| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Psalm 13 (Der 13.Psalm ("Herr, wie lange willst du mein so gar vergessen?")) | Johannes Brahms, composer Martin Luther, librettist |
G minor | Op.27 | 1859 | female chorus and organ female chorus and piano 4 hands female chorus, organ and strings female chorus, piano and strings |
Romantic | Psalms | ||
| Triumphlied ("Song of Triumph") | Johannes Brahms, composer Martin Luther, librettist |
D major | Op.55 | 1870 | baritone, 2 mixed chorus and orchestra | Romantic | Sacred cantatas | ||
| Fest- und Gedenksprüche | Johannes Brahms, composer Martin Luther, librettist |
F major | Op.109 | 1888 | 2 mixed chorus | Romantic | Sacred choruses | ||
| 4 Serious Songs (Vier ernste Gesänge) | Johannes Brahms, composer Martin Luther, librettist |
Op.121 | 1896 | bass and piano | Romantic | Songs | ![]() |
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| Ach Gott von Himmel, sieh darein | Balthasar Resinarius, composer Martin Luther, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| „Verleih uns Frieden“ / „Da nobis pacem, Domine“ (Gebet nach Lutherschen Worten für Chor und Orchester, WoO 5) | Felix Mendelssohn, composer Martin Luther, librettist |
E flat major | MWV A 11 | 1831 | mixed chorus and orchestra | Romantic | Sacred cantatas | ||
| Geistliche Lieder (Geistliche Lieder auffs new gebessert zu Wittemberg) | Martin Luther, composer Martin Luther, librettist |
voice | Renaissance | Hymns | |||||
| Bleib bei uns, denn es will Abend werden (Stay with us, for Evening Falls) | Johann Sebastian Bach, composer Nikolaus Selnecker, librettist Martin Luther, librettist |
C minor | BWV 6 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Johannes-Passion (Das Leiden unsers Herren Jesu Christi, wie uns das beschreibet der heilige Evangeliste Johannes) | Heinrich Schütz, composer Martin Luther, librettist |
SWV 481 | 1665 | soprano, 3 tenors, 2 basses and mixed chorus | Baroque | Passions | ![]() |
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| Wer mich liebet, der wird mein Wort halten [I] (Whoever loves me will keep my Word) | Johann Sebastian Bach, composer Martin Luther, librettist Erdmann Neumeister, librettist |
C major | BWV 59 | 1723 | soprano, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Am Abend aber desselbigen Sabbatas (But in the evening of the same Sabbath) | Johann Sebastian Bach, composer Jakob Fabricius, librettist Martin Luther, librettist |
D major | BWV 42 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Schwingt freudig euch empor (Soar joyfully upwards) | Johann Sebastian Bach, composer Martin Luther, librettist Philipp Nicolai, librettist |
D major | BWV 36 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Herr Gott, Beherrscher aller Dinge (Lord God, Ruler of the things) | Johann Sebastian Bach, composer Martin Luther, librettist Joachim Neander, librettist |
D major | BWV 120a | 1729 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas, Wedding music | ||
| Die Himmel erzählen die Ehre Gottes (The Heavens are Telling the Glory of God) | Johann Sebastian Bach, composer Martin Luther, librettist |
C major | BWV 76 | 1723 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ![]() |
|
| Gott, man lobet dich in der Stille ('O God, they praise you in the Stillness') | Johann Sebastian Bach, composer Martin Luther, librettist |
A major | BWV 120 | 1728 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Preise, Jerusalem, den Herren (Praise the Lord, Jerusalem) | Johann Sebastian Bach, composer Martin Luther, librettist |
C major | BWV 119 | 1723 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Erfreute Zeit im neuen Bunde (Glad time of the New Covenant) | Johann Sebastian Bach, composer Martin Luther, librettist |
F major | BWV 83 | 1724 | alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Lobe den Herrn, meine Seele [I] (Praise the Lord, O my soul) | Johann Sebastian Bach, composer Martin Luther, librettist |
D major | BWV 69 | 1742 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Gott soll allein mein Herze haben (God alone shall have my heart) | Johann Sebastian Bach, composer Martin Luther, librettist |
D major | BWV 169 | 1726 | alto, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Der Friede sei mit dir (Peace be with you) | Johann Sebastian Bach, composer Johann Georg Albinus, librettist Martin Luther, librettist |
D major | BWV 158 | 1713 | soprano, bass, mixed chorus, oboe, violin and continuo | Baroque | Sacred cantatas | ![]() |
|
| Gott ist unsre Zuversicht (God is our confidence) | Johann Sebastian Bach, composer Martin Luther, librettist Georg Neumark, librettist |
D major | BWV 197 | 1736 | soprano, alto, bass, mixed chorus and orchestra | Baroque | Sacred cantatas, Wedding music | ||
| Der Geist hilft unsrer Schwachheit auf (The Spirit comes to the aid of our weakness) | Johann Sebastian Bach, composer Martin Luther, librettist |
B flat major | BWV 226 | 1729 | 2 mixed chorus and orchestra | Baroque | Motets, Funeral music | ![]() |
|
| Matthäus-Passion (Historia des Leidens und Sterbens unseres Herrn und Heiland Jesu Christi nach dem Evangelisten Matthäus St Matthew Passion) |
Heinrich Schütz, composer Martin Luther, librettist |
SWV 479 | 1666 | 2 sopranos, alto, 3 tenors, 2 basses and mixed chorus | Baroque | Passions | ![]() |
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| Pace | Angelo Maria Trovato, composer Martin Luther, librettist |
2010 | mixed chorus | Modern | Sacred choruses | ![]() |
|||
| Mit Fried und Freud (Fried- und freudreiche Hinfahrt) | Dietrich Buxtehude, composer Martin Luther, librettist |
D dorian - E minor (Klag-Lied) | BuxWV 76 | 1671 | soprano, bass, strings and continuo | Baroque | Sacred cantatas | ||
| Ach Gott, vom Himmel sieh darein | Johann Hermann Schein, composer Martin Luther, librettist |
2 sopranos, bass and continuo | Baroque | Chorales | |||||
| Christ unser Herr zum Jordan kam (Opella Nova, Part 1, No.13) | Johann Hermann Schein, composer Martin Luther, librettist |
2 sopranos, continuo and 3 Unspecified instruments | Baroque | Chorales | |||||
| Psalm 23 (Psalm XXIII , for 3-voice women's chorus and small orchestra. Der Herr ist mein Hirte.) | Woldemar Bargiel, composer Martin Luther, librettist |
D major | Op.26 | 1862 | mezzosoprano, female chorus and orchestra | Romantic | Psalms | ||
| Nun komm, der Heiden Heiland | Andreas Raselius, composer Martin Luther, librettist |
mixed chorus | Renaissance | Motets, Sacred choruses | |||||
| Kirchliche Fest-Ouvertüre (Church Festival Overture) | Otto Nicolai, composer Martin Luther, librettist |
F major | Op.31 (or 32) | 1845 | mixed chorus, organ and orchestra | Romantic | Overtures | ||
| Mein himmlischer Vater (In manus tuas ; Verba Lutheri ultima ; Luther's last words) | Caspar Othmayr, composer Martin Luther, librettist |
soprano, alto, 2 tenors and bass | Renaissance | Motets, Sacred songs | |||||
| Lucas-Passion (Das Leiden unsers Herren Jesu Christi, wie uns das beschreibet der heilige Evangeliste Lucas) | Heinrich Schütz, composer Martin Luther, librettist |
F major | SWV 480 | 1653 | soprano, 3 tenors, 3 basses and mixed chorus | Baroque | Passions | ||
| Marcus-Passion (Historia des Leidens und Sterbens Jesu Christi nach dem Evangelisten St. Marcum Das Leiden unsers Herrn Jesu Christi, wie es uns St. Marcus beschreibet) |
Heinrich Schütz, composer Martin Luther, librettist |
F major | SWV Aa | 1668 | soprano, alto, 3 tenors, 2 basses and mixed chorus | Baroque | Passions | ||
| Die beste Zeit im Jahr ist mein | Arnold Mendelssohn, composer Martin Luther, librettist |
mixed chorus | Romantic | Sacred choruses | |||||
| Ach Gott vom himmel sieh darein | Johann Walter, composer Martin Luther, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| Jesus Christus, unser Heiland (Jesus Christus, unser Heiland, der von uns den Gotteszorn wand; Das Lied S. Johannes Hus gebessert) | Johann Walter, composer Martin Luther, librettist |
1524 | alto, tenor and bass soprano, alto, 2 tenors and bass mixed chorus |
Renaissance | Chorales | ||||
| Mit fried und freud ich far dahin | Johann Walter, composer Martin Luther, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Geystliche gesangk-Buchleyn (Wittembergisch Geistlich Gesangbuch von 1524 zu drei, vier, und fünf Stimmen) | Johann Walter, composer Martin Luther, librettist |
Various | 1524 | 3 voices 4 voices 5 voices mixed chorus |
Renaissance | Sacred songs | |||
| Verleih uns Frieden gnädiglich | Markus Seidler, composer Martin Luther, librettist |
2013 | mixed chorus | Modern | Sacred choruses | ||||
| Der Jahrkreis | Hugo Distler, composer Martin Luther, librettist |
Op.5 | soprano, alto and male chorus | Early 20th century | Motets | ![]() |
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| Canons | Georg Gerson, composer Georg Gerson, librettist Johann Heinrich Voss, librettist Heinrich August Ottokar Reichard, librettist Johann Wolfgang von Goethe, librettist Martin Luther, librettist |
2 voices 3 voices 4 voices soprano and bass |
Romantic | Canons | |||||
| Nun bitten den Heiligen Geist | Johann Staden, composer Martin Luther, librettist |
soprano, alto and bass soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets, Sacred choruses | |||||
| Cum natus esset (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1941 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Angelus Domini apparuit (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1958 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Defuncto Herode (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1958 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Exiit edictum (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1940 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Cum descendisset Jesus (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1960 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Dicebat Jesus scribis et pharisaeis (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1959 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Dixit Jesus Petro (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1959 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Erat Joseph et Maria (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1959 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Videt Joannes Jesum (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1959 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Pastores loquebantur (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1944 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Nuptiae factae sunt (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1944 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Ascendente Jesu in naviculam (Motette für Sopran oder Tenor und Klavier) | Paul Hindemith, composer Martin Luther, librettist |
1943 | soprano and piano tenor and piano |
Modern | Motets | ||||
| Räthsel Canon in 3 Schlüßel | Georg Gerson, composer Martin Luther, librettist |
F major | G.61 | 1812 | soprano, alto and tenor | Romantic | Canons | ||
| Eyn Lobsang auff dem Osterfest | Johann Walter, composer Martin Luther, librettist |
1524 | mixed chorus soprano, alto, 2 tenors and bass soprano, alto, tenor and bass |
Renaissance | Chorales | ||||
| 5 Choralkantaten | Max Reger, composer Martin Luther, librettist Simon Dach, librettist Paul Gerhardt, librettist Christian Keymann, librettist Johann Caspar Lavater, librettist |
WoO V/4 | soprano, alto, tenor, bass, childrens chorus, mixed chorus, 2 violins and organ soprano, alto, tenor, bass, childrens chorus, mixed chorus, 2 violins and harmonium soprano, mixed chorus, strings and organ 2 sopranos, alto, tenor, bass, mixed chorus, strings and organ soprano, mixed chorus, 2 violins, viola, cello, double bass and organ 2 sopranos, alto, tenor, bass, mixed chorus, 2 violins, viola, cello, double bass and organ alto, tenor, mixed chorus, oboe, violin and organ soprano, alto, mixed chorus, oboe, violin and organ soprano, mixed chorus, violin, viola and organ alto, mixed chorus and organ |
Early 20th century | Sacred cantatas | ||||
| Vom Himmel hoch da komm ich her | Adam Gumpelzhaimer, composer Martin Luther, librettist |
C major | 4 voices | Baroque | Sacred songs | ||||
| Christ lag in Todes Banden (Christ lag in Todesbanden) | Johann Sebastian Bach, composer Martin Luther, librettist |
E minor | BWV 4 | 1707 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | ![]() |
|
| Matthäus-Passion (Passio secundum Matthaeum) | Johann Walter, composer Martin Luther, librettist |
F major | 1530 | soprano, alto, tenor, bass and mixed chorus | Renaissance | Passions, Sacred oratorios | |||
| Die Hirten auf dem Felde | Matthias Tscharn, composer Martin Luther, librettist |
D major | 2016 | mixed chorus, 2 violins, viola, cello and organ | Classical | Sacred choruses | |||
| Die beste Zeit im Jahr ist mein (Frau Musica spricht) | Georg L. Sothilander, composer Martin Luther, librettist Karl Lütge, librettist |
D major | 2017 | mixed chorus | Modern | Sacred choruses | |||
| Te Deum laudamus, Op. 78 (Herr Gott, Dich loben wir) | Carl Reinecke, composer Martin Luther, librettist |
E flat major | Op.78 | male chorus and orchestra | Romantic | Te Deum | |||
| Johannes-Passion (Passio secundum Johannem) | Johann Walter, composer Martin Luther, librettist |
F major | soprano, alto, tenor, bass and mixed chorus | Renaissance | Passions, Sacred oratorios | ||||
| Auferstehungs-Historie (Höret an die Auferstehung unsers Herren Jesu Christi) | Tobias Zeutschner, composer Martin Luther, librettist |
C major | 1650 | voices, mixed chorus and orchestra | Baroque | Sacred oratorios | |||
| Die beste Zeit im Jahr ist Mai'n | Siegfried Strohbach, composer Martin Luther, librettist |
1970 | Modern | Sacred songs | |||||
| Ein feste Burg ist unser Gott | Johann Sebastian Bach, composer Martin Luther, librettist |
D major | BWV 303 | 1725 | mixed chorus | Baroque | Chorales | ||
| Allein Gott in der Höh sei Ehr | Johann Sebastian Bach, composer Nikolaus Decius, librettist Martin Luther, librettist |
G major | BWV 260 | 1725 | mixed chorus | Baroque | Chorales | ||
| Christ lag in Todes Banden (Christ lag in Todesbanden) | Johann Sebastian Bach, composer Martin Luther, librettist |
E minor | BWV 279 | 1725 | mixed chorus | Baroque | Chorales | ||
| Mit Fried und Freud ich fahr dahin | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 382 | 1725 | mixed chorus | Baroque | Chorales | |||
| Ein feste Burg ist unser Gott | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 302 | 1725 | mixed chorus | Baroque | Chorales | |||
| Gelobet seist du, Jesu Christ | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 314 | 1725 | mixed chorus | Baroque | Chorales | |||
| Wär Gott nicht mit uns diese Zeit | Johann Sebastian Bach, composer Martin Luther, librettist |
A minor | BWV 257 | 1725 | mixed chorus | Baroque | Chorales | ||
| Es woll uns Gott genädig sein (Es woll uns Gott gnädig sein ; Es woll' uns Gott genädig sein) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 312 | 1725 | mixed chorus | Baroque | Chorales | |||
| Nun bitten wir den Heiligen Geist (Nun bitten wir den heiligen Geist) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 385 | 1725 | mixed chorus | Baroque | Chorales | |||
| Vater unser im Himmelreich | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 416 | 1725 | mixed chorus | Baroque | Chorales | |||
| Christ lag in Todes Banden (Christ lag in Todesbanden) | Johann Sebastian Bach, composer Martin Luther, librettist |
E minor | BWV 278 | 1725 | mixed chorus | Baroque | Chorales | ||
| 24 Geistliche deutsche Gesänge D. Martini Lutheri (Geistliche deutsche Gesenge D. Martini Lutheri, auff die fuernempste Fest, und sonsten zu singen, auch allerley Instrumenten zugebrauchen, mit fuenff uns sechs stimmen componiret) | Georg Otto, composer Martin Luther, librettist |
5 voices 6 voices |
Renaissance | Sacred songs | |||||
| 21 Lateinische und Deutsche Gesänge (Das Christlich Kinderlied D. Martini Lutheri, Erhalt uns Herr etc. Auffs new in sechs Stimmen gesetzt, und mit etlichen schoenen Christlichen Texten, Lateinischen und Teutschen Gesengen gemehrt) | Johann Walter, composer Martin Luther, librettist |
4 voices 5 voices 6 voices |
Renaissance | Sacred songs, Motets | |||||
| Association Hymn Book (For Use in Meetings for Men) | YMCA, composer Sarah Flower Adams, librettist Cecil Frances Alexander, librettist Saint Anatolius, librettist Harriet Auber, librettist Henry Williams Baker, librettist John Bakewell, librettist Sabine Baring-Gould, librettist Bernard Barton, librettist Benjamin Beddome, librettist Louis FitzGerald Benson, librettist Edward Henry Bickersteth, librettist Philip Paul Bliss, librettist John Ernest Bode, librettist Horatius Bonar, librettist Jane Laurie Borthwick, librettist John Bowring, librettist Matthew Bridges, librettist William Cullen Bryant, librettist Phoebe Cary, librettist John Cawood, librettist John Cennink, librettist Alexander Clark, librettist Elizabeth Cecelia Clephane, librettist Samuel O'Malley Cluff, librettist Bernard de Cluny, librettist Elizabeth Harris Codner, librettist George Cooper, librettist Anne Ross Cousin, librettist William Cowper, librettist Arthur Cleveland Coxe, librettist George Croly, librettist Fanny Crosby, librettist William Chatterton Dix, librettist William Orcutt Cushing, librettist Edward Arthur Dayman, librettist George Washington Doane, librettist Philip Doddridge, librettist Sarah Doudney, librettist Henry Downton, librettist George Duffield Jr., librettist James Edmeston, librettist John Ellerton, librettist Charlotte Elliott, librettist Emily Elizabeth Steele Elliott, librettist Frederick William Faber, librettist Reverend John Fawcett, librettist Sarh Laurie Borthwick Findlater, librettist Joseph Henry Gilmore, librettist Sir Robert Grant, librettist Joseph Grigg, librettist Eliza Hamilton, librettist Arabella Katherine Hankey, librettist Lewis Hartsough, librettist Thomas Hastings, librettist Frances Ridley Havergal, librettist Hugh Reginald Haweis, librettist Annie Sherwood Hawks, librettist George Heath, librettist Reginald Heber, librettist Edward Hopper, librettist William Walsham How, librettist Ralph Erskine Hudson, librettist William Hurn, librettist John Keble, librettist George Keith, librettist Thomas Kelly, librettist Thomas Ken, librettist Mary Artemisia Lathbury, librettist Samuel Longfellow, librettist William Dunn Longstaff, librettist Martin Luther, librettist Henry Francis Lyte, librettist Norman Macleod, librettist Daniel March, librettist Samuel Medley, librettist John Samuel Bewley Monsell, librettist James Montgomery, librettist Thomas Moore, librettist Edward Mote, librettist Gerard Moultrie, librettist John Mason Neale, librettist John Henry Newman, librettist John Newton, librettist James Nicholson, librettist Horatio Richmond Palmer, librettist Ray Palmer, librettist William Williams Pantycelyn, librettist Edward Perronet, librettist Sylvanus Dryden Phelps, librettist Folliott Sandford Pierpoint, librettist Thomas Joseph Potter, librettist Elizabeth Prentiss, librettist Rossiter Worthington Raymond, librettist Andrew Reed, librettist John Henry Sammis, librettist Ira David Sankey, librettist Joseph Medlicott Scriven, librettist Robert Seagrave, librettist Edmund Hamilton Sears, librettist William Fiske Sherwin, librettist William True Sleeper, librettist Samuel Francis Smith, librettist Anne Steele, librettist Samuel Stennett, librettist Samuel John Stone, librettist Augustus Toplady, librettist Lawrence Tuttiett, librettist John Hart Stockton, librettist Martha Matilda Stockton, librettist Samuel John Stone, librettist Hugh Stowell, librettist Alfred Tennyson, librettist Godfrey Thring, librettist Dorothy Ann Thrupp, librettist Henry Twells, librettist William Walford, librettist Annie Louisa Walker, librettist James Cowden Wallace, librettist George Augustus Warburton, librettist Henry Ware, librettist Anna Bartlett Warner, librettist Isaac Watts, librettist Marcus Morris Wells, librettist Charles Wesley Sr., librettist Henry Kirke White, librettist Catherine Winkworth, librettist Anna Laetitia Waring, librettist Frederick Whitfield, librettist William Whiting, librettist John Greenleaf Whittier, librettist Daniel Webster Whittle, librettist Helen Maria Williams, librettist William Ellsworth Witter, librettist Christopher Wordsworth, librettist John Henry Yates, librettist |
male chorus | Early 20th century | Hymns | |||||
| Vater unser im Himmelreich | Hans Leo Hassler, composer Martin Luther, librettist |
D minor | 1607 | mixed chorus | Renaissance | Psalms | |||
| Nun bitten wir den heiligen Geist | Seth Calvisius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Ein feste Burg ist unser Gott | Georg Philipp Telemann, composer Martin Luther, librettist |
C major | 1780 | mixed chorus soprano, alto, tenor and bass |
Baroque | Motets | |||
| Ach mein herzliebes Jesulein | Melchior Schildt, composer Martin Luther, librettist |
F major | soprano, bassoon, 2 violins and continuo | Baroque | Sacred songs | ||||
| Nun bitten wir den Heiligen Geist à 2 | Michael Praetorius, composer Martin Luther, librettist |
2 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den Heiligen Geist II à 2 | Michael Praetorius, composer Martin Luther, librettist |
Renaissance | Sacred songs | ||||||
| Nun bitten wir den Heiligen Geist I à 6 | Michael Praetorius, composer Martin Luther, librettist |
6 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den heiligen Geist II à 3 | Michael Praetorius, composer Martin Luther, librettist |
3 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir I à 3 | Michael Praetorius, composer Martin Luther, librettist |
3 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir I à 4 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den Heiligen Geist II à 6 | Michael Praetorius, composer Martin Luther, librettist |
6 voices | Renaissance | Sacred songs | |||||
| Vom Himmel hoch da komm ich her à 5 | Michael Praetorius, composer Martin Luther, librettist |
5 voices | Renaissance | Sacred songs | |||||
| Vom Himmel hoch da komm ich her à 3 | Michael Praetorius, composer Martin Luther, librettist |
3 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den Heiligen Geist II à 4 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nun komm der Heiden Heiland à 3 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den heiligen Geist | Lucas Osiander, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Der Tag der ist so freudenreich à 2 | Michael Praetorius, composer Martin Luther, librettist |
2 voices | Renaissance | Sacred songs | |||||
| Gelobet seist du, Jesu Christ I à 2 | Michael Praetorius, composer Martin Luther, librettist |
2 voices | Renaissance | Sacred songs | |||||
| Vom Himmel hoch da komm ich her I à 2 | Michael Praetorius, composer Martin Luther, librettist |
2 voices | Renaissance | Sacred songs | |||||
| Vom Himmel hoch da komm ich her II à 2 | Michael Praetorius, composer Martin Luther, librettist |
Renaissance | Sacred songs | ||||||
| Der Tag der ist so freudenreich à 3 | Michael Praetorius, composer Martin Luther, librettist |
3 voices | Renaissance | Sacred songs | |||||
| Ein Kindelein so löbelich à 2 | Michael Praetorius, composer Martin Luther, librettist |
Renaissance | Sacred songs | ||||||
| Christ lag in Todesbanden (frei nach Bach) | Lado Kapinski, composer Martin Luther, librettist |
E minor | Op.2 | 2020 | mixed chorus | Modern | Sacred choruses | ||
| Vom Himmel hoch, da komm' ich her | Anonymous, composer Martin Luther, librettist |
1400 | unison chorus voice |
Renaissance | Chorales | ||||
| A Song of Christmas | Clarence Dickinson, composer Martin Luther, librettist |
voice and piano | Early 20th century | Songs | |||||
| Unterm Weihnachtsbaum (Fantasie für Klavier) | Paul Zilcher, composer Martin Luther, librettist |
C major | Op.88 | piano voice and piano |
Romantic | Fantasias | |||
| Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God) | Ethan Ngo, composer Martin Luther, librettist |
G major | Op.52 | 2021 | 4 voices, mixed chorus and orchestra | Modern | Sacred cantatas | ||
| Choral-Variationen (Choral-Variationen über das Weihnachtslied 'Vom Himmel hoch da komm ich her') | Igor Stravinsky, composer Martin Luther, librettist |
K087 | 1955 | mixed chorus and orchestra | Early 20th century | Chorales, Variations | |||
| Aus tiefer Not schrei' ich zu dir | Timothy Serignese, composer Martin Luther, librettist |
2020 | soprano and continuo | Baroque | Chorales | ||||
| Mich wundert | Rainer Schulz, composer Martin Luther, librettist Hans Thoma, librettist |
F major | 2021 | voice and guitar | Modern | Songs | |||
| Satz zum Adventlied "Nun komm, der Heiden Heiland" (Einsiedeln 12. Jhdt., M. Luther 1524) (Advent-Hymnus: Nun komm der Heiden Heiland) | Rainer Schulz, composer Martin Luther, librettist |
G minor | 2014 | Modern | |||||
| Epithalamia (Hymnus paranymphorum) | Johann Hess, composer Martin Luther, librettist |
4 voices | Renaissance | Hymns, Wedding music | |||||
| Christ lag in Todes Banden (Christ lag in Todesbanden) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 277 | 1725 | Baroque | |||||
| Es spricht der Unweisen Mund wohl | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 308 | 1725 | Baroque | |||||
| Jesus Christus, unser Heiland [I] (Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 363 | 1725 | Baroque | |||||
| Es woll uns Gott genädig sein (Es woll uns Gott gnädig sein ; Es woll' uns Gott genädig sein) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 311 | 1725 | Baroque | |||||
| Gott sei gelobet und gebenedeiet | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 322 | 1725 | Baroque | |||||
| Christ unser Herr zum Jordan kam (Christ, unser Herr, zum Jordankam) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 280 | 1725 | Baroque | |||||
| Dies sind die heilgen zehn Gebot | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 298 | 1725 | Baroque | |||||
| Vatter unser im Himelreich (Pere qui habites les cieux [contrafactum version]) | Orlande de Lassus, composer Martin Luther, librettist |
LV 295 | 5 voices | Renaissance | Songs, Chansons | ||||
| Gott der Vater wohn uns bei | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 317 | 1725 | Baroque | |||||
| Wir glauben all an einen Gott (Wir glauben all an einen Gott, Schöpfer) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 437 | 1725 | Baroque | |||||
| "Shalom, Luther..." (Phantasie nach dem Kirchenlied "Ein feste Burg ist unser Gott") | Dieter Salbert, composer Martin Luther, librettist |
Op.227 | 1995 | mixed chorus and trombone | Modern | Chorales, Fantasias | |||
| Der du bist drei in Einigkeit | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 293 | 1725 | Baroque | |||||
| Jesus Christus, unser Heiland [II] (Jesus Christus, unser Heiland, der den Tod überwand) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 364 | 1725 | Baroque | |||||
| Komm, Gott Schöpfer, heiliger Geist (Komm, Gott Schöpfer, Heiliger Geist) | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 370 | 1725 | Baroque | |||||
| Nun freut euch, lieben Christen gmein | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 388 | 1725 | Baroque | |||||
| Herr Gott, dich loben wir | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 328 | 1725 | Baroque | |||||
| Mitten wir im Leben sind | Johann Sebastian Bach, composer Martin Luther, librettist |
BWV 383 | 1725 | Baroque |
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