.17 (Sommer, Johann) for 5 Unspecified instruments |
— |
| Paduana, APG2.10a (Steffens, Johann) for 5 Unspecified instruments |
— |
| Paduana, APG2.14a (Steffens, Johann) for 5 Unspecified instruments |
— |
| Paduana, APG2.15a (Mercker, Matthias) for 5 Unspecified instruments |
— |
| Könnt ich, schön reines werthes Weib (Senfl, Ludwig) for 4 voices |
— |
| Parte prima from Canzona in G major, NPGCAC 15 (Brade, William) for 2 sopranos, alto, tenor and bass |
— |
| Parte seconda from Canzona in G major, NPGCAC 15 (Brade, William) for 2 sopranos, alto, tenor and bass |
— |
| Canzona in G major, NPGCAC 5 (Brade, William) for 2 sopranos, alto, tenor and bass |
— |
| Christ ist erstanden (Stoltzer, Thomas) for soprano, 2 tenors and bass or mixed chorus |
— |
| Unser grosse Sünde und schwere Missetat (Stoltzer, Thomas) for soprano, 2 altos and bass or mixed chorus |
— |
| Nu kom, der heiden Heiland (Walter, Johann) for 5 voices |
— |
| The Teares of the Muses (Holborne, Anthony) for 5 Unspecified instruments |
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| The Cradle (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Lullabie (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 41 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Aus meines Herzens Grunde, RpaT 3 (Haussmann, Valentin) for soprano, 2 altos, tenor and bass or 5 voices |
— |
| Mit Elend und mit Leid, RpaT 4 (Haussmann, Valentin) for soprano, 2 altos, tenor and bass or 5 voices |
— |
| O schönes Lieb, RpaT 2 (Haussmann, Valentin) for soprano, 2 altos, tenor and bass or 5 voices |
— |
| Paradizo (Holborne, Anthony) for 5 Unspecified instruments |
— |
| The Sighes (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 11 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 12 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 13 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 42 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 43 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 44 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 45 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Pavan, IAH 46 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| The New-Yeeres Gift (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Weil mich geg’n Euch, RpaT 1 (Haussmann, Valentin) for soprano, 2 altos, tenor and bass or 5 voices |
— |
| The Image of Melancholly (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Ecce quam bonum (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Infernum (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Mens innovata (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Patiencia (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Spero (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Galliard, IAH 15 (Holborne, Anthony) for 5 Unspecified instruments |
— |
| Angelus ad pastores ait (Hassler, Hans Leo) for 4 voices |
— |
| Girometta (Porta, Costanzo) for 8 Unspecified instruments |
— |
| La mi la sol (Isaac, Heinrich) for 4 Unspecified instruments |
— |
| En l'ombre (Isaac, Heinrich) for 4 Unspecified instruments |
— |
| Galliard, APG2.15b (Anonymous) for 5 Unspecified instruments |
— |
| E qui le dira (Isaac, Heinrich) for 4 voices or soprano, alto, tenor and bass or soprano, 2 tenors and bass |
— |
| Quis dabit oculis (Senfl, Ludwig) for soprano, alto, tenor and bass |
— |
| Sir John Souch his Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. Henry Noel his Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. Nicholas Gryffith his Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. Bucton's Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae gementes (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae tristes (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae coactae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae amantis (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae verae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Semper Dowland semper dolens (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Sir Henry Umpton's Funeral (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae antiquae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. Giles Hobies Galliard (Dowland, John) for lute and 5 violins or lute and 5 viols |
— |
| Mr. Thomas Collier his Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. John Langton's Pavan (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Lachrimae antiquae novae (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Version for Viols from Captain Digorie Piper his Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| The King of Denmark's Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mistress Nichols Almand (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Mr. George Whitehead his Almand (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| The Earl of Essex Galliard (Dowland, John) for lute, soprano, alto, 2 tenors and bass |
— |
| Viva la musica (Franck, Melchior) for 6 voices |
— |
| Weihnachtsliederbuch (Freundt, Cornelius) for 4 voices or 5 voices or 6 voices or mixed chorus |
— |
| Quem vidistis, pastores (Hassler, Hans Leo) for 4 voices |
— |
| Aus tiefer Not schrei ich zu dir (Praetorius, Michael) for 2 sopranos, 2 altos, 2 tenors and 2 basses or 2 mixed chorus |
— |
| Laetentur coeli (Hassler, Hans Leo) for 4 voices |
— |
| Domine Deus, pater omnipotens (Hassler, Hans Leo) for 4 voices |
— |
| Cantate Domino (Hassler, Hans Leo) for 4 voices |
— |
| Deus, in nomine tuo (Hassler, Hans Leo) for 4 voices |
— |
| Ecce enim Deus adiuvat me (Hassler, Hans Leo) for 4 voices |
— |
| Gratias agimus tibi (Hassler, Hans Leo) for 4 voices |
— |
| Qui laudat Dominum (Hassler, Hans Leo) for 4 voices |
— |
| Ecce Maria genuit (Hassler, Hans Leo) for 5 voices |
— |
| Ego vero afflictus sum (Hassler, Hans Leo) for 4 voices |
— |
| Ite in universum mundum (Hassler, Hans Leo) for 4 voices |
— |
| Tu es Petrus (Hassler, Hans Leo) for 5 voices |
— |
| Jubilate Deo (Hassler, Hans Leo) for 5 voices |
— |
| Plaude triumphalem (Hassler, Hans Leo) for 5 voices |
— |
| Exsultate Deo (Hassler, Hans Leo) for 2 sopranos, alto, tenor and bass |
— |
| Veni, sancte Spiritus (Hassler, Hans Leo) for soprano, alto, 2 tenors and bass |
— |
| Alleluja, laudem dicite (Hassler, Hans Leo) for 2 sopranos, alto, tenor and bass |
— |
| Canite tuba in Sion (Hassler, Hans Leo) for 5 voices |
— |
| Ad Dominum, cum tribularer (Hassler, Hans Leo) for 5 voices |
— |
| Gaudent in coelis animae (Hassler, Hans Leo) for 5 voices |
— |
| A chi creder degg'io (Hassler, Hans Leo) for 5 voices |
— |
| Qui dove i sacri (Prima parte) from Qui dove i sacri (Hassler, Hans Leo) for 5 voices |
— |
| Vieni, o Fillide mia (Seconda parte) from Qui dove i sacri (Hassler, Hans Leo) for 5 voices |
— |
| Lieti fiori e felici (Prima parte) from Lieti fiori e felici (Hassler, Hans Leo) for 5 voices |
— |
| O soave contrada (Seconda parte) from Lieti fiori e felici (Hassler, Hans Leo) for 5 voices |
— |
| Ardo sì, ma non t'amo (Prima parte) from Ardo sì, ma non t'amo (Hassler, Hans Leo) for 5 voices |
— |
| Ardi e gela à tua voglia (Seconda parte) from Ardo sì, ma non t'amo (Hassler, Hans Leo) for 5 voices |
— |
| Donna, quella saetta (Prima parte) from Donna, quella saetta (Hassler, Hans Leo) for 5 voices |
— |
| Ma la fiamma dell'alma (Seconda parte) from Donna, quella saetta (Hassler, Hans Leo) for 5 voices |
— |
| Herzlich tut mich erfreuen (Schultz, Johannes) for 6 Unspecified instruments or voices |
— |
| Nachtwache, ML 58 (Schultz, Johannes) for 2 sopranos, 2 altos, 2 tenors and bass or mixed chorus |
— |
| Tantz, ML 49 (Schultz, Johannes) for 5 Unspecified instruments |
— |
| Tantz, ML 49 (Schultz, Johannes) for 5 Unspecified instruments |
— |
| Der ehlich Stand, ML 59 (Schultz, Johannes) for 8 Unspecified instruments or voices |
— |
| Paduana, ML 42 (Schultz, Johannes) for 4 Unspecified instruments |
— |
| Paduana, ML 42 (Schultz, Johannes) for 4 Unspecified instruments |
— |
| Ecce quam bonum (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Ecce venit tibi rex tuus (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Veni, dilecte mi (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Et respondens Iesus dixit illis (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Omnes sitientes, venite ad aquas (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Domine, ne longe facias (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Cantate Domino, SV 293 (Monteverdi, Claudio) for 6 voices |
— |
| Adoramus te, SV 289 (Monteverdi, Claudio) for 6 voices and continuo |
— |
| Angelus ad pastores ait (Zangius, Nikolaus) for 6 voices or mixed chorus |
— |
| Fantasia 'Di sei bassi' (Ferrabosco Sr., Alfonso) for tenor and 5 basses or 6 viols |
— |
| Dum complerentur dies pentecostes (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Tulerunt Dominum meum (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Affer opem (Lange, Gregor) for 5 voices or mixed chorus |
— |
| Crist ist erstanden (Isaac, Heinrich) for 4 voices |
— |
| Ne piu bella di queste (Isaac, Heinrich) for 4 voices |
— |
| Fammi una gratia, amore (Isaac, Heinrich) for soprano, tenor and bass |
— |
| Ich stund an einem morgen (Isaac, Heinrich) for 4 voices |
— |
| Es het ein Baur ein Toechterlein (Isaac, Heinrich) for 4 voices |
— |
| Greiner, Zancker, Schnöpffitzer (Isaac, Heinrich) for 4 voices |
— |
| Es wolt ein meydlein grasen gan (Isaac, Heinrich) for 4 voices |
— |
| In Gottes namen faren wir (Isaac, Heinrich) for 4 voices |
— |
| In meinem sinn 1 (Isaac, Heinrich) for 4 voices or 4 Unspecified instruments |
— |
| Quis dabit capiti meo aquam (Isaac, Heinrich) for 4 voices |
— |
| Memor esto verbi tui - Bonitatem fecisti (Lange, Gregor) for 5 voices or mixed chorus |
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| Benedicat tibi Dominus (Lange, Gregor) for 5 voices or mixed chorus |
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| Vina parant animos (Lange, Gregor) for 5 voices or mixed chorus |
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| Ego dormio et cor meum vigilat (Lange, Gregor) for 6 voices or mixed chorus |
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| Exaudi me, Domine (Lange, Gregor) for 5 voices or mixed chorus |
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| Tota pulchra es (Lange, Gregor) for 5 voices or mixed chorus |
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| Die Himmel erzählen die Ehre Gottes, SWV 386 (Schütz, Heinrich) for voices and continuo |
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| Der Engel sprach zu den Hirten, SWV 395 (Schütz, Heinrich) for voices and continuo |
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| Vom Himmel hoch da komm ich her (Forster, Georg) for 5 voices |
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| Cor mundum crea in me, Deus (Lange, Gregor) for 6 voices or mixed chorus |
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| Decrevi (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Muy Linda (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| My Selfe (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Heres paternus (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Pavan, IAH 48 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Magnificat secundi toni (Hessen-Kassel, Moritz von) for soprano, alto, tenor and bass or mixed chorus |
— |
| Magnificat primi toni (Hessen-Kassel, Moritz von) for soprano, alto, tenor and bass or mixed chorus |
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| Magnificat tertii toni (Hessen-Kassel, Moritz von) for 4 voices |
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| Magnificat quarti toni (Hessen-Kassel, Moritz von) for 4 voices |
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| Magnificat quinti toni (Hessen-Kassel, Moritz von) for 4 voices |
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| Amoretta (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Last Will and Testament (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Nec invideo (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Ploravit (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Posthuma (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Sic semper soleo (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Galliard, IAH 19 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Galliard, IAH 20 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Galliard, IAH 22 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Pavan, IAH 49 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Pavan, IAH 50 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Pavan, IAH 51 (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
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| Christus resurgens (Lange, Gregor) for 6 voices or mixed chorus |
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| Quicquid Adam (Lange, Gregor) for 6 voices or mixed chorus |
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| Toutes les nuictz (Crecquillon, Thomas) for 4 voices |
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| Musae Sioniae, Theil 2 (Praetorius, Michael) for 8 voices or 12 voices or 8 voices and continuo or 12 voices and continuo |
selections |
| Musae Sioniae, Theil 2 (Praetorius, Michael) for 8 voices or 12 voices or 8 voices and continuo or 12 voices and continuo |
selections |
| Vom Himmel hoch from Musae Sioniae, Theil 4 (Praetorius, Michael) for 2 mixed chorus or 2 mixed chorus or 2 mixed chorus and organ or 8 voices or 8 voices or 8 voices and organ |
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| Wachet auf from Musae Sioniae, Theil 5 (Praetorius, Michael) for 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or 6 voices and continuo or 7 voices and continuo or 8 voices and continuo |
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| Concerto primo 'La Battaglia' (Banchieri, Adriano) for 8 voices or 8 Unspecified instruments |
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| Ach Hertzigs K (Isaac, Heinrich) for 4 voices |
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| Nisi Dominus (Senfl, Ludwig) for 5 voices |
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| Parte prima from Canzona in D major, NPGCAC 14 (Brade, William) for 2 sopranos, alto, tenor and bass |
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| Parte prima from Canzona in D major, NPGCAC 14 (Brade, William) for 2 sopranos, alto, tenor and bass |
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| Parte seconda from Canzona in D major, NPGCAC 14 (Brade, William) for 2 sopranos, alto, tenor and bass |
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| Parte seconda from Canzona in D major, NPGCAC 14 (Brade, William) for 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Coranta, NPGCAC 7 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard from Paduana, Galliard and Coranta, NPGCAC 7 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Coranta from Paduana, Galliard and Coranta, NPGCAC 7 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Allmand, NPGCAC 3 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard and Allmand from Paduana, Galliard and Allmand, NPGCAC 3 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Coranta, NPGCAC 8 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard and Coranta from Paduana, Galliard and Coranta, NPGCAC 8 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Coranta, NPGCAC 9 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard and Coranta from Paduana, Galliard and Coranta, NPGCAC 9 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Coranta, NPGCAC 11 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard and Coranta from Paduana, Galliard and Coranta, NPGCAC 11 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana, Galliard and Allmand, NPGCAC 2 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard and Allmand from Paduana, Galliard and Allmand, NPGCAC 2 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana and Galliard, NPGCAC 1 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
— |
| Galliard from Paduana and Galliard, NPGCAC 1 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana and Galliard, NPGCAC 4 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard from Paduana and Galliard, NPGCAC 4 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
— |
| Paduana from Paduana and Galliard, NPGCAC 6 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard from Paduana and Galliard, NPGCAC 6 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana and Galliard, NPGCAC 10 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard from Paduana and Galliard, NPGCAC 10 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Paduana from Paduana and Galliard, NPGCAC 12 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
— |
| Galliard from Paduana and Galliard, NPGCAC 12 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
— |
| Paduana from Paduana and Galliard, NPGCAC 13 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard from Paduana and Galliard, NPGCAC 13 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard, NPGCAC 16 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard, NPGCAC 17 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Galliard, NPGCAC 18 (Brade, William) for 5 viols or 2 sopranos, alto, tenor and bass |
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| Omnes gentes (Senfl, Ludwig) for 5 voices |
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| Ecce quam bonum (Senfl, Ludwig) for 4 voices |
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| In nomine 'Weepe no more Rachell' (Tye, Christopher) for 5 Unspecified instruments |
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| In nomine (Tye, Christopher) for 4 Unspecified instruments |
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| Ach Elslein I (Senfl, Ludwig) for 6 voices or 3 voices, soprano, tenor and bass |
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| Maria zart - Maria, du bist genadenvoll (Senfl, Ludwig) for 5 voices or 2 voices and 3 Unspecified instruments |
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| Patientia (Senfl, Ludwig) for 4 voices |
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| Ach Elslein II (Senfl, Ludwig) for 4 voices |
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| Der welte fundt (Isaac, Heinrich) for 4 Unspecified instruments |
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| Palle palle (Isaac, Heinrich) for 4 voices |
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| Corri fortuna (Isaac, Heinrich) for 4 Unspecified instruments |
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| Quis dabit oculis nostris (Festa, Costanzo) for 4 voices |
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| Honie-Suckle (Holborne, Anthony) for 5 Unspecified instruments |
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| Die Brünnlein, die da fließen I (Senfl, Ludwig) for 4 voices |
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| Die Brünnlein, die da fließen II (Senfl, Ludwig) for 6 voices |
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| 65 Teutscher Lieder (Schöffer, Peter) for 4 voices or 5 voices |
selections |
| Virgo prudentissima (Isaac, Heinrich) for 6 voices |
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| Imperii proceres (Isaac, Heinrich) for 4 voices |
— |
| Sancti Spiritus assit nobis gratia (Isaac, Heinrich) for 4 voices |
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| Dich, Mutter Gottes, ruf' wir an (Isaac, Heinrich) for 4 voices |
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| In meinem sinn 2 (Isaac, Heinrich) for 4 voices or 4 Unspecified instruments |
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| Proch dolor (Anonymous) for 7 voices |
— |
| Missa super 'Un gay bergier' (Daser, Ludwig) for 4 voices |
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| O Gott, wir loben dich (Ducis, Benedictus) for 4 voices or mixed chorus |
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| Opus Newer Paduanen (Simpson, Thomas) for 5 Unspecified instruments |
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| Sub tuum praesidium (Opitiis, Benedictus de) for 4 voices |
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| Verbum Domini manet in aeternum (Walter, Johann) for 6 voices |
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| Deus, venerunt gentes (Festa, Costanzo) for 5 voices |
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| Gottes Gewalt, Kraft und auch Macht (Senfl, Ludwig) for 5 voices |
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| Regem archangelorum (Festa, Costanzo) for 4 voices |
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| Quam pulchra es (Dulichius, Philipp) for 8 voices or 2 mixed chorus |
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| Steh auf, meine Freundin (Dulichius, Philipp) for 8 voices or 2 mixed chorus |
— |
| Ich hebe meine Augen auf (Dulichius, Philipp) for 8 voices or 2 mixed chorus |
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| Confitemini Domino (Dulichius, Philipp) for 8 voices or 2 mixed chorus |
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| Deus misereatur nostri (Dulichius, Philipp) for 8 voices or 2 mixed chorus |
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| Ostergesänge (Hoffmann, Eucharius) for soprano, alto, tenor and bass |
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| Almaine, IAH 61 (Holborne, Anthony) for 5 Unspecified instruments |
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| Man wird zu Zion sagen (Haussmann, Valentin) for 8 voices |
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| Ma gli archi, LV 1006 (Lassus, Orlande de) for 7 voices |
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| Il magnanimo Pietro, LV 1005 (Lassus, Orlande de) for 7 voices |
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| Tre volte haveva, LV 1007 (Lassus, Orlande de) for 7 voices |
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| Qual a l'incontro, LV 1008 (Lassus, Orlande de) for 7 voices |
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| Nessun fedel trovai, LV 1012 (Lassus, Orlande de) for 7 voices |
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| Manipulus sacrarum cantionum (Haussmann, Valentin) for 5 voices or 6 voices |
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| Browning (Byrd, William) for 5 viols |
— |
| En novus annus adest (Haussmann, Valentin) for 5 voices |
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| Original Pitch from Quatre Sonate à 5 Bombardi (Anonymous) |
— |
| Transposed Versions (a Fifth Up) from Quatre Sonate à 5 Bombardi (Anonymous) |
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| Missa Per signum crucis (Daser, Ludwig) for 4 voices |
— |
| Pater noster (Praetorius, Michael) for 2 mixed chorus or 2 sopranos, 2 altos, 2 tenors and 2 basses |
— |
| Weep, Weep, Mine Eyes (Wilbye, John) for 5 voices |
— |
| Cantate Domino (Praetorius, Michael) for 8 voices |
— |
| Salve Regina (Byrd, William) for 2 altos, 2 tenors and bass |
— |
| Spera in Domino (Praetorius, Michael) for 6 voices |
— |
| Allein Gott in der Höh sei Ehr (Praetorius, Michael) for 8 voices or 2 mixed chorus |
— |
| Christ unser Herr zum Jordan kam (Praetorius, Michael) for 2 mixed chorus or 8 voices |
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| Fundamenta tenet mundi concordia (Praetorius, Michael) for 6 voices |
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| Ingressus Angelus (Praetorius, Michael) for 2 sopranos, alto, tenor and bass |
— |
| Tulerunt Dominum meum (Praetorius, Michael) for 6 voices |
— |
| Ecce Dominus veniet à 5 (Praetorius, Michael) for 5 voices |
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| Jauchzet dem Herren, alle Welt - Mein Herz ist bereitet (Anonymous) |
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