| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Octavia (Die römische Unruhe, oder Die edelmühtige Octavia) | Reinhard Keiser, composer | 1705 | voices and orchestra | Baroque | Operas | ||||
| Musicalische Land-Lust (Musicalische Land-Lust Bestehend: In verschiedenen Moralischen CANTATEN, Aus Der neuesten POESIE Von Menantes Mit einer Sing-Stimme ohne Instrumente, Allen Liebhabern vom Singen und Clavier Zugefallen Ans Licht gestellet) | Reinhard Keiser, composer | soprano and continuo | Baroque | Secular cantatas, Sacred cantatas | |||||
| L'inganno fedele oder Der getreue Betrug | Reinhard Keiser, composer | voices and orchestra | Classical | Operas | |||||
| Der Hichmuetige gestuerzte und wieder erhabene Croesus | Reinhard Keiser, composer | voices and orchestra | Classical | Singspiele | |||||
| Sonata for 3 Violins in D major | Reinhard Keiser, composer | D | 3 violins 3 sopranos 3 flutes |
Baroque | Sonatas | ||||
| Der für die Sünde der Welt gemartete und sterbende Heiland Jesus | Reinhard Keiser, composer Barthold Heinrich Brockes, librettist |
1712 | voices, mixed chorus and orchestra | Baroque | Passions, Sacred oratorios | ||||
| Sonata III Dell Sigr Rinaldo Cesare | Reinhard Keiser, composer | 3 flutes | Baroque | Sonatas | |||||
| La forza della virtù oder Die Macht der Tugend (Die Macht der Tugend) | Reinhard Keiser, composer | 2 sopranos, alto, 2 tenors, 2 basses and orchestra | Baroque | Singspiele | |||||
| Der lächerliche Printz Jodelet | Reinhard Keiser, composer | voices, mixed chorus and orchestra | Baroque | Singspiele | |||||
| Circe (Circe. Singspiel (Pasticcio)) | Reinhard Keiser, composer | voices, mixed chorus and orchestra | Baroque | Operas | |||||
| Die entdeckte Verstellung, oder Die geheime Liebe der Diana (Diana) | Reinhard Keiser, composer | 4 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra | Baroque | Pastoral operas | |||||
| Sieg der fruchtbaren Pomona | Reinhard Keiser, composer | Baroque | Operas | ||||||
| Die sterbende Eurydice oder Orpheus | Reinhard Keiser, composer | Baroque | Operas | ||||||
| Benché sempre crudel meco | Reinhard Keiser, composer Cyrill Wich, librettist |
violin, harpsichord and bass | Baroque | Secular cantatas | |||||
| Dialogus von der Geburt Christi (Gelobet seist du Jesu Christ; Christmas Oratorio) | Reinhard Keiser, composer | D major | RISM-A/II-211004664 | soprano, alto, tenor, bass, 2 mixed chorus and orchestra | Baroque | Sacred oratorios | |||
| Kayserliche Friedens-Post (Kayserliche Friedens-Post, nebst verschiedenen moralischen Sing-Gedichten und Arien mit allen darzugehoerigen Instrumenten gesetzt) | Reinhard Keiser, composer | 2 voices and orchestra voice and orchestra voice, 2 flutes and continuo soprano, violin and continuo |
Baroque | Secular cantatas | |||||
| Almira | Reinhard Keiser, composer | voices and orchestra | Baroque | Operas | |||||
| Adonis (Der geliebte Adonis, Singspiel in drey Akten) | Reinhard Keiser, composer Christian Heinrich Postel, librettist |
A minor | 1697 | voices and orchestra | Baroque | Singspiele |
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