| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| La Dauphine | Jean-Philippe Rameau, composer | 1747 | harpsichord | Baroque | Pieces | ||||
| Premier Livre de Pièces de Clavecin (Suite in A minor) | Jean-Philippe Rameau, composer | RCT 1 | harpsichord | Baroque | Pieces | ||||
| Pièces de clavecin avec une méthode (Pièces de Clavessin avec une Méthode pour la Méchanique des Doigts.) | Jean-Philippe Rameau, composer | RCT 2-4 | 1724 | harpsichord | Baroque | Methods | |||
| Nouvelles suites de pièces de clavecin (New Suites of Harpsichord Pieces) | Jean-Philippe Rameau, composer | RCT 5-6 | harpsichord | Baroque | Suites, Pieces | ![]() |
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| Pièces de Clavecin en Concerts (Pièces de Clavecin en Concerts, avec un violon ou une flûte, et une viole ou un deuxième violon) | Jean-Philippe Rameau, composer | RCT 7-11 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces | |||
| Naïs (Pastorale héroïque) | Jean-Philippe Rameau, composer | RCT 49 | 1749 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | |||
| Platée ou Junon jalouse (Comédie lyrique en trois actes et un prologue) | Jean-Philippe Rameau, composer Jacques Autreau, librettist |
RCT 53 | 1745 | voices, mixed chorus and orchestra | Baroque | Opera-ballets, Lyric comedies | |||
| Le Temple de la Gloire (Opéra-ballet) | Jean-Philippe Rameau, composer | 1745 | voices, mixed chorus and orchestra | Classical | Opera-ballets | ||||
| Dardanus | Jean-Philippe Rameau, composer Charles-Antoine Leclerc de La Bruère, librettist |
1739 | voices, mixed chorus and orchestra | Baroque | Tragedies en musique | ||||
| Castor et Pollux | Jean-Philippe Rameau, composer Pierre-Joseph Bernard, librettist |
RCT 32 | 1737 | voices, mixed chorus and orchestra | Baroque | Tragedies en musique | |||
| In convertendo Dominus | Jean-Philippe Rameau, composer | RCT 14 | 1751 | soprano, alto, bass, mixed chorus and orchestra | Baroque | Psalms | |||
| Deus noster refugium (Deus noster refugium et virtus) | Jean-Philippe Rameau, composer | 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra | Baroque | Psalms | |||||
| Laboravi clamans | Jean-Philippe Rameau, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Psalms | |||||
| Hippolyte et Aricie (Hippolite et Aricie; Tragédie en musique en cinq actes et un prologue) | Jean-Philippe Rameau, composer Simon-Joseph Pellegrin, librettist |
1733 | voices, mixed chorus and orchestra | Baroque | Tragedies en musique | ||||
| Les Fêtes de Polymnie | Jean-Philippe Rameau, composer | 1745 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ||||
| Les Fêtes de Ramire (Acte de ballet) | Jean-Philippe Rameau, composer | 1745 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ||||
| Les Fêtes de l'Hymen et de l'Amour (''Les Festes de l’Hymen et de l’Amour, ou les Dieux d’Égypte, ballet héroïque'') | Jean-Philippe Rameau, composer | 1747 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ||||
| Les amants trahis | Jean-Philippe Rameau, composer | 1721 | soprano, bass and continuo | Baroque | Secular cantatas | ||||
| Zaïs (Pastorale-héroïque) | Jean-Philippe Rameau, composer Louis de Cahusac, librettist |
1748 | voices, mixed chorus and orchestra | Baroque | Pastorales, Opera-ballets | ||||
| Quam dilecta tabernacula | Jean-Philippe Rameau, composer | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |||||
| Nelée et Myrthis (Acte de ballet) | Jean-Philippe Rameau, composer | voices, mixed chorus and orchestra | Baroque | Opera-ballets | |||||
| Diligam te, Domine | Jean-Philippe Rameau, composer | soprano, alto, baritone, mixed chorus, organ and orchestra | Baroque | Sacred cantatas | |||||
| Enlèvement d'Orithie | Jean-Philippe Rameau, composer | 1719 | bass, violin and continuo | Baroque | Sacred cantatas | ||||
| 6 Concerts Transcrits en Sextuor | Jean-Philippe Rameau, composer | Baroque | Concertos | ![]() |
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| Zoroastre | Jean-Philippe Rameau, composer Louis de Cahusac, librettist |
voices, mixed chorus and orchestra | Baroque | Tragedies en musique | |||||
| Les Sibarites ou Sibaris (Acte de ballet) | Jean-Philippe Rameau, composer Jean-François Marmontel, librettist |
RCT 57 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ||||
| Les Fêtes d'Hébé (Les Talents Lyriques) | Jean-Philippe Rameau, composer | 1739 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ||||
| Pigmalion (Pygmalion ; Acte de Ballet) | Jean-Philippe Rameau, composer | RCT 52 | 1748 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | ![]() |
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| Anacréon (Ballet in 1 act) | Jean-Philippe Rameau, composer Louis de Cahusac, librettist |
RCT 30 | orchestra | Baroque | Opera-ballets | ||||
| La Guirlande ou les Fleurs enchantées | Jean-Philippe Rameau, composer Jean-François Marmontel, librettist |
RCT 42 | 1751 | voices, mixed chorus and orchestra | Baroque | Opera-ballets | |||
| Rameau Ballet Suite | Jean-Philippe Rameau, composer | orchestra | Classical | Ballets, Suites | |||||
| Démonstration du principe de l'harmonie | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Génération harmonique, ou Traité de musique théorique et pratique | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Code de musique practique, ou méthodes | Jean-Philippe Rameau, composer | Baroque | Performance practice | ||||||
| Traité de l'harmonie réduite à ses principes naturels | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Observations Sur Notre Instinct Pour La Musique, Et Sur Son Principe Ou les moyens de reconnoitre l'un par l'autre, conduisent à pouvoir se rendreraison avec certitude des différens effets de cet Art | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Traité des accords et de leur succession selon le systéme de la Basse-fondamentale* | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Erreurs sur la musique dans l'Encyclopédie | Jean-Philippe Rameau, composer | Baroque | Dictionaries | ||||||
| Nouveau systême de musique théorique, où l'on découvre le principe de toutes les règles necessaires à la pratique, pour servir d'introduction au "Traite de l'harmonie" | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Dissertation sur les différentes métodes d'accompagnement pour le Clavecin, ou pour l'Orgue.. () | Jean-Philippe Rameau, composer | Baroque | Performance practice | ||||||
| Cantate pour le jour de la Saint-Louïs | Jean-Philippe Rameau, composer | soprano, violin and continuo soprano, continuo and soprano |
Baroque | Sacred cantatas | |||||
| Quatrième suite de de pièces de clavecin (Suite in A minor) | Jean-Philippe Rameau, composer | A minor | RCT 5 | keyboard | Baroque | Suites | ![]() |
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| Suite | Jean-Philippe Rameau, composer | harpsichord | Classical | Suites | |||||
| Cantates françoises à voix seule avec simphonie | Jean-Philippe Rameau, composer | soprano, 2 violins and continuo bass, violin and continuo |
Baroque | Secular cantatas | |||||
| Daphnis et Aeglé (Pastorale héroïque en 1 acte) | Jean-Philippe Rameau, composer | 1753 | voices, mixed chorus and orchestra | Baroque | Pastorales, Operas | ||||
| Avec du vin, endormons-nous (Canon à la 4te) | Jean-Philippe Rameau, composer | E major | RCT 18 | 3 voices | Baroque | Canons | |||
| Suite in E minor (Deuxième suite) | Jean-Philippe Rameau, composer | E minor | harpsichord | Baroque | Suites | ||||
| Les Boréades | Jean-Philippe Rameau, composer | 1763 | voices and orchestra | Baroque | Tragedies en musique | ||||
| Les Surprises de l'Amour (Opéra-ballet) | Jean-Philippe Rameau, composer | RCT 58 | 1748 | voices and orchestra | Baroque | Opera-ballets, Ballets heroiques | |||
| La Naissance d'Osiris ou La fête Pamilie | Jean-Philippe Rameau, composer | RCT 48 | voices and orchestra | Baroque | Operas | ||||
| Motets | Jean-Philippe Rameau, composer | Baroque | Motets | ||||||
| L'impatience | Jean-Philippe Rameau, composer | voice, viol and continuo | Baroque | Secular cantatas | ![]() |
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| Œuvres complètes | Jean-Philippe Rameau, composer | Baroque | Critical editions | ||||||
| Pieces choisies (Transcription of 6 small pieces by Rameau) | Jean-Philippe Rameau, composer | Baroque | Pieces | ||||||
| Thétis | Jean-Philippe Rameau, composer | RCT 28 | 1715 | bass, violin and continuo | Baroque | Secular cantatas | |||
| Réponse de M. Rameau à MM. les éditeurs de l'Encyclopédie sur leur dernier avertissement | Jean-Philippe Rameau, composer | Baroque | Music criticism, Dictionaries | ||||||
| Origine des sciences (Origine des sciences, suivie d'une controverse sur le même sujet) | Jean-Philippe Rameau, composer | Baroque | Music theory | ||||||
| Suite des Erreurs sur la musique dans l'Encyclopédie | Jean-Philippe Rameau, composer | Baroque | Dictionaries | ||||||
| Les Courses de Tempé (Pastorale avec un divertissement) | Jean-Philippe Rameau, composer Alexis Piron, librettist |
RCT 33 | 1734 | Baroque | Pastorales, Divertissements, Incidental music | ||||
| Les Petits marteaux | Jean-Philippe Rameau, composer | RCT 12bis | harpsichord | Baroque | Pieces | ||||
| Extrait d'une réponse de M. Rameau à M. Euler sur l'identité des octaves d’où résultent des vérités d’autant plus curieuses qu’elles n’ont pas encore été soupçonnées | Jean-Philippe Rameau, composer | Baroque | Correspondence, Music theory | ||||||
| Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie | Jean-Philippe Rameau, composer | Baroque | Writings, Music theory | ||||||
| Io (Acte de Ballet) | Jean-Philippe Rameau, composer Louis de Cahusac, librettist |
RCT 45 | voices and orchestra | Baroque | Opera-ballets | ||||
| 7 Piccoli Pezzi | Jean-Philippe Rameau, composer | Baroque | Pieces | ||||||
| 3 Pièces pour Flûte & Clavecin | Jean-Philippe Rameau, composer Alexandre Picot, librettist |
Baroque | Pieces | ||||||
| La Lyre enchantée (ballet en un acte détaché des Surprises de l'Amour) | Jean-Philippe Rameau, composer | voices and orchestra | Baroque | Opera-ballets | |||||
| L'enlèvement d'Adonis (ballet en 1 acte détaché des Surprises de l'amour) | Jean-Philippe Rameau, composer | voices and orchestra | Baroque | Opera-ballets | |||||
| Suite in D major (Troisième Suite) | Jean-Philippe Rameau, composer | D major | RCT 3 | 1724 | harpsichord | Baroque | Suites | ![]() |
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| Musette, Menuets et Gavotte | Jean-Philippe Rameau, composer | Baroque | Musettes, Minuets, Gavottes | ||||||
| Linus | Jean-Philippe Rameau, composer Charles-Antoine Leclerc de La Bruère, librettist |
RCT 46 | 1750 | Baroque | Operas | ||||
| Menuet en Rondeau | Jean-Philippe Rameau, composer | RCT 4 | harpsichord | Baroque | Minuets, Rondos | ||||
| Suite in G major | Jean-Philippe Rameau, composer | G major | RCT 6 | harpsichord | Baroque | Suites | |||
| Concert 2e | Jean-Philippe Rameau, composer | RCT 8 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces | |||
| Concert 3e | Jean-Philippe Rameau, composer | G major | RCT 9 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces | ||
| Loure | Jean-Philippe Rameau, composer | C major | RCT 10 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces | ||
| Concert 1e | Jean-Philippe Rameau, composer | C major | RCT 7 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces | ||
| Concert 5e | Jean-Philippe Rameau, composer | RCT 11 | 1726 | violin, viol and harpsichord flute, viol and harpsichord 2 violins and harpsichord flute, violin and harpsichord harpsichord |
Baroque | Pieces |
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