| Composition |
Published |
| The First Set of English Madrigals (Wilbye, John) for 3 voices or 4 voices or 5 voices or 6 voices |
|
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
1841 |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
1841 |
| Psalms (Allison, Richard) for soprano, alto, tenor and bass or 2 sopranos, tenor and bass |
|
| Adieu, Sweet Love, Adieu (Bateson, Thomas) for 4 voices |
|
| Ah Me! My Mistress Scorns My Love (Bateson, Thomas) for 2 sopranos and tenor |
|
| Parthenia (Various) for keyboard or harpsichord |
1848 |
| Mass for 5 Voices (Byrd, William) for soprano, alto, 2 tenors and bass |
|
| The Firste Booke of Songes (Dowland, John) for voice and lute or 4 voices and lute or voice, lute and viol or voice and viol or lute |
|
| The Second Set of Madrigales (Wilbye, John) for 3 voices or 4 voices or 5 voices or 6 voices |
|
| Hail, Bright Cecilia, Z.328 (Purcell, Henry) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
1843 |
| Bonduca, Z.574 (Purcell, Henry) for voices, mixed chorus and orchestra |
1842 |
| The Earl of Salisbury Pavan and 2 Galliards (Byrd, William) for harpsichord |
1848 |
| Galliard, Parthenia XIV (Bull, John) for harpsichord |
1848 |
| Preludium, Parthenia IX (Bull, John) for harpsichord |
1848 |
| Galliard Mrs. Mary Brownlo (Byrd, William) for harpsichord |
1848 |
| Pavan and Galliard 'Sir William Petre' (Byrd, William) for harpsichord |
1848 |
| Galliard, Parthenia XIII (Bull, John) for harpsichord |
1848 |
| Prelude in G minor, T 515 (Byrd, William) for keyboard or harpsichord |
1848 |