| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Mary, Dear (Some Day We Will Meet Again) | Harry De Costa, composer | B flat major | voice and piano | Early 20th century | Songs | ||||
| My Mammy Knows | Harry De Costa, composer | G major | voice and piano | Early 20th century | Songs | ||||
| He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed) | Harry De Costa, composer Val Trainor, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| I'm Saving Up the Means to Get to New Orleans | Harry De Costa, composer Howard Johnson, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| I've Got the Shimmee Blues (Novelty Song) | Harry De Costa, composer | E flat major | voice and piano | Early 20th century | Songs | ||||
| That Soothing Serenade (Was Just Written for Me / Novelty Song) | Harry De Costa, composer | F major | voice and piano | Early 20th century | Songs | ||||
| The Little Grey Mother (Who Waits All Alone / March Ballad) | Harry De Costa, composer Bernie Grossman, librettist |
B flat major | voice and piano | Early 20th century | Marches, Ballads | ||||
| The Port of God Knows Where | Harry De Costa, composer Leo Wood, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| We Want Our Daddy Dear, Back Home (Hello Central, Give Me France / Baby Ballad) | Harry De Costa, composer James M. Reilly, librettist |
B flat major | voice and piano | Early 20th century | Ballads |
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