| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Furcht der Geliebten, D.285 (The Beloved's Fear (To Cidli)) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
A flat major (both versions) | D.285 | 1815 | voice and piano | Romantic | Lieder | ||
| Das Rosenband (The Rosy Ribbon) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
A flat major | D.280 | 1815 | voice and piano | Romantic | Lieder | ||
| Selma und Selmar (Selma and Selmar) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
F major (both versions) | D.286 | 1815 | voice and piano | Romantic | Lieder | ||
| Die Gestirne, D.444 (The Constellations) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
F major | D.444 | 1816 | voice and piano | Romantic | Lieder | ||
| Das Grosse Halleluja (The Great Hallelujah) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
E major | D.442 | 1816 | mixed chorus and piano | Romantic | Secular choruses | ||
| Schlachtlied (Schlachtgesang) (Battle Song) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
E major | D.443 | 1816 | mixed chorus and piano | Romantic | Songs | ||
| Edone, D.445 | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | D.445 | 1816 | voice and piano | Romantic | Lieder | ||
| An Sie, D.288 (To Her) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
A flat major | D.288 | 1815 | voice and piano | Romantic | Lieder | ||
| Die frühen Gräber, D.290 (The Early Graves) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
A minor | D.290 | 1815 | voice and piano | Romantic | Lieder | ||
| Die Sommernacht (The Summer Night) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
C major (both versions) | D.289 | 1815 | voice and piano | Romantic | Lieder | ||
| Vaterlandslied (Song of the Fatherland) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
C major | D.287 | 1815 | voice and piano | Romantic | Lieder | ||
| Dem Unendlichen, D.291 (To The Infinite One) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
F major - versions 1 & 2; G major - version 3 | D.291 | 1815 | voice and piano | Romantic | Lieder | ||
| Hermann und Thusnelda (Hermann and Thusnelda) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | D.322 | 1815 | voice and piano | Romantic | Lieder | ||
| Schlachtlied (Battle Song) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
D.912 (Op.151) | 1827 | 2 male chorus | Romantic | Songs | |||
| Stabat Mater | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
F minor | D.383 | 1816 | soprano, tenor, bass, mixed chorus and orchestra | Romantic | Stabat Mater | ||
| Klopstocks Oden und Lieder beym Clavier zu spielen | Christoph Willibald Gluck, composer Friedrich Gottlieb Klopstock, librettist |
voice and keyboard | Classical | Lieder, Arias | |||||
| Begräbnislied, D.168 (Nun lasst uns den Leib begraben) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
C minor | D.168 | mixed chorus and piano | Romantic | Secular choruses | |||
| Jesus Christus unser Heiland (Osterlied) | Franz Schubert, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | D.168a | mixed chorus and piano | Romantic | Chorales | |||
| Aedone und Aedi, oder die Lehrstunde von Klopstock | Johann Gottlieb Naumann, composer Friedrich Gottlieb Klopstock, librettist |
voice and piano voice and harpsichord |
Classical | Lieder | |||||
| Hermann und die Fürsten | Friedrich Ludwig Aemilius Kunzen, composer Friedrich Gottlieb Klopstock, librettist |
voices and orchestra | Classical | Stage works | |||||
| Die Auferstehung (Auferstehn, ja auferstehn wirst du) | Karl Heinrich Graun, composer Friedrich Gottlieb Klopstock, librettist |
C major | mixed chorus | Baroque | Sacred choruses | ||||
| An Fanny: Ode von Klopstock. Fuer hoehen Bass mit Begleitung des Piano-Forte | August Ferdinand Haeser, composer Friedrich Gottlieb Klopstock, librettist |
C minor - D major | bass and piano | Classical | Odes | ||||
| Christi Grablegung (Christi Grablegung, Oratorium aus Klopstocks Messias) | Sigismund Neukomm, composer Friedrich Gottlieb Klopstock, librettist |
Op.49 | voices, mixed chorus and orchestra | Romantic | Sacred oratorios | ||||
| Christi Auferstehung (Christ's Resurrection) | Sigismund Neukomm, composer Friedrich Gottlieb Klopstock, librettist |
SN322/326 | 1828 | voices, mixed chorus and orchestra | Romantic | Sacred oratorios | |||
| Christi Himmelfahrt (The Ascension) | Sigismund Neukomm, composer Friedrich Gottlieb Klopstock, librettist |
1841 | voices, mixed chorus and orchestra | Romantic | Sacred oratorios | ||||
| Bardengesang, Op. 55 | Richard Strauss, composer Friedrich Gottlieb Klopstock, librettist |
C minor | Op.55 | 1906 | male chorus and orchestra | Early 20th century | Secular choruses | ||
| Klopstoks Auferstehungs-Gesang für 4 Singstimmen | Georg Carl Friedrich Lobedanz, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Classical | Songs, Hymns | ||||
| Blessed are the Heirs of Heaven (Motet.) | Hart Pease Danks, composer Friedrich Gottlieb Klopstock, librettist |
G major | mixed chorus | Romantic | Motets | ||||
| Cäcilia | Johann Friedrich Reichardt, composer Friedrich Gottlieb Klopstock, librettist Caroline Rudolphi, librettist Friedrich Leopold zu Stolberg-Stolberg, librettist Johann Georg Jacobi, librettist Samuel Gottlieb Bürde, librettist Matthias Claudius, librettist Friedrich von Matthisson, librettist Johann Wolfgang von Goethe, librettist Pietro Metastasio, librettist Sébastien-Roch Nicolas de Chamfort, librettist Johann Gaudenz von Salis-Seewis, librettist Johann Wilhelm Ludwig Gleim, librettist Heinrich Wilhelm von Gerstenberg, librettist Johann Heinrich Voss, librettist Johann Gottfried Herder, librettist |
voice and piano voices and piano mixed chorus unison chorus piano |
Classical | Sacred choruses, Lieder, Odes, Motets, Sacred cantatas, Overtures | |||||
| Über den Sternen | Friedrich Ferdinand Flemming, composer Friedrich Gottlieb Klopstock, librettist |
mixed chorus | Classical | Sacred choruses | |||||
| 12 Lieder, 1786 (Zwolf Lieder auf ihrer Reise in Musik gesetzt) | Maria Theresia von Paradis, composer Gottlieb Konrad Pfeffel, librettist Friedrich Gottlieb Klopstock, librettist Matthias Claudius, librettist |
1784 | voice and piano voice, violin, cello and piano |
Classical | Lieder | ||||
| Lieder | Ignaz von Beecke, composer Friedrich von Matthisson, librettist Friedrich Gottlieb Klopstock, librettist Johann Gottfried Herder, librettist Gottfried August Bürger, librettist von Zehrlein, librettist |
voice and piano | Classical | Lieder | |||||
| David und Jonathan (Eine Musikalische Elegie) | Johann Heinrich Rolle, composer Friedrich Gottlieb Klopstock, librettist |
G minor | voice and keyboard | Classical | Elegies, Sacred cantatas | ||||
| Eva's Klagen (Eva's Klagen bei dem Anblik des sterbenden Messias. Eine Deklamazion mit musikalischer Begleitung aus Klopstoks Messiade 8n Gesang von F. H. Freiherrn von Dalberg) | Johann Friedrich Hugo von Dalberg, composer Friedrich Gottlieb Klopstock, librettist |
F minor | narrator, 2 violins, viola and cello narrator and strings narrator and piano |
Classical | Singspiele, Religious works | ||||
| Anleitung zur Singecomposition, mit 53 Oden (Anleitung zur Singecomposition mit Oden in verschiedenen Sylbenmaassen begleitet) | Johann Philipp Kirnberger, composer Anna Luise Karsch, librettist Johann Friedrich Löwen, librettist Justus Friedrich Wilhelm Zachariae, librettist Gotthold Ephraim Lessing, librettist Johann Baptist von Alxinger, librettist Karl Wilhelm Ramler, librettist Christian Felix Weisse, librettist Friedrich Gottlieb Klopstock, librettist Gottfried August Bürger, librettist Friedrich von Hagedorn, librettist |
voice and keyboard | Classical | Methods, Music theory, Odes, Lieder | |||||
| Jesus auf Golgatha (eine Declamation aus Klopstocks Messias) | Johann Friedrich Hugo von Dalberg, composer Friedrich Gottlieb Klopstock, librettist |
C minor | voice and orchestra voice and piano |
Baroque | Singspiele, Religious works | ||||
| Zwei Grabgesänge von Klopstock | Josef Gabriel Rheinberger, composer Friedrich Gottlieb Klopstock, librettist |
1864 | male chorus | Romantic | Songs | ||||
| 8 Oden von Klopstock (Acht Oden von Klopstock, in Musik gesetzt mit Begleitung des Pianoforte) | Karl von Schlözer, composer Friedrich Gottlieb Klopstock, librettist |
Op.9 (4th book of vocal compositions) | 1819 | voice and piano | Romantic | Odes | |||
| Der Tod (Männerchöre: Der Tod) | Paul Hindemith, composer Friedrich Gottlieb Klopstock, librettist |
1931 | male chorus | Modern | Secular choruses | ||||
| Der Messias (The Messiah (excerpts); Zween Auszüge aus Klopstocks Gedicht "Der Messias") | Georg Philipp Telemann, composer Friedrich Gottlieb Klopstock, librettist |
B flat major | TWV 6:4 | 1759 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred oratorios | ||
| Siegesgesang aus 'Hermannsschlacht', Op. 104 (Siegesgesang aus Hermannsschlacht von Klopstock für vierstimmigen Männerchor mit Begleitung von Blasinstrumenten) | Franz Paul Lachner, composer Friedrich Gottlieb Klopstock, librettist |
Op.104 | 1856 | male chorus, wind ensemble, brass ensemble and percussion | Romantic | Secular choruses | |||
| Text mit Noten und Noten ohne Text (Text mit Noten und Noten ohne Text für empfindsame Clavierspieler, verschiedener Art, nebst einem Anhange von geistlichen Liedern) | Johann David Holland, composer Friedrich Leopold zu Stolberg-Stolberg, librettist Christian Adolph Overbeck, librettist Daniel Schiebeler, librettist Johann Martin Miller, librettist Friedrich Gottlieb Klopstock, librettist Christian Fürchtegott Gellert, librettist Johann Andreas Cramer, librettist |
voice and keyboard keyboard clavichord |
Classical | Lieder, Sacred songs, Pieces | |||||
| Oden von Klopstock | Christian Gottlob Neefe, composer Friedrich Gottlieb Klopstock, librettist |
voice and keyboard voice and organ mixed chorus and organ mixed chorus and keyboard |
Classical | Odes, Lieder, Sacred choruses | |||||
| Der Messias | Wolfgang Amadeus Mozart, composer Friedrich Gottlieb Klopstock, librettist |
K.572 | 1789 | Baroque | Sacred oratorios | ||||
| Religiöse Oden und Lieder (Religiöse Oden und Lieder aus den besten deutschen Dichtern mit Melodien zum Singen bey dem Claviere) | Johann Abraham Peter Schulz, composer Friedrich Gottlieb Klopstock, librettist Johann Peter Uz, librettist Johann Heinrich Voss, librettist Joachim Neander, librettist Friedrich von Köpken, librettist Friedrich von Hagedorn, librettist Samuel Gottlieb Bürde, librettist Gottfried Benedict Funk, librettist Christoph Christian Sturm, librettist Johann Joachim Eschenburg, librettist Johann Georg Jacobi, librettist Johann Christoph Unzer, librettist |
voice and keyboard | Classical | Sacred songs, Odes, Lieder | |||||
| Selmar und Selma (Selmar und Selma. Elegie von Klopstock fur zwei Singstimmen mit Begeitung zweyer Violinen, Altviole und Bass) | Andreas Romberg, composer Friedrich Gottlieb Klopstock, librettist |
2 voices and strings 2 voices, 2 violins, viola and cello 2 voices and piano |
Romantic | Elegies | |||||
| Der leidende Jesus (Passions-Cantate; O meine Seel', ermuntre dich; Passions-Cantate: Der leidende Jesus. O meine Seel' ermuntre dich von J. H. Rolle, Musikdirector in Magdeburg) | Johann Heinrich Rolle, composer Friedrich Gottlieb Klopstock, librettist Johann Samuel Patzke, librettist |
C major | WacR III:7 | 1771 | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Passions, Sacred oratorios, Sacred cantatas | ||
| Der Tod | Andreas Romberg, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | 1803 | mixed chorus | Classical | Sacred songs | |||
| Morgengesang am Schöpfungsfeste (Klopstocks Morgengesang am Schöpfungsfeste, in Partitur und mit beygefuegtem Klavierauszuge) | Carl Philipp Emanuel Bach, composer Friedrich Gottlieb Klopstock, librettist |
H.779 | 2 voices, mixed chorus and orchestra 2 voices, mixed chorus, 2 flutes, strings and continuo |
Classical | Sacred cantatas | ||||
| Selmar und Selma | Fanny Hensel, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | H.230 | voice and piano | Romantic | Songs | |||
| The Resurrection | Charles Villiers Stanford, composer Friedrich Gottlieb Klopstock, librettist |
Op.5 | 1874 | mixed chorus, organ and orchestra | Romantic | Sacred cantatas | |||
| Vaterlandslied (Ich bin ein deutsches Madchen!) | Carl Philipp Emanuel Bach, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | H.731 | 1773 | voice and continuo | Classical | Lieder | ||
| Wechselgesang der Mirjam und Debora (Wechselgesang der Mirjam und Debora, aus dem zehnten Gesange der Klopstockischen Messiade) | Justin Heinrich Knecht, composer Friedrich Gottlieb Klopstock, librettist |
E flat major | LadK II/498ff | 2 sopranos, strings and continuo | Classical | Sacred cantatas |
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