| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Vereinfachte Harmonielehre oder die Lehre von den tonalen Funktionen der Akkorde (Harmony Simplified; The Theory of the Tonal Functions of Chords) | Hugo Riemann, composer | Romantic | Music theory | ||||||
| String Quartet | Hugo Riemann, composer | G minor | Op.26 | 2 violins, viola and cello | Romantic | Quartets | |||
| Piano Trio | Hugo Riemann, composer | E major | Op.47 | violin, cello and piano | Romantic | Trios | |||
| Technical Studies (Preparatory exercises for polyphonic playing. Technische Studien. Vorübungen für das polyphone Spiel.) |
Hugo Riemann, composer | piano | Romantic | Studies | |||||
| Musiklexikon | Hugo Riemann, composer | Romantic | Dictionaries | ||||||
| Handbuch der Musikgeschichte | Hugo Riemann, composer | 5 | Romantic | Music history | |||||
| Katechismus der Musikinstrumente | Hugo Riemann, composer | 1888 | Romantic | Music theory, Performance practice | |||||
| Anleitung zum Generalbass-Spielen (Harmonie-Übungen am Klavier) | Hugo Riemann, composer | piano | Romantic | Music theory | |||||
| Katechismus des Musik-Diktats : systematische Gehörsbildung | Hugo Riemann, composer | Early 20th century | Music theory | ||||||
| Musikgeschichte in Beispielen | Hugo Riemann, composer | Early 20th century | Music history | ||||||
| Rococo (Gavotten, Rigaudons, Bourrées, Passepieds, Menuets u. Sarabande berühmter Zeitgenossen Joh. Seb. Bach’s) | Hugo Riemann, composer | piano | Baroque | Dances | |||||
| Liederhort (120 berühmte Lieder für eine Singstimme mit Pianoforte) | Hugo Riemann, composer | voice and piano | Romantic | Lieder | |||||
| Kantaten-frühling (Cantata Spring) | Hugo Riemann, composer | voice and continuo soprano, bass and continuo |
Baroque | Secular cantatas, Arias | |||||
| Wie hören wir Musik? (Grundlinien der Musik-Ästhetik) | Hugo Riemann, composer | Romantic | Music aesthetics | ||||||
| Valse and Valsette | Hugo Riemann, composer | Op.25 | piano | Romantic | Waltzes | ||||
| Mannheimer Kammermusik des 18. Jahrhunderts | Hugo Riemann, composer | StWV 192/2 (for Sterkel) | 2 violins, viola and cello 2 violins, 2 violas and cello flute, violin, viola and cello flute, violin, viola and 2 cellos oboe, clarinet, bassoon and horn clarinet, violin, viola and cello oboe, violin, viola and cello flute, oboe, clarinet, bassoon and horn flute, cello and harpsichord violin, cello and harpsichord 2 violins and cello 2 violins and continuo violin and continuo violin and piano viola damore and cello viola damore and continuo harpsichord |
Classical | Quartets, Quintets, Trios, Sonatas | ||||
| Sinfonien der pfalzbayerischen Schule (Mannheimer Symphoniker) | Hugo Riemann, composer | DTB 3/1, 7/2, 8/2 | orchestra | Classical | Symphonies | ||||
| Systematische Modulationslehre als Grundlage der musikalischen Formenlehre | Hugo Riemann, composer | Romantic | Music theory | ||||||
| Hausmusik aus alter Zeit (intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh.) | Hugo Riemann, composer | voice, violin, viola and cello voice, 2 violins, viola and cello voice, 2 violins and cello alto, violin, viola and cello tenor, 2 violins and 2 cellos |
Renaissance | Madrigals, Canzonas, Ballads, Rondeaux, Lieder | |||||
| Grundriß der Musikwissenschaft | Hugo Riemann, composer | Romantic | Music theory | ||||||
| Das Problem des harmonischen Dualismus: Ein Beitrag zur Ästhetik der Musik | Hugo Riemann, composer | Romantic | Music aesthetics | ||||||
| 3 Lieder | Hugo Riemann, composer Victor Hugo, librettist |
Op.51 | voice and piano | Romantic | Lieder | ||||
| System der musikalischen Rhythmik und Metrik | Hugo Riemann, composer | Early 20th century | Music theory |
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